Urth Net

← back to the conversation

Excessive Exegesis and Forlesen

Alex David Groce · 16 Oct 1998, 12:30 · from urth-v0020.mbox · original

This is the message as the crawl holds it, before anything here touched it. What the conversation shows has been through ingest: transfer encodings decoded, attachments dropped, quote markers repaired, and the archiver’s ? resolved into quotation marks and dashes. Those repairs are judgements and some of them are wrong, which is what this page is for. Email addresses are obscured here as they are everywhere else on the site, so it is before our repairs rather than byte for byte.

From: "Alex David Groce" <adgroce at eos.ncsu.edu>
Subject: Re: (urth) Excessive Exegesis and Forlesen
Date: Fri, 16 Oct 1998 12:30:17
Message-ID: <urth-v0020-0038 at digest.urth.net>
X-Urthmirror-Source: http://www.urth.net/urth/archives/v0020/0038.shtml
MIME-Version: 1.0
Content-Type: text/plain; charset="utf-8"
Content-Transfer-Encoding: quoted-printable

In substance, I think that rather than being a puzzle piece where we have to
determine "what's really going on,"  Forlesen is just what Clute calls it in
the Wolfe article in the Encyclopedia of Science Fiction--a superb Kafkaesq=
ue
PARABLE.  The hell hints are there, but they don't mean "he's in Hell!  Tha=
t's
what's really happening!"  Ditto the computer hints.  It's not as if in The
Penal Colony you should be trying to figure out where the colony is.

On Oct 16, 12:07am, Peter T. Cash wrote:
> Subject: (urth) Excessive Exegesis and Forlesen
> Rostrum said:
>=20
> >I thought Mr. Borski's lists of hell and computer imagery interesting, b=
ut
> >they didn't go anywhere.  They seemed like evidence in search of an
> >argument.  Is Forlesen in hell?  Is he a computer program?  If so, what's
> >the point?  How does that make more sense of the story or give it greater
> >meaning?  Can you go any farther down any of these trails?
>=20
>=20
> >My own thought (and maybe this is all you were saying and I missed it) is
> >that these details are merely allusive.  Wolfe is trying to make us think
> >of a hellish, mechanized, inhuman society (and to make us consider to wh=
at
> >extent our own society is influenced by these forces).  I don't think
> >we're supposed to decode that Forlesen is "actually" damned or imprisoned
> >in a computer (except to the extent that we are meant to ask ourselves,
> >Are we damned?  Are we trapped in a computer?  Is there a meaning to all
> >this?)
>=20
>=20
> I couldn't agree more. I think that the search for "hidden meanings" must
> have a stopping point, or it distracts you from the life of the story. It=
's
> regrettable that Wolfe himself has made comments that encourage this kind=
 of
> overly exhaustive exegesis, that encourage approaching his work as though=
 it
> were a code that must be broken. When I read Wolfe, I let the story flow
> over me. He makes me almost-remember things, makes me see things I almost
> recognize, makes me see the outlines of ideas and references I almost
> understand. I _like_ this ambiguity. I know I'm missing stuff that others
> enjoy finding...but I really don't care. (Of course, I must confess that
> often when I'm done reading, I wonder, "Now what the hell was that really
> about?". I never figure it out...but it doesn't bother me...much.)
>=20
> I think that there _are_ some Wolfe works that not only contain puzzles, =
but
> where the puzzle is the point. For example, one is bound to wonder how ma=
ny
> nights are _really_ contained in "Seven American Nights". That's a questi=
on
> central to the story. Paradoxically, I don't think there's a right answer=
 to
> this question (despite the fact that I once argued vociferously with alga
> about precisely this). I think that what's important about this kind of
> literary puzzle isn't finding the "right" answer, but looking at it from
> different aspects, and seeing how many _different_ good answers you can
> find. I guess I think that this story is more like a kaleidoscope (a litt=
le
> psychedelic allusion here) than a puzzle. You look through the tube, and =
the
> pattern fascinates you; you are convinced it is _the_ pattern, the truth.
> Then the pattern shifts, and you see a new one--and fall in love with it.
>=20
> As for Forlesen, I think that the theme of memory (or forgetfulness) is an
> important one in this story. Like Latro, Forlesen can't remember the day
> before; he can't remember if there _was_ a day before this one, and he ca=
n't
> remember who he is. (We are told that Forlesen remembers his name, but not
> even what a human looks like.) I would say that the name "Emanuel" is
> indicative of divinity, and that it may be that Wolfe wants to remind us
> that we are divine creatures who are at risk of losing their link to God =
if
> we forget ourselves. Then we are truly in Hell.
>=20
> Sgt. Rock
>=20
>=20
>=20
>=20
>=20
> *More Wolfe info & archive of this list at http://www.urth.net/urth/
>=20
>-- End of excerpt from Peter T. Cash



--=20
"And ye shall know the truth, and the truth shall set you free." - John 8:32
--
Alex David Groce (adgroce at eos.ncsu.edu)
Senior (Computer Science/Multidisciplinary Studies in Technology & Fiction)
'98-99 NCSU AITP Student Chapter President
608 Charleston Road, Apt. 1E (919)-233-7366
http://www4.ncsu.edu/~adgroce

*More Wolfe info & archive of this list at http://www.urth.net/urth/




An unofficial mirror of a public mailing list · about & removal requests · download the archive · before the list · original archive at urth.net