Soldier: Hegesistratus the Lame Lycanthrope
Matthew King · 04 Apr 2006, 17:08
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From: automatthew at gmail.com (Matthew King) Date: Tue, 4 Apr 2006 10:08:34 -0700 Subject: (urth) Soldier: Hegesistratus the Lame Lycanthrope In-Reply-To: <BAY102-F16959E2D96D6B8F61C4A8EB9CA0 at phx.gbl> References: <BAY102-F16959E2D96D6B8F61C4A8EB9CA0 at phx.gbl> Message-ID: <A0D5051B-202C-46BB-B4C3-E6668C441417 at gmail.com> On Apr 4, 2006, at 4:18 AM, Iorwerth Thomas wrote: >> From: "Chris" <rasputin_ at hotmail.com> >> Now that you mention it though, the bit about whistling when he >> loses just >> like he whistles when he wins stirs up some memory I can't quite >> recall. >> Isn't there some statement or other that the (Christian) man of faith >> always >> hopes for the best, but nonetheless is never disappointed if he >> doesn't >> happen to get it, treating each with a sort of happy equanimity? > > It _sounds_ like some elements of Kierkeguaard, but it may not have > been > original to him. > > -Iorwerth > The whistling bit reminds me particularly of the Knight of Faith in Kierkegaard's _Fear and Trembling_. I don't recall any exact analogues, but a specific passage does come to mind, which I'll paste below. Terminology note: By "knights of infinity" in the second paragraph, SK is referring to what he more usually calls the Knight of Infinite Resignation. An example of the KoIR is Agamemnon, sacrificing his daughter for the good of the cause. His counterpart Knight of Faith is Abraham, offering up his son for no good reason other than a personal request, BUT with the full and absurd expectation that he will receive Isaac back (Paul says by resurrection, though that turned out to be unnecessary in this case). --- http://home.ddc.net/ygg/etext/fear.htm#Problemata Toward evening he walks home, his gait is as indefatigable as that of the postman. On his way he reflects that his wife has surely a special little warm dish prepared for him, e.g. a calf's head roasted, garnished with vegetables. If he were to meet a man like- minded, he could continue as far as East Gate to discourse with him about that dish, with a passion befitting a hotel chef. As it happens, he hasn't four pence to his name, and yet he fully and firmly believes that his wife has that dainty dish for him. If she had it, it would then be an invidious sight for superior people and an inspiring one for the plain man, to see him eat; for his appetite is greater than Esau's. His wife hasn't it?strangely enough, it is quite the same to him. . . . Most people live dejectedly in worldly sorrow and joy; they are the ones who sit along the wall and do not join in the dance. The knights of infinity are dancers and possess elevation. They make the movements upward, and fall down again; and this too is no mean pastime, nor ungraceful to behold. But whenever they fall down they are not able at once to assume the posture, they vacillate an instant, and this vacillation shows that after all they are strangers in the world. This is more or less strikingly evident in proportion to the art they possess, but even the most artistic knights cannot altogether conceal this vacillation. One need not look at them when they are up in the air, but only the instant they touch or have touched the ground?then one recognizes them. But to be able to fall down in such a way that the same second it looks as if one were standing and walking, to transform the leap of life into a walk, absolutely to express the sublime in the pedestrian?that only the knight of faith can do?and this is the one and only prodigy.
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