Wolfe being clear on 5HoC
Adrian Robert · 21 Sep 2006, 23:10
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From: arobert at cogsci.ucsd.edu (Adrian Robert) Date: Thu, 21 Sep 2006 19:10:36 -0400 Subject: (urth) Wolfe being clear on 5HoC In-Reply-To: <20060921215533.25576.qmail at web54409.mail.yahoo.com> References: <20060921215533.25576.qmail at web54409.mail.yahoo.com> Message-ID: <A7592D9E-0B55-43AC-947A-32A1113FFF96 at cogsci.ucsd.edu> On Sep 21, 2006, at 5:55 PM, Nathan Spears wrote: > I think this sort of interpretation is diversionary at best. If > what an author achieves is greater (or more significant) than what > he intended, then his skill as an author has failed him in some > way. It may be interesting to look at what has "slipped out" but > it would certainly not merit devoted re-reading and analysis, in my > opinion. If the author's insight into his own work is less > valuable than mine, then perhaps I should find someone else to read. I recommend reading an excellent essay by Carl Jung on just this matter, entitled "On the Relation of Analytical Psychology to Poetry". It can be found in some volumes excerpting his collected works. He refutes this view on the basis of two ideas -- first, the writer is not operating in a vacuum, but is a conduit through which species- and culture-universal as well as individual experiences flow, and second, that what is accessible to conscious control and introspection can in no sense be said to make up the entire contribution to a creative work as complex as a poem, let alone a novel. There are just too many aspects, too many details, too many dimensions to suppose that the author has consciously exerted control over every one of them -- yet they are affected and determined nonetheless by the author (and that which has influenced him or her). I find this an insightful way to look at many art forms. When you start thinking about works such as major films, for example, affected by many people, it leads to some interesting lines of thinking..
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