Dualism & horror
Alex David Groce · 19 Oct 1998, 14:23
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From: "Alex David Groce" <adgroce at eos.ncsu.edu> Subject: Re: (urth) Dualism & horror Date: Mon, 19 Oct 1998 14:23:16 Message-ID: <urth-v0020-0070 at digest.urth.net> X-Urthmirror-Source: http://www.urth.net/urth/archives/v0020/0070.shtml MIME-Version: 1.0 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: quoted-printable Continuing the dualism & horror thread (it's not off topic--one of the essa= ys in Castle of Days talks about the issue, so there's our Wolfe link. I don't remember the essay in detail, but one part goes something like "Fantasy has= the gods under God, while in horror Satan kills and is killed by Cthulu." Tony Ellis wrote- > I'm on Alex's side. I don't think you can say that the normal world > "opposes" the Dark, in a dualistic sense, because in Lovecraft's fiction > the normal world _is_ the Dark. What we think of as normality is > invariably revealed to be a delusion, or merely the narrowest slice of a > much bigger, scarier universe. As for "Innsmouth or Arkham before the > horrors came", it's another basic tenet of the stories that the horror > was there _first_, inhabiting this world long before humanity turned up. > Any pretty suburban streets are just a part of a transient blip in > reality, cosmically speaking. Yes, if anything, Lovecraft's world is a kind of opposite of non-dualist orthodoxy--the only Real Game in Town is the Utter Abyssmal Eldritch Things from the Deep. I agree with Tony that (A) the horrors are, as Lovecraft constantly emphasizes, MUCH older than humanity and (B) even if Innsmouth a= nd Arkham weren't just upstarts, they are hardly a real force for good. The o= nly defense against the horror is ignorance (I think that's a paraphrase of par= t of "The Call of Cthulu"). If the Dualism is Cthulu & Co. vs. human ignorance, that's a pretty weak Dualism. > Well, the usual expression is "supernatural horror" rather than > "supernatural evil". Most of the more highly-regarded horror writers > long ago grew out of the simplistic good\evil trap.=20 Perhaps out of the simplistic version of it--I think there are some good ho= rror writers who still make use of the concepts. Even a supremely ambiguous wri= ter like Robert Aickman (my favorite) often suggests, in his quiet way, that something is evil--the dog in "The Same Dog," or Mr. Millar in "Meeting Mr. Millar" or Parliament in "My Poor Friend." In fact, part of Aickman's geni= us is the way he subtly equates certain social trends with a kind of invisible= and incomprehensible Evil. > Off the top of my head... none (but there must be a few). The rule seems > to be that if you have a supernatural Good, it has to win. That's > probably why the horror I prefer doesn't have such feeble concepts in it > in the first place. I wouldn't call the concept of supernatural good a feeble concept--maybe se= ldom well done in a horror novel, but at least outside that context it's been on= e of the most powerful ideas in history (and in literature). I'd even stretch t= he definiton and say Dante's Inferno is a brilliant work of horror that (in the end, even without the Purgatorio and Paradisio) is based on the concept of a supernatural good--"Divine justice moved my maker." --=20 "And ye shall know the truth, and the truth shall set you free." - John 8:32 -- Alex David Groce (adgroce at eos.ncsu.edu) Senior (Computer Science/Multidisciplinary Studies in Technology & Fiction) '98-99 NCSU AITP Student Chapter President 608 Charleston Road, Apt. 1E (919)-233-7366 http://www4.ncsu.edu/~adgroce *More Wolfe info & archive of this list at http://www.urth.net/urth/
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