Mysteries of 5HC
Alex David Groce · 22 Jul 1998, 10:51
· from urth-v0017.mbox · original
This is the message as the crawl holds it, before anything
here touched it. What the conversation shows has been through ingest: transfer
encodings decoded, attachments dropped, quote markers repaired, and the
archiver’s ? resolved into quotation marks and dashes. Those
repairs are judgements and some of them are wrong, which is what this page is
for. Email addresses are obscured here as they are everywhere else on the site,
so it is before our repairs rather than byte for byte.
From: "Alex David Groce" <adgroce at eos.ncsu.edu> Subject: (urth) Mysteries of 5HC Date: Wed, 22 Jul 1998 10:51:45 Message-ID: <urth-v0017-0065 at digest.urth.net> X-Urthmirror-Source: http://www.urth.net/urth/archives/v0017/0065.shtml MIME-Version: 1.0 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: quoted-printable There has been a great deal of time and energy invested in attempting to unravel certain mysteries of 5HC, including the Marsch/V. R. T. question (who killed who? when? why? what's the R.? was "Marsch" a spy? how'd #5 guess? or did he?), Veil's/Liev's hypotheses and the surrounding puzzles (who's an abo? Aunt Jeannine? Trenchard? are the abos dead? massacred?)= and the numerous questions of family relationships, parentages, and the past history of the colonies. Not to discourage these interesting arguments, but it seems to me that Wolfe is very probably not "playing fair" in 5HC. I trust Wolfe, usually t= o, if he seems to invite the reader to consider a question, give the reader en= ough clues to answer it, and be fairly certain of the arrived-at answer's correctness. In 5HC, I think that it's more as if Wolfe has given the read= er enough rope to hang himself. I think the answers are intentionally ambigio= us, and that "red herrings" that, interpreted one way are not "red herrings", a= nd sometimes even seem to confirm two theories, abound. I don't think this is simply malevolence on Wolfe's part, but an extremely important thematic decision. I think Ursula LeGuin once called 5= HC "the uncertainty principle embodied as fiction." I think she was correct. The various "histories" (personal and political) in 5HC are, to some extent, unknowable even to the participants. Personal and social identity = has been frustrated, in a truly Kafka-esque sense. Certainly, the various memb= ers of the "house Wolfe" do not really understand their own identities. The various Wolfes cannot grasp their own ability to progress, and cannot escape their intense alienation. That their planet seems to be half populated by their genetic kin extends this self-obession to the whole world. And, inde= ed, the Orwellian (but subtler) government fits in perfectly with the theme--pushing papers around and playing power games without any sense of destination, and with no one (apparently) aware of where they really stand = in the whole affair. The open slavery and sexual exploitation are the outward manifestations of an undirected malevolence. The sister world, St. Anne, is no better. If we can believe anything of "A Story", which is doubtful, the previous inhabitants were engaged in complex, strange, warfare. And possibly, the next settlers massacred the o= ld inhabitants, making the question of their possible human origins practically impossible to determine. Or, many of the abos may have escaped (although t= he shovel test does indicate an attempt at genocide at some point). Either wa= y, there's a great deal in the past that both sides want to cover up--one side= may want to hide an attempt at genocide, the other side wants to hide their continued existance, and possibly conceal how many "people" are actually ab= os. So. The Wolfe clan isn't even sure how ubiquitous they've become, and fails so signally to understand itself that no member can break the cycle of stagnation. The police-state rulers seem, on principle, to hide and distort any facts they get ahold of, even from the other members of the government,= who sensibly don't trust each other. St. Anne & Earth may be spying on this government, or this may be a fiction invented for unknown purposes. Some/all/none of the people on St. Croix may be abos from St. Anne, but if= so they have every reason to hide the fact. Even if none are, then Aunt Jeann= ine is attempting to confuse this truth. The people of St. Anne also seem to h= ave a past to hide, and the abos are definitely (if there are any left!) decept= ive and secretive. So, are there ANY really reliable narrators in 5HC? #5 is probably as close as we come, and although it seems likely he is largely telling the tr= uth, he leaves out a great deal (such as his "father's" death). And fails to explain other things--such as his method of getting rid of Marsch--if it's simply a wild accusation, it's astonishing that it's (possibly) right on the mark. "A Story" is possibly a murder-confession, possibly an anthropologic= al fantasy, and possibly a real event buried under a layer of myth, or perhaps even fairly correctly narrated. Their seems to be no possible way of telli= ng. And Marsch's notebook is, I'm convinced, a tissue of misdirection and lies, whoeever is writing what part of it. So, defending any hypothesis, other than the really obvious ones (#5 is a clone, he probably killed his father, Marsch was probably killed by V. R. T--although I think this one is easily interpretable as Marsch pretending t= o be replaced by V. R. T. for unknown reasons connected to his possibly being a = spy) is difficult. There is probably evidence to hint at it, and evidence to hi= nt that it is not true. It seems to me that the duality of Veil's/Liev's is a hitn to this--we don't know which is true, if either, and, really, we only suspect what Liev's hypothesis is because of what Veil's is. And "veil" suggests that any hypothesis made hides the truth more than it exposes it. Wolfe's suggestion seems to be that surrounded by an atmosphere of cruelty, habitual deception, and given an attitude utterly dismissive of the dignity and freedom of other beings, a true understanding of the world, or = even an unimpeachable conviction of one's own identity becomes impossible. In t= he depths of a man-made hell, the soul may still exist, something may persist = of identity beyond a simple combination of "Genes" and environment, but that to "know thyself" or anything else, except that possibly 2+2 is not equal to 5= , is impossible. Satan is "The Father of Lies" and the story the begins at 666 Saltimbanque seems to show that Hell's walls may cover a planet, an invisib= le an inescapable labyrinth of lies. --=20 "And ye shall know the truth, and the truth shall set you free." - John 8:32 -- Alex David Groce (adgroce at eos.ncsu.edu) Senior (Computer Science/Multidisciplinary Studies in Technology & Fiction) '98-99 NCSU AITP Student Chapter President 608 Charleston Road, Apt. 1E (919)-233-7366 http://www4.ncsu.edu/~adgroce *More Wolfe info & archive of this list at http://www.urth.net/urth/
An unofficial mirror of a public mailing list · about & removal requests · download the archive · before the list · original archive at urth.net