The Sorcerer's House Questions (*Major Spoilers*)
Dave Tallman · 31 Mar 2010, 04:14
· from 2010-March.txt.gz
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From: davetallman at msn.com (Dave Tallman) Date: Tue, 30 Mar 2010 22:14:12 -0600 Subject: (urth) The Sorcerer's House Questions (*Major Spoilers*) In-Reply-To: <p2oe11bddb61003301936xa2f0970en2c959bd358e2a128 at mail.gmail.com> References: <p2oe11bddb61003301936xa2f0970en2c959bd358e2a128 at mail.gmail.com> Message-ID: <4BB2CC14.9020208 at gmail.com> Thomas Bitterman wrote: > As mentioned in another post, the circumstances of George's note and its > contents make forgery probable, IMHO. Madame Orizia is an accomplice (and > somewhat out of > the loop - how could she cover his home "quite thoroughly", given the > warping it's always doing?). Doris was not emotionally stable when she > wrote the second latter and should not be considered a reliable witness. > FWIW, the Compiler (whom I maintain is Bax) is upfront about "extensive" > editing. > I don't allow Bax as the Compiler in any theories because it makes complete fraud much too easy. But temporal rearrangement of letters is allowed. For example, if the second Doris letter was written when she was drunk and/or crazy, then Bax is allowed to spin a story around the crazy things she said (and maybe even forge the postscript). Moving the Skotos inquiry letter (155-157) earlier would help, because it helps eliminate the coincidence of Bax moving to Medicine Man and moving into the Black House. Suppose eccentric millionaire Skotos decided to leave property to Bax for whatever reason (he admired his Phd research?) Per the Shell letter of 197-198, Skotos was making inquiries about Bax while he was in prison, and probably got in touch with Lou (p. 9). Deeding the Black House to him, and making a will leaving the river-front property would give Bax a reason to move there. Unfortunately, that doesn't quite work. The inquiry letter mentions George being held at gunpoint, which wouldn't happen unless George came there after receiving other strange letters. Early letters from Bax to Shell (9-10, 23-24) indicate him moving to Medicine Man for other reasons and having no great expectations at all. So we are left with Bax coincidentally moving to Medicine Man, and coincidentally moving into a house that would be his. Such a coincidence amounts to him being unconsciously being drawn there by his magical heritage. So it's magic, and the whole story stems from that. Why the complete rejection of the fantastic, anyway. You wouldn't read "Pirate Freedom" with the attitude: "Time travel is impossible, so whatever the narrator says about going to the past must be lies." This is a Wolfe story, and he often writes of the fantastic. So why not accept it?
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