Pulp Fiction
Tony Ellis · 11 May 1999, 17:24
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From: "Tony Ellis" <tony.ellis at futurenet.co.uk> Subject: (urth) re: re: Pulp Fiction Date: Tue, 11 May 1999 18:24:26 +0100 Message-ID: <urth-v0026-0105 at digest.urth.net> X-Urthmirror-Source: http://www.urth.net/urth/archives/v0026/0105.shtml MIME-Version: 1.0 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: quoted-printable Rostrum wrote: > I'm not sure how much you can conclude from that one example. > Well, it's an example with significant repercussions: the whole thing about Severian's parentage traces back to this one event. Dorcas gives us Ouen gives us Catherine gives us Katherine. > ...I'd think > even the most "plan-ahead" type of writers occasionally come up with a > cool scene they want to write without really knowing yet where it's going > to go. I imagine most writers having some combination of planning and > working things out as they go. > Oh for sure. But which is Wolfe: a "plan ahead" writer, or a "make it up as you go along" one? Fifty-fifty? I wanted to raise the "makes it up as he goes along" argument because it seems to me the natural assumption might be the opposite. As I said, to me the structure and pace of TBOTNS is very much that of a story being made up on the spot (and then polished by a grade-A genius, mind you) -- but what do other people think? *More Wolfe info & archive of this list at http://www.urth.net/urth/
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