travelling north
James Wynn · 07 Jun 2010, 21:02
· from 2010-June.txt.gz
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From: crushtv at gmail.com (James Wynn) Date: Mon, 07 Jun 2010 16:02:34 -0500 Subject: (urth) travelling north In-Reply-To: <SNT123-W32A92E5ABD17EC8D289E38CFD50 at phx.gbl> References: <SNT123-W32A92E5ABD17EC8D289E38CFD50 at phx.gbl> Message-ID: <4C0D5E6A.4040001 at gmail.com> > Well, I am a Tolkein lover and was only being tongue-in-cheek critical. Still, he > couldn't help being a man shaped by his time and his culture. Why couldn't his > southern elephant riders be blondes or red haired with freckles? Why were his > "Easterlings": > > >> ...Men who lived in the east of Middle-earth, who mostly fought under Morgoth >> and Sauron.The Easterlings were short and muscular; they were dark of skin, eye, >> and hair. .they are armed with long halberds, scimitars and rectangular metal >> shields. Their armour is inscribed with a script which resembles Tengwar mixed >> with Persian...In early design concepts, the Easterlings wore turbans and their >> helmets bore crescent moons, but director Peter Jackson requested that references >> to real-world cultures be avoided. http://en.wikipedia.org/wiki/Easterlings >> > > And I would think a British author writing during and just after WWII would use hawks or > harriers or falcons or any bird of prey other than eagles if he was hoping to avoid > all hint of allegory. > The Eagles were a motif of Tolkien's Valinor from the beginning. It is hardly likely that when the Eagles rescued Bilbo and the Dwarves in The Hobbit, Tolkien intended that as some sort of patriotic statement. Tolkien's stated purpose in creating his world was to create an English mythology. So he was drawing from the myths of the people who settled England...Scandinavian and Germanic people (with some Finland mythology thrown in for good measure). Avoiding terminology such as "Fair Folk" (pale people) for elves along with their pronounced physical height and strength was really unavoidable. Tolkien compared the overall geography and breadth of western Middle Earth to being essentially that of Western Europe (the Shire being Cambridge and Gondor being Rome). So, the people East and South of that kingdom are described along the lines of the people in our world. England in the first half of the 20th century was simply far less multi-ethnic than it is today. Let me try this from another angle. Tolkien and Lewis definitely harbored politically incorrect attitudes about non-Western Europeans. But in their world, it was unnecessary to have any other attitude. It's not that dark-skinned characters are portrayed as evil. They simply don't exist except as fodder. The ultimate allies of Sauron are not Easterlings or elephant riding-Southerners. They are Western Kings...the Ring Wraiths. The default "race" are English-type people (the novel's original audience). Everyone else is from somewhere else, naturally, and so they look different. Unless he chose to make those other people green, he has a limited palette to choose from. That's not racism. It's simply not multi-ethnic. They viewed non-western Europeans as "those out there". It might be racially exclusive "in-effect" but not true Racism per se. Wolfe does the same thing in tBotNS. There are very tall people. There's a green man. But I can't recall any black men, good or bad, in the story. They don't exist for the story, right? But because Wolfe's geography is generally racially homogeneous, the charge of racism doesn't come up. If Disney had done Song of the South entirely with white people the NAACP it would not have denounced it and it would not be controversial today. The Harry Potter stories has a "Dark Lord", but all the non-white characters are relegated to bit roles. And of those there is nothing especially distinguished about them beyond their racial features. They are fodder in a multi-cultural war. In a culture of aggrieved advocacy groups, we've become thin-skinned about presenting racial differences at all in literature. I'm not sure that's better.
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