{ "export": { "source": "https://urth.darkrealm.vip/thread/urth/6256", "note": "Exported from an unofficial mirror of a public mailing list. Copyright in each message remains with the person who wrote it. Email addresses are obscured as `user at host`, the form the original archive published. This file was rebuilt from parsed fields rather than retained headers, so it is faithful in content but not byte-exact.", "addresses": "obscured as 'user at host'" }, "archive": "urth", "thread": { "id": 6256, "subject": "Short Story 28: Slaves of Silver", "messages": 2, "voices": 2, "first": "2012-05-25T20:48:23+00:00", "last": "2012-05-25T21:02:24+00:00" }, "messages": [ { "message_id": "<1337978903.22085.YahooMailClassic@web161806.mail.bf1.yahoo.com>", "from": { "name": "Marc Aramini", "address": "marcaramini at yahoo.com" }, "date": "2012-05-25T20:48:23+00:00", "subject": "(urth) (Urth) Short Story 28: Slaves of Silver", "in_reply_to": null, "reply_link": null, "blocks": [ { "kind": "text", "depth": 0, "text": "Slaves of Silver\nSlaves of Silver first appeared in Galaxy in 1971. It is a fairly straightforward Sherlock Holmes type story — with some robots and a socialist kind of monetary disbursement for humans who are allowed to be rich until they commit a crime or reach a certain age, where they can select declassification or death. It is collected on pg 42 in Storeys from the Old Hotel.\nSUMMARY: The robotic Bio-mechanic (doctor) named Westing after Westinghouse remembers the first day he met the consulting engineer and detective March B Street. He is not happy with his current living arrangements and sees an ad for 8 credits a month in his newspaper — but there will be no entertaining and quiet must be maintained. He decides to answer the ad.\nStreet, a human who has not been declassed due to age, lives in an apartment with 3 expanders — a technology that “steals” space form the cosmos and makes it usable, making the inside “larger” than the outside (there must be segregation between the humans living on their allotment and who accept euthanasia at a certain age and those who are turned out to “earn” a living)? Street determines that Westing is honest — for a bio mechanic has many opportunities to steal. He makes other deductions about his character and his method of arrival, some from simple things like a mono ticket stuck to Westing’s foot. They are interrupted by another visitor to Street’s apartment, Commissioner Electric, who hires Street to investigate the disappearance of deactivated robots who have no function from their storage hall — the economy is bad, and when there is no work for the robots to undertake, they shut down.\nA quote is useful for summing up their economic situation “Free markets and free robots, may be a joke now to some, but it has built our civilization.” Robots are assembled when the demand for labor exceeds the supply. When supply exceeds demand — when the excess cibercitizens can’t make a living — they turn themselves in at the hiring hall, where they’re deactivated until they are needed again?. Humans must also adjust to learning to make a living when they reach a certain age if they do not accept being euthanized. \nStreet and Westing visit the Hiring Hall and Street takes down the dates and numbers involved in the disappearances. The talk leads to Westing recommending some drugs for Street’s depression, and Street responds: “Not at all Westing.” Thought is my drug — and believe me it is both stiulating and frustrating. My need is for a soporific, and your conversation fills the bill better than anything you could prescribe.? Westing then details the aberrant color display of a tri-d set, fluctuating in a certain pattern.\nStreet latches on to this and is able to match that repetitive flux of colors with the verbal sounds in spoken language through a robotic speech chart and eventually determine that the color display was shouting out for “help” since the verbal circuits of the enslaved robots was being put to other use. \nStreet is able to determine that the criminals are turning off the expanders, returning the robots to outer space, where they are then picked up by a freighter and put to work for free. Street reveals that he was declassed for having a clone and didn’t want to marry because “I prefer to have a home.” And no man has a home unless he is master of a place where he must please no one — a place where he can go and lock the door behind him.? He does not view Westing as an intrusion because “You’re no more in the way than a refrigerator.”\nCOMMENTARY:\nThe social fears of Wolfe extrapolated into the future at the 1970s short story level are thankfully never the primary gist. Much like “Remembrance to Come” and “Sonya, Crane Wesselman, and Kittee”, this shows a much more socialist style world in which everyone lives wealthily with a stipend until they either reach the maximum age and are euthanized or accept “declassification” where they have to work for a living. They may also be declassed for crimes or aberrant behavior such as asexual reproduction. \nThe prominence of socialist thought in the world’s superpowers at the time and the somewhat liberal zeitgeist clearly occupied a central fixture in Wolfe’s early fiction. Most of the declassed humans seem to be incapable of providing for themselves, and this has created an economy where enslaving these robots can even further upset the balance.\nStreet in this one is a bit of a jerk to his robot friends, calling Westing soporific and pretty much a refrigerator, and he mirrors to some degree the distrust of women found in Nero Wolfe as well.\nThese mysteries of Wolfe are often way more straightforward than the science fantasies he writes, and in this one the “Slaves of Silver” is of course a double entendre — the silver/metallic robots are being stolen and put to use on the black market, but EVERYONE has become a slave to their allotment of silver from a central disbursement in the culture, and only those like March B Street have stepped outside that line. The robotic doctor is definitely still a “wage slave” thanks to his scruples, for March avers that he has ample opportunity to make dishonest money.\nOn the plot level there is nothing remarkable save the complete absence of the “bad guys” — they are not personal entities and the mystery is more in finding out “how” they have committed their enslavement of surplus robots. \nAs in “Last Casualty of Cambrai” and “The Largest Luger”, some properties of physics and the way that these robots are programmed plays into the solution — the color chart that represents their verbal pattern is used to find how they have been enslaved, and the physical properties of the expander unit also allow for the crime to take place. Street is an engineer, and these mechanistic principals seem to lay at the heart of Wolfe’s mysteries as keys to both the crimes and the solutions.\nAMBIGUITIES: Why has Street cloned himself?\nALLUSIONS/INSPIRATIONS: Doyle, Poe’s Dupin, maybe a little bit of an Asimovian robot ethic. Westinghouse was a huge electric company founded in 1886 that expanded into all manner of transmission and electrical tehcnologies into the 20th century. The opening introduction certainly follows the first meeting of Holmes and Watson in Study in Scarlet or the interaction between Dupin and his friend pretty closely — insights reduced to mechanistic explanations.\nIn an inversion of the normal expectation, even though psychotropic drugs seem to be commonplace just as in “Remembrance to Come”, Street abstains from them entirely, avoiding Holme’s addictions. Westing is of course a Watson type, and the name March B Street may refer to Baker street, but that really doesn’t tell us much.\nRELIGIOUS IMPLICATIONS: Very few here — the heaviest it gets is Westing’s subconscious “processor” which at times makes him very scrupulous of his own well-being and self-preservation. Street sees him as little more than a refrigerator.\nRESONANCE IN OTHER WORKS: We are getting to the point when there may have been more in common with what came before for these mysteries — this is a natural outgrowth from his “Case of the Vanishing Ghost” and “The Last Casualty of Cambrai”, and there is a direct sequel in “The Rubber Bend”. Wolfe’s mysteries are usually not as mysterious as his science fiction, and this seems a pretty straightforward tale in general. “The Detective of Dreams” and Pandora are probably his most successful mysteries.\nThe fear of 1960s social trends and communism/socialism is still at work here.\n\nNext up we have Sweet Forest Maid from Endangered Species." } ] }, { "message_id": "", "from": { "name": "Dan'l Danehy-Oakes", "address": "danldo at gmail.com" }, "date": "2012-05-25T21:02:24+00:00", "subject": "(urth) (Urth) Short Story 28: Slaves of Silver", "in_reply_to": "<1337978903.22085.YahooMailClassic@web161806.mail.bf1.yahoo.com>", "reply_link": "header", "blocks": [ { "kind": "text", "depth": 0, "text": "Also of note: the economy of this future world has reversed the concept of\n\"retirement\" -- only the elderly are obliged to work for a living." }, { "kind": "quote", "depth": 1, "text": "On Fri, May 25, 2012 at 1:48 PM, Marc Aramini wrote:\nSlaves of Silver******\n\nSlaves of Silver first appeared in Galaxy in 1971. It is a fairly\nstraightforward Sherlock Holmes type story — with some robots and a\nsocialist kind of monetary disbursement for humans who are allowed to be\nrich until they commit a crime or reach a certain age, where they\ncan select declassification or death. It is collected on pg 42 in\nStoreys from the Old Hotel.****\n\nSUMMARY: The robotic Bio-mechanic (doctor) named Westing after\nWestinghouse remembers the first day he met the consulting engineer and\ndetective March B Street. He is not happy with his current living\narrangements and sees an ad for 8 credits a month in his newspaper — but\nthere will be no entertaining and quiet must be maintained. He decides\nto answer the ad.****\n\nStreet, a human who has not been declassed due to age, lives in an\napartment with 3 expanders — a technology that “steals” space form the\ncosmos and makes it usable, making the inside “larger” than the outside\n(there must be segregation between the humans living on their allotment and\nwho accept euthanasia at a certain age and those who are turned out to\n“earn” a living) Street determines that Westing is honest — for a bio\nmechanic has many opportunities to steal. He makes other deductions\nabout his character and his method of arrival, some from simple things like\na mono ticket stuck to Westing’s foot. They are interrupted by another\nvisitor to Street’s apartment, Commissioner Electric, who hires Street to\ninvestigate the disappearance of deactivated robots who have no function\nfrom their storage hall — the economy is bad, and when there is no work for\nthe robots to undertake, they shut down.****\n\nA quote is useful for summing up their economic situation “Free markets\nand free robots, may be a joke now to some, but it has built our\ncivilization. Robots are assembled when the demand for labor exceeds the\nsupply. When supply exceeds demand — when the excess cibercitizens can’t\nmake a living — they turn themselves in at the hiring hall, where they’re\ndeactivated until they are needed again”. Humans must also adjust to\nlearning to make a living when they reach a certain age if they do not\naccept being euthanized. ****\n\nStreet and Westing visit the Hiring Hall and Street takes down the dates\nand numbers involved in the disappearances. The talk leads to Westing\nrecommending some drugs for Street’s depression, and Street responds: “Not\nat all Westing. Thought is my drug — and believe me it is both\nstiulating and frustrating. My need is for a soporific, and your\nconversation fills the bill better than anything you could prescribe.” Westing\nthen details the aberrant color display of a tri-d set, fluctuating in a\ncertain pattern.****\n\nStreet latches on to this and is able to match that repetitive flux of\ncolors with the verbal sounds in spoken language through a robotic speech\nchart and eventually determine that the color display was shouting out for\n“help” since the verbal circuits of the enslaved robots was being put to\nother use. ****\n\nStreet is able to determine that the criminals are turning off the\nexpanders, returning the robots to outer space, where they are then picked\nup by a freighter and put to work for free. Street reveals that he was\ndeclassed for having a clone and didn’t want to marry because “I prefer to\nhave a home. And no man has a home unless he is master of a place where\nhe must please no one — a place where he can go and lock the door behind\nhim.” He does not view Westing as an intrusion because “You’re no more\nin the way than a refrigerator.?****\n\nCOMMENTARY:****\n\nThe social fears of Wolfe extrapolated into the future at the 1970s short\nstory level are thankfully never the primary gist. Much like\n?Remembrance to Come” and “Sonya, Crane Wesselman, and Kittee”, this shows\na much more socialist style world in which everyone lives wealthily with a\nstipend until they either reach the maximum age and are euthanized or\naccept “declassification” where they have to work for a living. They may\nalso be declassed for crimes or aberrant behavior such as asexual\nreproduction. ****\n\nThe prominence of socialist thought in the world’s superpowers at the time\nand the somewhat liberal zeitgeist clearly occupied a central fixture in\nWolfe’s early fiction. Most of the declassed humans seem to be incapable\nof providing for themselves, and this has created an economy where\nenslaving these robots can even further upset the balance.****\n\nStreet in this one is a bit of a jerk to his robot friends, calling\nWesting soporific and pretty much a refrigerator, and he mirrors to some\ndegree the distrust of women found in Nero Wolfe as well.****\n\nThese mysteries of Wolfe are often way more straightforward than the\nscience fantasies he writes, and in this one the “Slaves of Silver” is of\ncourse a double entendre — the silver/metallic robots are being stolen and\nput to use on the black market, but EVERYONE has become a slave to their\nallotment of silver from a central disbursement in the culture, and only\nthose like March B Street have stepped outside that line. The robotic\ndoctor is definitely still a “wage slave” thanks to his scruples, for March\navers that he has ample opportunity to make dishonest money.****\n\nOn the plot level there is nothing remarkable save the complete absence of\nthe “bad guys” — they are not personal entities and the mystery is more in\nfinding out “how” they have committed their enslavement of surplus robots.\n****\n\nAs in “Last Casualty of Cambrai” and “The Largest Luger”, some properties\nof physics and the way that these robots are programmed plays into the\nsolution — the color chart that represents their verbal pattern is used to\nfind how they have been enslaved, and the physical properties of the\nexpander unit also allow for the crime to take place. Street is an\nengineer, and these mechanistic principals seem to lay at the heart of\nWolfe’s mysteries as keys to both the crimes and the solutions.****\n\nAMBIGUITIES: Why has Street cloned himself?****\n\nALLUSIONS/INSPIRATIONS: Doyle, Poe’s Dupin, maybe a little bit of an\nAsimovian robot ethic. Westinghouse was a huge electric company founded\nin 1886 that expanded into all manner of transmission and electrical\ntehcnologies into the 20th century. The opening introduction certainly\nfollows the first meeting of Holmes and Watson in Study in Scarlet or the\ninteraction between Dupin and his friend pretty closely — insights reduced\nto mechanistic explanations.****\n\nIn an inversion of the normal expectation, even though psychotropic drugs\nseem to be commonplace just as in “Remembrance to Come”, Street abstains\nfrom them entirely, avoiding Holme’s addictions. Westing is of course a\nWatson type, and the name March B Street may refer to Baker street, but\nthat really doesn’t tell us much.****\n\nRELIGIOUS IMPLICATIONS: Very few here — the heaviest it gets is Westing’s\nsubconscious “processor” which at times makes him very scrupulous of his\nown well-being and self-preservation. Street sees him as little more\nthan a refrigerator.****\n\nRESONANCE IN OTHER WORKS: We are getting to the point when there may have\nbeen more in common with what came before for these mysteries — this is a\nnatural outgrowth from his “Case of the Vanishing Ghost” and “The Last\nCasualty of Cambrai”, and there is a direct sequel in “The Rubber Bend”. Wolfe’s\nmysteries are usually not as mysterious as his science fiction, and this\nseems a pretty straightforward tale in general. “The Detective of\nDreams” and Pandora are probably his most successful mysteries.****\n\nThe fear of 1960s social trends and communism/socialism is still at work\nhere.****\n\n** **\n\nNext up we have Sweet Forest Maid from Endangered Species.****\n\n\n_______________________________________________" } ] } ] }