Religious writers and audiences
David Duffy · 06 Jun 2010, 23:15
· from 2010-June.txt.gz
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From: davidD at qimr.edu.au (David Duffy) Date: Mon, 7 Jun 2010 09:15:27 +1000 (EST) Subject: (urth) Religious writers and audiences In-Reply-To: <AANLkTinjYKw22zcNqAXleQGE49YCYlD9jhZRTChMEgF5 at mail.gmail.com> References: <SNT123-W17F478B464F0A2A2D619BECFD10 at phx.gbl><AANLkTin3rMIbdFlB_Ts9oQg54a5xHmUMyoxL-4Rly5wb at mail.gmail.com><COL105-W6B0E3F09D93E0A7430DAF85D10 at phx.gbl><07e417fccdd43f81f01ae6443657010a.squirrel at brunians.org><COL105-W6542F88CE562742D51698485D10 at phx.gbl><4C080BAA.9010607 at io.com><810694.75476.qm at web50702.mail.re2.yahoo.com><F7BD5858-DAB4-43C1-B10A-80DDDBC14E03 at io.com><380869.45950.qm at web50705.mail.re2.yahoo.com><AANLkTimS1tZxSsrbSuR2k4lhufvHSSADWlTvG1FXLjW8 at mail.gmail.com><230974.97402.qm at web50708.mail.re2.yahoo.com><AANLkTimfrrgWQyeAkO2qLIHZO8sDvU7p7DdamvgtIYxq at mail.gmail.com><4C098D23.4010800 at io.com><AANLkTilfqgNsRsyEvNoURxC0DuC2SsqGfpKQTRU-EMEX at mail.gmail.com><AANLkTim6qoypcXaggp4NErK5X9SHekj2TnpH4LJ_5qdE at mail.gmail.com><454980.67983.qm at web37602.mail.mud.yahoo.com><COL105-W65E52585885FFF9A6B559385D30 at phx.gbl> <AANLkTinjYKw22zcNqAXleQGE49YCYlD9jhZRTChMEgF5 at mail.gmail.com> Message-ID: <Pine.LNX.4.64.1006070833090.13688 at orpheus.qimr.edu.au> On Sat, 5 Jun 2010, John Watkins wrote: > Personally I find the "betrayal" narrative bizarre whenever I hear it. Re LWW, my opinion of it did fall when rereading when older, and seeing "through" the plot. By contrast, I was able to read _The Pilgrim's Progress_ ignoring any allegorical content ;) > I know countless people, many of liberal predispositions, who > have read and allegedly enjoyed The Fountainhead--and Rand is far preachier > than Lewis, Wolfe, or even Card. And Neil Gaiman has written about his > feelings of betrayal as to Lewis's religiousity, but never expressed similar > feelings toward, for example, Kipling's imperialism. > I quite like the concept that great art needs to have some kind of underlying complex system of ideas, but that those ideas don't have to be right to make the artwork successful. I am quite willing to suspend disbelief (in every sense of the word), if the story works qua story. So I put up with FTL travel, even though it clashes with my religous beliefs. I think my problem (and that of Gaiman, Pullman etc) with LWW is the feeling that the setup is too setup: it feels clumsy/arbitrary and so can't carry all the emotional weight. The ending of _The Last Battle_ is more successful, I think. Just another 2c, David Duffy.
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