Wolfe: Misogynist or Realist?
Mo Holkar / UKG · 18 Oct 2006, 10:28
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From: lists at ukg.co.uk (Mo Holkar / UKG) Date: Wed, 18 Oct 2006 11:28:13 +0100 Subject: (urth) Wolfe: Misogynist or Realist? In-Reply-To: <1f7617370610171515s4d7aceb1l4cabb8c8cbd744f0 at mail.gmail.co m> References: <19ee41770610171332h3c56cd21h91172dd9465fb362 at mail.gmail.com> <200610171750.25563.ddjones at riddlemaster.org> <1f7617370610171515s4d7aceb1l4cabb8c8cbd744f0 at mail.gmail.com> Message-ID: <6.2.5.6.2.20061018105935.04972058 at ukg.co.uk> At 23:15 17/10/2006, Dan'l wrote: >I AM saying that I have come to find the sheer quantity of violence >against women in his narratives disturbing, and I think it needs >further thinking-about by people who understand this sort of thing >better than I do. I am not such a person, unfortunately... but I think it's interesting to compare Wolfe in this respect with another of my favourite SF writers, Philip Dick. In much of Dick's mature work there's this recurrent figure of the beautiful woman with long, dark hair who maliciously betrays the love of the protagonist. You don't have to be a psychoanalyst to suspect that Dick had some particular neurosis he was exercising there, particularly when you note that he formed unhappy marriages with a number of women also fitting that description. Positive images of women to put alongside these negative ones are very rare -- so I think it's fair to describe this writing as having a misogynistic trait, albeit a fairly tightly-focused one. The handling of women in Wolfe's writing seems to me to be more broadly negative. He is quite capable of creating positive women characters, but he seems rarely to choose to do so. Instead his women characters often seem to be defined by their status as one kind or another of sexual object. While I think it's dangerous to impute opinions and beliefs to a writer on the basis of what they write, you do have to wonder what's going through his mind as he's composing some of the passages. I know very few women who enjoy reading Wolfe, which is a pity but not really a surprise. Mo
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