Round 2 of NPR top 100 sci-fi books of all time
Dan'l Danehy-Oakes · 04 Aug 2011, 15:32
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From: danldo at gmail.com (Dan'l Danehy-Oakes) Date: Thu, 4 Aug 2011 08:32:51 -0700 Subject: (urth) Round 2 of NPR top 100 sci-fi books of all time In-Reply-To: <CAM0v-i400AFU2BudMEwza5CdCfCb0DY8Sixrn_mm=aHGYttE2A at mail.gmail.com> References: <4A14B736-E9B3-4028-AF7E-675E51E69874 at gmail.com> <1312433361.83574.YahooMailClassic at web161813.mail.bf1.yahoo.com> <1312434029.70171.YahooMailNeo at web121015.mail.ne1.yahoo.com> <CAPrwg+zGMf0nDCdFSdxvXzvPOm_fQ=TouYWLaiwKPipxc-_=pw at mail.gmail.com> <CAM0v-i400AFU2BudMEwza5CdCfCb0DY8Sixrn_mm=aHGYttE2A at mail.gmail.com> Message-ID: <CAJ8=rtjhMkEVDXZR04mAZS6e8RVax+a4PjE4cMhMh8qtdNSHsg at mail.gmail.com> The thing about the Malazan books is, they're both huge-scale and minutely-detailed. This seems paradoxical, but it isn't; Erikson is dealing with huge cosmic concepts, but dealing with their effects on the ground. They're war novels where the grunts and the generals get equal time, not something you see every day. They're also brutal, _brutal_ books. Major characters die unexpectedly, even meaninglessly. There's a certain kind of meaninglessness to the whole cosmology, actually: it's "as below, so above" applied to existentialism. The real achievement is the worldbuilding. Tolkien used facets of linguistics to create a sense of ancientness; Erikson uses facets of archaeology. It seems like you can't go anywhere in his world without stumbling over the ruins of an ancient civilization. -- Dan'l Danehy-Oakes
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