AEG - borrowings
Jordon Flato · 15 Apr 2009, 16:14
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From: jordonflato at gmail.com (Jordon Flato) Date: Wed, 15 Apr 2009 09:14:06 -0700 Subject: (urth) AEG - borrowings In-Reply-To: <43866923-D8FC-4898-B4EA-A9C3B5879A2C at goosemoon.org> References: <NGECKNKNFCCKJFJGAFLHMEJBDMAA.stephenhoy at yahoo.com> <43866923-D8FC-4898-B4EA-A9C3B5879A2C at goosemoon.org> Message-ID: <273409710904150914r3990e954ga35bada7bc1a73a8 at mail.gmail.com> The Invisibles is great. On Wed, Apr 15, 2009 at 12:00 AM, Allan Anderson <rubel at goosemoon.org>wrote: > I was going to postpone commenting on this for a couple of days while I > finish the book, but I can't help myself. > > So far, I'm thinking that any and all "borrowings" fit nicely into An Evil > Guest's nature as a sort of tribute piece, a stylistic pastiche. Maybe no > one thinks anyone would care about a implicit literary reference. I'm > delighted to hear about these connections you've discovered! When I read > "Gideon Chase", I thought of the character "Gideon Stargrave" (aka King Mob) > from the comic book series The Invisibles. He's another horror/sf writer who > becomes more than that profession might seem. But it's very possible that > Grant Morrison referred to Mo's novel in his own choice of names: what makes > The Invisibles relevant, I think, is the books' conscious blending of genre, > reality, and fiction. It's an unique story, but also very much a borrowed > patchwork shirt. And pulpy stories of the type AEG seems to want a family > relationship with, well, they have always dipped a range of sources. So > it's completely appropriate, to my mind. > > But here's my question: at the cast party, someone tells Cassie she looks > like she's seen a banshee. Aren't Banshees often seen washing bloody > clothing, as a death omen? Is that the mountain's laundress? > > Okay, I'll shut up and get back to reading. > > > On Apr 12, 2009, at 12:02 PM, Stephen Hoy wrote: > > Fernando Gouvea recently noted a curious coincidence between Wolfe's >> 'Peace' >> (1975) and Bartis's 'Tranquility' (2001), each work sharing a central >> character named Weer. Gouvea also noted certain stylistic similarities, >> enough to make us wonder about the extent of the parallels. Let's take a >> look at a couple of similar items in AEG, and see if we can detect the >> existence of an invisible line between literary theft and literary >> allusion. >> >> While reading An Evil Guest, I noticed that the character Gideon Chase >> shares a name with a central character in Timothy Mo's historical novel, >> 'An >> Insular Possession' (1987). This might be a curious coincidence. It also >> might be intentional. It's impossible to know with any certainty without >> asking the author (and perhaps not even then). >> >> Suppose that it's not a coincidence. Suppose Wolfe read 'An Insular >> Possession' some years ago, and suppose that when he invented the >> character >> of the wizard, he chose the name Gideon Chase as a reflection of some >> aspect >> of this character, intentionally reinforcing the idea of Chase as a figure >> bridging the gap between the two cultures colliding in AEG. Is there >> anything wrong with that? >> Let's take another case: the trembling mountain and the laundress. As Marc >> Aramini pointed out in October, Wolfe reviewed a work with a similar >> motif, >> Cory Doctorow's 'Someone Comes to Town, Someone Leaves Town' (2005). After >> reading both works, it's hard to believe that Wolfe was not >> self-consciously >> referring to Doctorow's mountain & washing machine, and, further, that >> Wolfe >> fully realized Doctorow or any reader of 'Someone Comes to Town, Someone >> Leaves Town' would recognize the motif in AEG. Is there anything wrong >> with >> that? >> >> To each of the above, I'd venture a guess that there's nothing wrong with >> either act, but I have very different reasons for each guess. >> >> In the case of the name Gideon Chase, it's not clear that Wolfe borrowed >> from Mo. Assuming there is a conscious borrowing, there are very few >> similarities between the two characters. Personally, I doubt that readers >> familiar with both works would suspect Wolfe chose the name as a conscious >> reflection of Mo's character, but the possibility exists. >> >> In the case of the mountain and laundress, it's possible Doctorow and >> Wolfe >> each borrowed from a common source, perhaps some work transcribing >> Algonquin >> legends. It's also possible Wolfe asked Doctorow's permission to use the >> idea--although one might expect to see a word or two about it in AEG or >> perhaps even in an interview about AEG. >> >> But assume Wolfe borrowed these two things without explicit advance >> permission, somehow slipping them past the legal team at his publisher. >> But >> is this any different from Wolfe's explicit use of a Baskin-Robbins in an >> early chapter? Does anyone imagine that either Mo or Doctorow would object >> to Wolfe's particular use as they appear in AEG? >> >> >> _______________________________________________ >> Urth Mailing List >> To post, write urth at urth.net >> Subscription/information: http://www.urth.net >> > > _______________________________________________ > Urth Mailing List > To post, write urth at urth.net > Subscription/information: http://www.urth.net > -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://lists.urth.net/pipermail/urth-urth.net/attachments/20090415/84dd0bec/attachment.htm>
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