FLF as Oz, or "The good company you keep" The Urth list — 1 messages, 1 voices, 27 Jan 2000 https://urth.darkrealm.vip/thread/urth/2096 Exported from an unofficial mirror of a public mailing list. Copyright in each message remains with the person who wrote it. Email addresses are obscured as `user at host`, the form the original archive published. This file was rebuilt from parsed fields rather than retained headers, so it is faithful in content but not byte-exact. ============================================================================== Michael Andre-Driussi — 27 Jan 2000, 15:26 "From almost the first page of FREE LIVE FREE, Wolfe makes it clear that his fable can be read as a loose fantasia on the 1939 film version of THE WIZARD OF OZ. When the four finally corner Free at the controls . . . the connection is both pointed and deeply comical. But OZ is by no means the end of it. FLF reads as an attempt to recapture the essence of the world of the American film before the War. Not only OZ but THE MALTESE FALCON; not only the young Howard Hawks/Hughes but, more importantly, Frank Capra. In its lucid nostalgia, and in its magical-realist populism, FLF is very much OZ as Frank Capra might have dreamed it." --John Clute, "The Washington Post" (24 Nov 1985). =mantis= ------------------------------------------------------------------------------