"Realistic fiction leaves out too much." - Gene Wolfe
soloviev at irit.fr · 06 May 2011, 16:16
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From: soloviev at irit.fr (soloviev at irit.fr) Date: Fri, 6 May 2011 18:16:35 +0200 (CEST) Subject: (urth) "Realistic fiction leaves out too much." - Gene Wolfe In-Reply-To: <4DC40DA8.4030800 at gmail.com> References: <4DBB1060.1020105 at gmail.com> <794632.94323.qm at web161803.mail.bf1.yahoo.com> <BANLkTinVfFohh9fu7VwbgjSKKOfv2Bg-0Q at mail.gmail.com> <4DBB3F16.4000500 at gmail.com> <BANLkTikERbP9OsLJArNvPEp1PScccdP1SA at mail.gmail.com> <4DBC3F51.6070703 at io.com> <BANLkTik4f3+Pam8qjUpd0iViPKQqyJq4-Q at mail.gmail.com> <4DBC7A40.4090306 at io.com> <700326.68394.qm at web114703.mail.gq1.yahoo.com> <55878.141.115.78.21.1304618488.squirrel at websecu.irit.fr> <697013.77851.qm at smtp820.mail.ird.yahoo.com> <4DC40D5A.3050306 at gmail.com> <4DC40DA8.4030800 at gmail.com> Message-ID: <47269.141.115.78.21.1304698595.squirrel at websecu.irit.fr> Dear Mo, dear James, in my posting I tried to explain what was my impression when I first read "1984" in 80-es (I don't remember now, was it before or during Gorbatchev's "perestoika" - could be before, I had enough possibilities to read it in "samizdat"). At this time in the USSR in "intellectual" circles it was naturally seen as a grotesque representation of Soviet society. It is interesting to note that in Gorbatchev'e time (when Soviet propagandistic system still worked but tried to discuss critically "anti-soviet" books, instead of just rejecting them) it did say quite cleverly something in the sense of what Mo is saying: that "1984" is not the satire against Soviet society, but that it depicts exactly Angsoc - English totalitarian society. What I did find unconvincing in "1984"? As far as I remember, not the ideas, but rather the combination of "romance", the love story, as it is described in "1984" with the totalitarian society background. If you wish, the feeling that this romantic line is borrowed from XIX century literature, and not really felt by Orwell. I could believe in the society he describes - it was not so much different from our stalinist period, as I could see. But accepting this, I felt (and knew - the USSR after Stalin was not so totalitarian, but there was certain continuity) - I felt that the romantic line in such a society would be different, that the "psychology" of heroes would be different. For example, the member of "inner party" would never pay so much attention to a destiny of an individual, playing as a cat with a mouse. The owner of the bookstore who gave a room to the hero (to meet with his lover) and sold him later to the security, again paid too much attention to an individual. The personage was taken right from Dickens. The idea that the torture will be most efficient using personal fears - again too much attention to the individual. It was not convincing. The feeling of the totalitarian epoch for us could be better described by a line of the poet Mandelstam (by the way, Gene Wolfe uses him once for an epigraph) - "epoch of anonymous deaths", and by recollections of prisoners of Stalin's time (one, as I remember, counted the number of times the prison attendants checked whether he is hiding something in his arse - it was precisely described algorithm for such a check - it was 13 times one day, when he was moved from one prison to another). By the way, I think Gene Wolfe understands very well the spirit of totalitarian times. I remember his "Eyeflash Miracles". I don't know whether our Russian nationalists (very anti-american) do read Gene Wolfe, but sometimes I've glanced their pamphlets and I had an impression that they have read something like this and later presented (pretended) that American literature itself gives a proof that American society is totalitarian. (Total identification by irises, killing of genetically modified children after an experiment, a boy who was blinded and who is the miracle-worker and Christ-like figure, hunted by federal agents, the computer possessed by devils...) All the best Sergei Soloviev > Actually, that was to Sergei. > > On 5/6/2011 10:01 AM, James Wynn wrote: >> Mo, >> >> That's interesting observation. What specific ideas did you find >> unconvincing? Have you seen the movie "The Lives of Others"? >> >> The only thing that *might* be unconvincing to me is that such a >> society could be maintained _worldwide_ among three nations. But then, >> I only know about the other two nations from what we are told. They >> might actually be free. On the other hand, the belief in the eventual >> inevitably universal spread of Soviet Socialism was not uncommon in >> the UK in 1947 (much as the current belief in Liberal Democracy). So, >> maybe Orwell was speculating "What if it _did_ happen?" >> >> J. >> >> >>> At 19:01 05/05/2011, Sergei wrote: >>>> By the way, I didn't like much the Orvell's "1984" (I did like >>>> the Animal Farm). The reason - "Animal Farm" is presented as abstract, >>>> symbolic fiction, and it seems almost perfect symbol. >>>> The "1984" contains many details that were not convincing, >>>> even as a possible development of the society in the USSR. >>>> It was still very good >>>> as a scheme, on the level of abstract ideas (language in "1984", >>>> inner Party, etc), but not in realistic details. >>> >>> >>> I > > _______________________________________________ > Urth Mailing List > To post, write urth at urth.net > Subscription/information: http://www.urth.net >
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