Urth Digest, Vol 71, Issue 48 The Urth list — 9 messages, 6 voices, 07 Jul 2010 https://urth.darkrealm.vip/thread/urth/5649 Exported from an unofficial mirror of a public mailing list. Copyright in each message remains with the person who wrote it. Email addresses are obscured as `user at host`, the form the original archive published. This file was rebuilt from parsed fields rather than retained headers, so it is faithful in content but not byte-exact. ============================================================================== Tim O'Donnell — 07 Jul 2010, 16:13 From: Ant?nio Pedro Marques I'll have to ask yet again - clues to *what*, please? IF some of the characters that appear throughout the book are Inire in disguise, then what? What happens? What doors open? What new understanding of the story is enabled? What's the net worth of such a knowledge? What is it that we don't grasp about the book that we'd begin to grasp that way? No one has answered this so far. _____________ Well, in the case of Inire, it depends on how much time travelling influence outer elements have had on Severian's life and specifically the difference between Sev1 (not optimised) and Sev2 (optimised). Was Sev1 almost but not quite the candidate for New Sun in which case he only needed a little gentle prodding or was he way off in which case he needed quite a lot of help? If he was close to being the New Sun then we can theorise that appearances by Inire are moments where Sev1 needed a little push perhaps and Inire wants to be sure that these moments occur. If the second option then do we believe that the forces of entropy are also interfering with Severian's progress in which case Inire's presence may be to ward off such negative influence? Far from having a single reading of these books (which I have reread many times now) I value the variety of interpretations that can be extracted from readings and rereadings. I don't want to go off topic but has anyone seen the film Primer? If so they will know that a key scene is the bench scene, multiple viewings of the film have convinced me that there is no correct reading of this scene. I don't want to say more as we are getting into spoiler territory but I feel the same way about Wolfe - to reduce the books to a single correct reading is to cast aside the wonderful multiplicity of interpretations one can find within. > On Wed, Jul 7, 2010 at 5:08 PM, wrote: > Send Urth mailing list submissions to > urth at lists.urth.net > > To subscribe or unsubscribe via the World Wide Web, visit > http://lists.urth.net/listinfo.cgi/urth-urth.net > or, via email, send a message with subject or body 'help' to > urth-request at lists.urth.net > > You can reach the person managing the list at > urth-owner at lists.urth.net > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of Urth digest..." > > > Today's Topics: > > 1. Re: The mystery of the image of an astronaut cleaned by > Rudesind (Adam Thornton) > 2. Re: The mystery of the image of an astronaut cleaned by > Rudesind (John Watkins) > 3. Re: The mystery of the image of an astronaut cleaned by > Rudesind (John Watkins) > 4. Re: The mystery of the image of an astronaut cleaned by > Rudesind (entonio at gmail.com) > 5. Re: The mystery of the image of an astronaut cleaned by > Rudesind (Ryan Dunn) > 6. Re: The mystery of the image of an astronaut cleaned by > Rudesind (Ant?nio Pedro Marques) > 7. Re: The mystery of the image of an astronaut cleaned by > Rudesind (brunians at brunians.org) > > > ---------------------------------------------------------------------- > > Message: 1 > Date: Wed, 07 Jul 2010 08:17:46 -0500 > From: Adam Thornton > To: The Urth Mailing List > Subject: Re: (urth) The mystery of the image of an astronaut cleaned > by Rudesind > Message-ID: <4C347E7A.7030700 at io.com> > Content-Type: text/plain; charset=ISO-8859-1; format=flowed > > On 07/07/2010 08:09 AM, brunians at brunians.org wrote: > > Good insights, Lee. > > > > The problem with this list is that there are a certain number of pedants. > "FOURTEEN!" shouted the.... > > oh, never mind. > > Also, see "The House of Asterion." > > Adam > > > ------------------------------ > > Message: 2 > Date: Wed, 7 Jul 2010 09:48:10 -0400 > From: John Watkins > To: The Urth Mailing List > Subject: Re: (urth) The mystery of the image of an astronaut cleaned > by Rudesind > Message-ID: > > Content-Type: text/plain; charset="iso-8859-1" > > On Wed, Jul 7, 2010 at 4:09 AM, Gerry Quinn wrote: > > On the other hand: "[Old Odilo saw] Father Inire bent nearly double, like > > a > > gnome in a nursery book, with no more nose than an alouatte" ('The Cat') > This seems to me to settle the matter. Rudesind is not Inire--they have > very different physical appearances and no evidence for them being one and > the same besides physical appearances has been presented. > > - Gerry Quinn > > > > > > _______________________________________________ > > Urth Mailing List > > To post, write urth at urth.net > > Subscription/information: http://www.urth.net > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: < > http://lists.urth.net/pipermail/urth-urth.net/attachments/20100707/72d9c23b/attachment-0001.htm > ------------------------------ > > Message: 3 > Date: Wed, 7 Jul 2010 09:53:58 -0400 > From: John Watkins > To: The Urth Mailing List > Subject: Re: (urth) The mystery of the image of an astronaut cleaned > by Rudesind > Message-ID: > > Content-Type: text/plain; charset="iso-8859-1" > > On Wed, Jul 7, 2010 at 9:04 AM, Lee Berman > wrote: > > Father Inire is an alien. Hethor was a sailor on an > > interstellar/universal > > spaceship. Both show suggestions of an unhealthy attraction to young > > human > > women. > > Should we connect these two characters based on that and the mirror > > connection? > > Or should we not connect them because it disrupts our image of Father > > Inire > > and > > doesn't fit with the story we know and love? > Actually, I thought we'd decided that Hethor's attraction is to sex > dolls/robots, but that he might possibly settle for the right kind of human > woman (maybe one who role-plays as a sex doll). As for Inire, it's not > clear to me that his fondness for little girls is a sexual interest at all > (or even that he is, properly speaking, capable of such sexual interest). > > FWIW I find much of Greek mythology to have a similar weird > > understructure. > > Was Zeus > > the mighty, heroic god that I (and Gene Wolfe?) admired as a child, who > > defeated the > > monstrous Titans, including Typhon, and ruled among the clouds with > > fatherly grace? > > Or was he a creepy guy who killed his father and married his sister and > > spent his > > spare time using his power to seduce/rape young girls and boys like > > Europa > > and > > Ganymede? He is both, right? But I had to mature as a reader and as a > > person before > > I could see both sides. > > > > For me, BotNS is built (NOT coincidentally) like House Absolute. There is > > a > > main > > structure and a second, secret house which has been built co-extensively > > within it. > > As the Secret House was constructed by Father Inire, I find it > > appropriate > > to think > > the secret structure of BotNS is centered on that character. If you don't > > think there > > are undiscovered mysteries in the story or don't find the search > > enjoyable > > I can > > understand that. The main story is really great and I spent years > > enjoying > > it on that > > level alone. But I always felt there was more. > > > > > > > > > > _________________________________________________________________ > > The New Busy is not the old busy. Search, chat and e-mail from your > > inbox. > http://www.windowslive.com/campaign/thenewbusy?ocid=PID28326::T:WLMTAGL:ON:WL:en-US:WM_HMP:042010_3 > _______________________________________________ ------------------------------------------------------------------------------ António Pedro Marques — 07 Jul 2010, 16:39 in reply to Tim O'Donnell Tim O'Donnell wrote (07-07-2010 17:13): > From: Ant?nio Pedro Marques > > > I'll have to ask yet again - clues to *what*, please? IF some of the > > characters that appear throughout the book are Inire in disguise, then > > what? What happens? What doors open? What new understanding of the > > story is enabled? What's the net worth of such a knowledge? What is it > > that we don't grasp about the book that we'd begin to grasp that way? > > No one has answered this so far. > Well, in the case of Inire, it depends on how much time travelling > influence outer elements have had on Severian's life and specifically > the difference between Sev1 (not optimised) and Sev2 (optimised). Was > Sev1 almost but not quite the candidate for New Sun in which case he > only needed a little gentle prodding or was he way off in which case he > needed quite a lot of help? If he was close to being the New Sun then we > can theorise that appearances by Inire are moments where Sev1 needed a > little push perhaps and Inire wants to be sure that these moments occur. > If the second option then do we believe that the forces of entropy are > also interfering with Severian's progress in which case Inire's presence > may be to ward off such negative influence? What I don't see is how Rudesind and other characters being FI in disguise has much to do with any of those questions. > Far from having a single reading of these books (which I have reread > many times now) I value the variety of interpretations that can be > extracted from readings and rereadings. I don't want to go off topic but > has anyone seen the film Primer? If so they will know that a key scene > is the bench scene, multiple viewings of the film have convinced me that > there is no correct reading of this scene. Yes - the pervasive idea that there must be correct readings of a given situation is wrong. Sometimes several readings are correct. Sometimes non is (rarer, but happens). Thanks for the movie tip. > I don't want to say more as we are getting into spoiler territory but I > feel the same way about Wolfe - to reduce the books to a single correct > reading is to cast aside the wonderful multiplicity of interpretations > one can find within. And that is precisely my beef with the drive to reduce characters to some specific trait that doesn't mean anything by itself. - Agia must be a robot because blablabla - but at a certain point, what is the relevance of her precise nature? - Rudesind must be FI in disguise because Fechin is a ranga - but what does that gain us? If there is a common theme in the GW works I've read so far - I'm not fortunate enough to have done significant rereading already - is how characters break free from their native, starting conditions. Trying to pin down exactly what those conditions are, and trying to come up with (or outright invent) a definite answer, as if it had in itself a deep significance, is in my view misguided - and harmful when it blinds the mind to the rest. Their precise nature may be explanative of something else, but I just can't see that it can be an interesting fact all by itself. ------------------------------------------------------------------------------ DAVID STOCKHOFF — 07 Jul 2010, 17:23 in reply to António Pedro Marques "- Rudesind must be FI in disguise because Fechin is a ranga - but what does that gain us?" No one has made that argument, as far as I can tell As for the (ultimately, failed) theory I built concerning Agia, I made the narrative implications very clear. That was indeed the point of the exercise---to take the perceived possibility of a connection between Agia and the doll and test it against the principle that it must add meaning. But it required making up too much stuff---more than it explained---which is a different principle entirely. --- On Wed, 7/7/10, Ant?nio Pedro Marques wrote: From: Ant?nio Pedro Marques Subject: Re: (urth) The mystery of the image of an astronaut cleaned by Rudesind To: "The Urth Mailing List" Date: Wednesday, July 7, 2010, 12:39 PM Tim O'Donnell wrote (07-07-2010 17:13): > From: Ant?nio Pedro Marques > And that is precisely my beef with the drive to reduce characters to some specific trait that doesn't mean anything by itself. - Agia must be a robot because blablabla - but at a certain point, what is the relevance of her precise nature? - Rudesind must be FI in disguise because Fechin is a ranga - but what does that gain us? If there is a common theme in the GW works I've read so far - I'm not fortunate enough to have done significant rereading already - is how characters break free from their native, starting conditions. Trying to pin down exactly what those conditions are, and trying to come up with (or outright invent) a definite answer, as if it had in itself a deep significance, is in my view misguided - and harmful when it blinds the mind to the rest. Their precise nature may be explanative of something else, but I just can't see that it can be an interesting fact all by itself. _______________________________________________ ------------------------------------------------------------------------------ John Watkins — 07 Jul 2010, 17:25 in reply to DAVID STOCKHOFF > On Wed, Jul 7, 2010 at 1:23 PM, DAVID STOCKHOFF wrote: > " > > As for the (ultimately, failed) theory I built concerning Agia, I made the > narrative implications very clear. That was indeed the point of the > exercise---to take the perceived possibility of a connection between Agia > and the doll and test it against the principle that it must add meaning. But > it required making up too much stuff---more than it explained---which is a > different principle entirely. Actually, it at least gave me the insight that the "things" Agia "does" for Hethor probably involve lying very, very still...(shudder) > --- On *Wed, 7/7/10, Ant?nio Pedro Marques * wrote: > > > From: Ant?nio Pedro Marques > Subject: Re: (urth) The mystery of the image of an astronaut cleaned by > Rudesind > To: "The Urth Mailing List" > Date: Wednesday, July 7, 2010, 12:39 PM > > Tim O'Donnell wrote (07-07-2010 17:13): > > From: Ant?nio Pedro Marques > > >> > And that is precisely my beef with the drive to reduce characters to some > specific trait that doesn't mean anything by itself. > > - Agia must be a robot because blablabla - but at a certain point, what is > the relevance of her precise nature? > > - Rudesind must be FI in disguise because Fechin is a ranga - but what does > that gain us? > > If there is a common theme in the GW works I've read so far - I'm not > fortunate enough to have done significant rereading already - is how > characters break free from their native, starting conditions. Trying to pin > down exactly what those conditions are, and trying to come up with (or > outright invent) a definite answer, as if it had in itself a deep > significance, is in my view misguided - and harmful when it blinds the mind > to the rest. Their precise nature may be explanative of something else, but > I just can't see that it can be an interesting fact all by itself. > _______________________________________________ > > > _______________________________________________ ------------------------------------------------------------------------------ DAVID STOCKHOFF — 07 Jul 2010, 17:27 in reply to John Watkins So it wasn't a complete waste! ;) --- On Wed, 7/7/10, John Watkins wrote: From: John Watkins Subject: Re: (urth) The mystery of the image of an astronaut cleaned by Rudesind To: "The Urth Mailing List" Date: Wednesday, July 7, 2010, 1:25 PM On Wed, Jul 7, 2010 at 1:23 PM, DAVID STOCKHOFF wrote: " As for the (ultimately, failed) theory I built concerning Agia, I made the narrative implications very clear. That was indeed the point of the exercise---to take the perceived possibility of a connection between Agia and the doll and test it against the principle that it must add meaning. But it required making up too much stuff---more than it explained---which is a different principle entirely. Actually, it at least gave me the insight that the "things" Agia "does" for Hethor probably involve lying very, very still...(shudder) --- On Wed, 7/7/10, Ant?nio Pedro Marques wrote: From: Ant?nio Pedro Marques Subject: Re: (urth) The mystery of the image of an astronaut cleaned by Rudesind To: "The Urth Mailing List" Date: Wednesday, July 7, 2010, 12:39 PM Tim O'Donnell wrote (07-07-2010 17:13): > From: Ant?nio Pedro Marques > And that is precisely my beef with the drive to reduce characters to some specific trait that doesn't mean anything by itself. - Agia must be a robot because blablabla - but at a certain point, what is the relevance of her precise nature? - Rudesind must be FI in disguise because Fechin is a ranga - but what does that gain us? If there is a common theme in the GW works I've read so far - I'm not fortunate enough to have done significant rereading already - is how characters break free from their native, starting conditions. Trying to pin down exactly what those conditions are, and trying to come up with (or outright invent) a definite answer, as if it had in itself a deep significance, is in my view misguided - and harmful when it blinds the mind to the rest. Their precise nature may be explanative of something else, but I just can't see that it can be an interesting fact all by itself. Subscription/information: http://www.urth.net -----Inline Attachment Follows----- ------------------------------------------------------------------------------ brunians at brunians.org — 07 Jul 2010, 18:08 in reply to John Watkins That's an interesting insight. What is the source of it? As far as I know there are three or four different kinds of pervert that Hethor could be. My source is ten years employment by clinicians treating sex offenders. . > On Wed, Jul 7, 2010 at 1:23 PM, DAVID STOCKHOFF > wrote: > > " > > > > As for the (ultimately, failed) theory I built concerning Agia, I made > > the > > narrative implications very clear. That was indeed the point of the > > exercise---to take the perceived possibility of a connection between > > Agia > > and the doll and test it against the principle that it must add meaning. > > But > > it required making up too much stuff---more than it explained---which is > > a > > different principle entirely. > Actually, it at least gave me the insight that the "things" Agia "does" > for > Hethor probably involve lying very, very still...(shudder) > > --- On *Wed, 7/7/10, Ant?nio Pedro Marques * wrote: > > > > > > From: Ant?nio Pedro Marques > > Subject: Re: (urth) The mystery of the image of an astronaut cleaned by > > Rudesind > > To: "The Urth Mailing List" > > Date: Wednesday, July 7, 2010, 12:39 PM > > > > Tim O'Donnell wrote (07-07-2010 17:13): > > > From: Ant?nio Pedro Marques > > > > > > >> > > And that is precisely my beef with the drive to reduce characters to > > some > > specific trait that doesn't mean anything by itself. > > > > - Agia must be a robot because blablabla - but at a certain point, what > > is > > the relevance of her precise nature? > > > > - Rudesind must be FI in disguise because Fechin is a ranga - but what > > does > > that gain us? > > > > If there is a common theme in the GW works I've read so far - I'm not > > fortunate enough to have done significant rereading already - is how > > characters break free from their native, starting conditions. Trying to > > pin > > down exactly what those conditions are, and trying to come up with (or > > outright invent) a definite answer, as if it had in itself a deep > > significance, is in my view misguided - and harmful when it blinds the > > mind > > to the rest. Their precise nature may be explanative of something else, > > but > > I just can't see that it can be an interesting fact all by itself. > > _______________________________________________ > > > > > > _______________________________________________ ------------------------------------------------------------------------------ brunians at brunians.org — 07 Jul 2010, 18:09 in reply to DAVID STOCKHOFF That is seriously a matter of opinion. . > So it wasn't a complete waste! ;) > > --- On Wed, 7/7/10, John Watkins wrote: > > From: John Watkins > Subject: Re: (urth) The mystery of the image of an astronaut cleaned by > Rudesind > To: "The Urth Mailing List" > Date: Wednesday, July 7, 2010, 1:25 PM > > > > > On Wed, Jul 7, 2010 at 1:23 PM, DAVID STOCKHOFF > wrote: > > > > > > > " > > > As for the (ultimately, failed) theory I built concerning Agia, I made the > narrative implications very clear. That was indeed the point of the > exercise---to take the perceived possibility of a connection between Agia > and the doll and test it against the principle that it must add meaning. > But it required making up too much stuff---more than it explained---which > is a different principle entirely. > > > > Actually, it at least gave me the insight that the "things" Agia "does" > for Hethor probably involve lying very, very still...(shudder) > > > > > > > > > --- On Wed, 7/7/10, Ant?nio Pedro Marques wrote: > > > From: Ant?nio Pedro Marques > Subject: Re: (urth) The mystery of the image of an astronaut cleaned by > Rudesind ------------------------------------------------------------------------------ António Pedro Marques — 07 Jul 2010, 18:25 in reply to DAVID STOCKHOFF DAVID STOCKHOFF wrote (07-07-2010 18:23): > "- Rudesind must be FI in disguise because Fechin is a ranga - but what > does that gain us?" > > No one has made that argument, as far as I can tell I was satyrising it, but aside from the straightness and use of slang it's the one reliable piece of evidence that has been aduced. ------------------------------------------------------------------------------ Lee Berman — 08 Jul 2010, 04:18 follows, by subject match Tim O'Donnell > Tim O'Donnell- Far from having a single reading of these books (which I have reread many > times now) I value the variety of interpretations that can be extracted from > readings and rereadings. I can agree with this. I'll further suggest that in reading this work of science fiction, we have a spectrum of preferences ranging from the more scientific to the more fiction/artistic. Some prefer to understand this story with the tools of science- objective observation of the "facts" and parsimony (Occam) in interpretation. Others enjoy artistic interpretation which relies on in-depth cultural understanding and intuitive leaps of faith. Credit to Gene wolfe for creating literature which appeals to both ends of the spectrum and those in between. ------------------------------------------------------------------------------