Long Review Essay --Able's character
Bob Miller · 20 Sep 2007, 12:59
· from 2007-September.txt.gz
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From: bob_bageera at hotmail.com (Bob Miller) Date: Thu, 20 Sep 2007 07:59:35 -0500 Subject: (urth) Long Review Essay --Able's character In-Reply-To: <p06100502c315bed02c59@[192.168.0.3]> Message-ID: <BAY135-F38979DD0E7D7ED9E6DA21D88BA0 at phx.gbl> But I think my biggest complaint -- my biggest stumbling block -- was a pair of intertwined issues: the character of Abel, and the ethics (even, politics) of the book. First off, I found Abel frequently insufferable. Pompous, self-righteous, frequently a bully, he also came off as a Mary Sue (at least in one sense of that polyvalent term of fan critique): not only was he the most courageous and noble person about, but he also had the writer stacking the deck for him at every turn. He had more magical allies, artifacts, assistants, companions, than you could shake a stick at: an invisible ogre doing his bidding! A sky-wolf who happened to be totally loyal! Elves (called Aelf) who were his slaves (yes, not always reliable, but often enough). A magic sword, the blessing and friendship of Odin, various other magic devices he got at the end (the helmet, another sword). Heck, he even becomes a god halfway through the work! Talk about favoritism!* This sort of stacking the deck is hard enough to take when the writer has some self-consciousness about what he's doing, but I didn't see any sign that Wolfe did. He simply loved his creation, and showered him with so many cheats and advantages that any honor he might have accrued felt like a cheat. There are three things that I thank the group for forcing me to think of. Even in the 14th century, the lack of knightly virtue was descried by no less than Chaucer himself. The Knight's battles and self represented an earlier, more ideal time. So, the knightly ideal was on a pedestal, a standard toward which to aspire. Able started off pretty poor asd an excuse for a human, yes. It was the narrator's "voice?" and the lack of justification of his actions that kept the reading road smooth for me. From the word go I felt the narrator's voice promised growth. And that is what I liked so much about Abel. He was wrong. And he grew. From the trust and chance given by the Valfather he became more than he was--bullying brawler on one hand and sex slave to a creature of moss and twigs on the other. And by his stepping up to the plate, his refusal to walk off toward the end of the Wizard and go to Aelfrice with Disiri leaving everyone and thing else, Wolfe has him give us the best portayal of courage and knightly virtues I can imagine. No one other than Able and Disiri knew he had been tempted. Thoght I would not say that Michael or the Valfather had not predicted it. Not to mention we get the smooth non-Irish cream of Wolfe's prose. I thought the slow pace and acceleration was deliberate, and very reminiscent of the cavalry charge in Olivier's Henry V. Slow and accelerating and faster until they were at a full gallop. Perhaps Wolfe did somewhat commit what the great Algis Budrys called the sin of taking his audience for granted? The unevenness I acknowledge as well. I like it, I'm not a puzzle solver and these intervals give my rear brain time to catch up and help me unnertand what I read an hour or six ago. I love this book. Able had so many gifts, and still he had to have outside help for his real accomplisment--saving humanity. He had no hope of winning against the Black Caan until Lothur "brought" the hundreds and food with Smiler and Able accepted his impending severing from Disiri to save those he would willingly have slain himself at the beginning of The Knight. Thank you for making me think _________________________________________________________________ Gear up for Halo? 3 with free downloads and an exclusive offer. http://gethalo3gear.com?ocid=SeptemberWLHalo3_MSNHMTxt_1
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