interview question
Jerry Friedman · 03 Jan 2011, 16:52
· from 2011-January.txt.gz
This is the message as the crawl holds it, before anything
here touched it. What the conversation shows has been through ingest: transfer
encodings decoded, attachments dropped, quote markers repaired, and the
archiver’s ? resolved into quotation marks and dashes. Those
repairs are judgements and some of them are wrong, which is what this page is
for. Email addresses are obscured here as they are everywhere else on the site,
so it is before our repairs rather than byte for byte.
From: jerry_friedman at yahoo.com (Jerry Friedman)
Date: Mon, 3 Jan 2011 08:52:27 -0800 (PST)
Subject: (urth) interview question
In-Reply-To: <556789.98581.qm at web161810.mail.bf1.yahoo.com>
References: <556789.98581.qm at web161810.mail.bf1.yahoo.com>
Message-ID: <847432.83266.qm at web114719.mail.gq1.yahoo.com>
From: Marc Aramini <marcaramini at yahoo.com>
...
>Since you mentioned the Amber books, that putting aside the throne is a vital
>step in Corwin's >maturation. Even when stripped of memory, Corwin is still
>"trapped in Amber" - unable to mature, >still immediately pulled into a demigod
>struggle with his eternally unchanging brothers, but >SOMETHING eventually
>changes him. At the end of the first novel, even having his eyes purged >out
>can't destroy that unchaging desire to thwart Eric, but Eric, his greatest
>enemy, leaves the jewel >of Judgement to him at the time of his death.
>
>In the fifth/sixth grade, I would be hard pressed to choose between Wolfe or
>Zelazny as my
>favorite,
Interesting. I wasn't ready for a lot of their work then. In fact, it was
probably in seventh or eight grade that I bounced off Lord of Light (though I
enjoyed it some years later).
>but that setting aside the throne is supposed to be, I think, the definitive
>proof that these
>demigods of Amber CAN change - it just isn't likely.
The other definitive moment is when Corwin creates the new pattern from his
memories of a "shadow", Earth, not Amber. One of my favorite moments in
fiction. (Only I wish it had been Cleveland instead of Paris.)
Anyway, I agree with you completely, and thanks for "trapped in Amber". But I
also think that this is an excellent example of a gun not going off. The other
example I was thinking of may have been the end of Malafrena--no revolution,
nothing between Itale and Piera--though perhaps that's not quite as good.
Jerry Friedman
--- On Sun, 1/2/11, Jerry Friedman <jerry_friedman at yahoo.com> wrote:
>
>In the Amber books, Corwin pits worlds against each other to make his crowning
>of himself come true, and then puts the kingship on the back burner and
>eventually leaves the decision to someone else. I'm sure I've read other good
>examples of this, maybe closer to "Cinderella", but I'm not coming up with them.
>
>Jerry Friedman
>
>
>-----Inline Attachment Follows-----
>
>
>_______________________________________________
>Urth Mailing List
>To post, write urth at urth.net
>Subscription/information: http://www.urth.net/
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.urth.net/pipermail/urth-urth.net/attachments/20110103/a60276ee/attachment.htm>
An unofficial mirror of a public mailing list · about & removal requests · download the archive · before the list · original archive at urth.net