Introduction and Breath
Gerry Quinn · 18 Apr 2011, 10:38
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From: gerryq at indigo.ie (Gerry Quinn) Date: Mon, 18 Apr 2011 11:38:48 +0100 Subject: (urth) Introduction and Breath References: <BANLkTik_4w2RyPg-_cSBwYYPO68HEkA55w at mail.gmail.com><2287.2.6.15.19.1302728897.squirrel at websecu.irit.fr><6C450A90F88D4BA997DF9DCF98FAAF33@jill><4DA6EFD6.5010307 at gmail.com><526475.52363.qm at web37607.mail.mud.yahoo.com><BANLkTimqnEO1A3qTuLGdCBKAyDPTKnUaow at mail.gmail.com><4DA881E1.1080906 at gmail.com><BANLkTi=RCPVs0JO=DW3LJ2+vqZQX8NYHhg at mail.gmail.com><4DAB52AB.1060203 at verizon.net><72EC5D2EB0E842E1B97DEA81E746139A@jill><4DAB7A15.1000006 at verizon.net> <371453.25343.qm at web114712.mail.gq1.yahoo.com> Message-ID: <080D021A2D8C440B99508F9D60251285@jill> From: "Jerry Friedman" <jerry_friedman at yahoo.com> > Antonio Marques wrote: >> On 4/17/2011 6:31 PM, Gerry Quinn wrote: > >> > For me, the term 'unreliable narator' implies that the author is >> > telling us >>another, different story disguised > >behind the overt story the narrator >>is >>telling is; either the narrator is lying or he doesn't understand what's >> > >>>going on. I really don't think that either is the case with Severian. >>I think you're doing overanalysis. 'Unreliable narrator' simply means >>that the >>narrative isn't the absolute >complete truth of what happened. Which, >>actually, >>applies to any narrative. What Gene Wolfe does - as >other did and do - is >>to >>craft that part of his work, instead of leaving it to be a subproduct. > > The original meaning of "unreliable narrator", as used by Wayne C. Booth > in /The > Rhetoric of Fiction/, is that the narrator's /norms/ differ from the > implied > author's. He gives examples such as Barry Lyndon, morally as far from the > author as possible (Booth says--I haven't read it), and Huck Finn, who > calls > himself bad when we can tell the author thinks he's good. Or the narrator > "is > mistaken, or believes himself to have qualities which the author denies > him"--I > suppose Kinbote would be a good example of that last, or Pooter in /The > Diary of > a Nobody/. Booth says irony on the narrator's part is not an example, but > lying > is, though an uncommon one. > > http://books.google.com/books?id=VfUgMbRYSW4C&pg=PA159 > > No doubt the meaning has changed. I'm with Gerry Quinn. There's no point > in > making a big deal out unreliability unless it's "strong" > unreliability--the > story is or could be substantially different from what you get by > believing the > narrator. I like Booth's attitude. >> But the Nebraskan is a great example of unreliability, because he >> doesn't lie. >>Yet, we cannot trust his >> narration---that's all that "unreliable" means. > > I wouldn't call a person unreliable who didn't notice something in the > dark, and > I wouldn't say I couldn't trust what he told me. > > (I suppose it's just as well if nobody has put forward an interpretation > of that > story where the actual narrator is unreliable, or Thoe is.) Booth writes: "We should remind ourselves that any sustained inside view, of whatever depth, temporarily turns the character whose mind is shown into a narrator." This is my perspective also. 'The Nebraskan and the Nereid' is told in close third person; there is no explicit narrator other than the author. But when I wrote about earlier, I thought of the Nebraskan as the narrator. In many ways, the third person 'pseudo-narrator' is more free to deceive than the most unreliable of direct narrators, though we can more easily believe that his deception is unintentional. When the author, writing from inside Cooper's head, refers in passing to "the dumpy little maid-of-all-work", we must accept this as what Cooper saw, even though later he encounters the same person in different circumstances, and does not recognise her. Had Cooper been the actual narrator, we would wonder ifl he was in some way lying when he describes her thus - this is close to the kind of 'lying' that Severian is being accused of. Severian (or the hypothethical narrating Cooper) would reply that he is merely describing as clearly as possible what was in his head at the time. To interrupt the story to describe exactly who she was would (apart from interfering with the flow of the narrative) do a disservice to the subjective history, in the purported interest of an objective history which will in any case be fully explicated by the end. "I am telling you the truth", Severian would say, "but I cannot do it unless you let me tell it in my own way!" Cooper does not have to answer this question; he can hide behind the coat-tails of the omniscient author. And yet the narrative methodology, apart from this really rather inessential difference, is almost the same in both. Should we not speak of unreliable narratives, rather than unreliable narrators? Antonio says above that every author does unreliability - Gene Wolfe crafts it, and other novelists achieve it as a "sub-product". I don't really agree with this distinction. All decent authors are aware of the issue, I think - they just go different ways to achieve the effect. It's present in most novels. I guess this ties into my view that Wolfe is a much *clearer* author than his reputation would suggest. You just need to read him. Some people seem to use his reputation as an excuse to put their hands over their ears and say "Lah, lah, unreliable, I'm not listening..." - Gerry Quinn
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