{
  "export": {
    "source": "https://urth.darkrealm.vip/thread/urth/3008",
    "note": "Exported from an unofficial mirror of a public mailing list. Copyright in each message remains with the person who wrote it.  Email addresses are obscured as `user at host`, the form the original archive published. This file was rebuilt from parsed fields rather than retained headers, so it is faithful in content but not byte-exact.",
    "addresses": "obscured as 'user at host'"
  },
  "archive": "urth",
  "thread": {
    "id": 3008,
    "subject": "Brack Flank",
    "messages": 2,
    "voices": 2,
    "first": "2002-03-02T17:03:11+00:00",
    "last": "2002-03-02T17:53:47+00:00"
  },
  "messages": [
    {
      "message_id": "<urth-v0203-265@digest.urth.net>",
      "from": {
        "name": "Ranjit Bhatnagar",
        "address": "ranjit at moonmilk.com"
      },
      "date": "2002-03-02T17:03:11+00:00",
      "subject": "(urth) re: Brack Flank",
      "in_reply_to": null,
      "reply_link": null,
      "blocks": [
        {
          "kind": "text",
          "depth": 0,
          "text": "I can't resist reposting this, which I wrote in '95:\n\n\nI was listening to k.d. lang's album \"Ingenue\" when I\nrealized that the first side of the album is clearly taken\nfrom the _Book of the New Sun._  (Caution: spoilers!)  \n\n\nLet's examine the evidence, song by song:\n\n1.      SAVE ME\n\n        Save me\n        Save me from you\n        But pave me\n        The way to you\n        Lead me upon the captive free...\n\nWhat could that be but Thecla wheedling Severian?\n\n2.      THE MIND OF LOVE\n\n        ...Where is your head, Kathryn?\n        Where is your head?\n\nThe Feast of Holy Katherine.  Do I have to draw a picture?\n\n3.      MISS CHATELAINE\n\n        ...I can't explain why I've become\n        Miss Chatelaine\n\n4.      WASH ME CLEAN\n\n        You swim\n        Swim through my veins...\n\nSeverian takes the alzabo with the flesh of Chatelaine\nThecla and absorbs her memories and personality, leading to\nconfusion and identity crisis as she is in effect\nreincarnated in his body.\n\n5.      SO IT SHALL BE\n\n        Shadows\n        Now curtain the moon\n        But faith swears\n        It will shine again soon\n        Shine with love\n        You've been hiding from me...\n\nSeverian harbors a false hope that Thecla still lives, and\nis waiting for him, somewhere, just out of sight.\n\n        ...Like daylight chasing the dark...\n\n(Notice the sun/moon/shadow symbolism that recurs throughout\nthe Book of the New Sun.)\n\n        I can exist being caught by your kiss\n        Willingly\n        Or grant you control\n        Of my body and soul\n        Ask it and so it shall be\n\nEventually he must accept that if she lives at all, it is\nonly within him.\n\nlang clearly is not trying to recapitulate the entire _Book\nof the New Sun_; rather, she's focusing on one particular\nstoryline of interest to her.  I have probably missed many\nof the significant details, and I don't know what the second\nhalf of the album is about.  I welcome your comments.\n\n        Ranjit"
        }
      ]
    },
    {
      "message_id": "<urth-v0203-266@digest.urth.net>",
      "from": {
        "name": "Jason Ingram",
        "address": "j_ingram at mac.com"
      },
      "date": "2002-03-02T17:53:47+00:00",
      "subject": "Re: (urth) re: Brack Flank",
      "in_reply_to": "<urth-v0203-265@digest.urth.net>",
      "reply_link": "subject",
      "blocks": [
        {
          "kind": "text",
          "depth": 0,
          "text": "When I hear music that I often listened to when reading, I tend to \nremember those stories (\"state-dependent memory\"?); for me Miranda Sex \nGarden's _Fairy Tales of Slavery_ perfectly evokes the mood of TBONS, \nwith the possible exception of one song in German.\n\nI don't mean to imply that this might explain other people's \nassociations, since\na) lyrical content may match too well to be coincidental, and\nb) it's likely that the reading and listening occurred at different \ntimes--\n\nbut synchronicity--meaningful coincidence--isn't enough, for me, to \nevidence informed intent.\n\nREM's \"The End of the World as we know it\" is a famous example in debate \ncircles, with debaters claiming that the band members went to a debate \ntournment, listened to the arguments being made, and wrote the song \n(\"tournament, tournament, tournament of lies\").  I'm skeptical, but--and \nthis applies to Lupine music as well--even if the link isn't true it \n*ought* to be.\n\n\nSepia"
        }
      ]
    }
  ]
}