The Osiris complex
David Stockhoff · 18 Nov 2011, 18:25
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From: dstockhoff at verizon.net (David Stockhoff) Date: Fri, 18 Nov 2011 13:25:41 -0500 Subject: (urth) The Osiris complex In-Reply-To: <4EC68A07.6000204 at gmail.com> References: <4EC54A41.7040905 at verizon.net><061126B19194423DB23E95D11A04B7C4@Rover><4EC568B4.2010000 at gmail.com><30CCB4E656784E9CB2A35BF816DF9972@Rover><4EC57488.2070108 at gmail.com><4EC585A7.4040701 at gmail.com><4EC59496.2090606 at gmail.com><3A16DEBE-B950-4D51-BD18-7EA03D9ED6B6 at gmail.com><4EC5A400.60600 at verizon.net><4EC5B601.7020206 at gmail.com><4EC66899.1080304 at verizon.net><E83E0AEE3FB54F6FBFEB49CBF2A5849B@Rover><4EC671D1.5090807 at verizon.net><796AE609E0614B45A43B0027D4377338@Rover> <4EC67EE8.70908 at gmail.com> <E0A980C74B0D4A829C4E9E9F440802A7@Rover> <4EC68A07.6000204 at gmail.com> Message-ID: <4EC6A325.4010207 at verizon.net> Because each of us is able to go to Wikipedia to look up the myths James has discussed and yet get completely different impressions, I thought I would dump for discussion here some ANNOTATED bits and pieces I found compelling for the entries "Osiris" "Nephthys" "Isis" and "Dionysus." Please comment as much as you want. It strikes me that the myth is not applied rigidly but rather fits in many ways other than simply chronological. I also need to say that the Wiki material is probably MUCH less suggestive than whatever source Wolfe used! James, if you haven't written this theory up for Ultan's Library, you should. Osiris: The original form of the myth states that Osiris was killed by a wooden sarcophagus secretly being made to his measurements by Seth, who was jealous of Osiris's position as king, and so plotted to kill him and take his place. A party had been held where the coffin was offered to whoever could fit inside. A few people tried to fit in, but to no avail. Osiris was encouraged to try, but as soon as he lay back, the lid slammed on him and was locked. It was then sealed with lead and thrown into the Nile. [This is the Whorl and Typhon] Upon hearing that Osiris was gone, Isis set out to look for him. [James has identified Isis with Khypris, Pas's daughter, though Echidna is his wife] She was afraid that without proper ceremonies and burial Osiris would not be able to go to the place of the dead. She later learned that the coffin had floated down the Nile river up to the coast of Byblos (now in modern day Lebanon) and became embedded in the trunk of a cedar tree. [Green and Blue] She also learned that the cedar tree had been taken and used as a pillar to support a palace for the king of Byblos. When traveling back, along the Nile River, she left the coffin in an area of marshland. Seth, while hunting, finds Osiris' coffin and dismembered him into 14 parts, scattering them across the land of Egypt. Each part represented one of the 14 full moons (each year has 12 to 14 full moons). [Pas does this himself, but he has help reassembling himself. In one interpretation, there are 13 moons and 13 parts but something else was needed to bring Osiris to life. Whatever.] Once again Isis set out to look for the pieces and she was able to find 13 of the 14 parts, with the help of Nephthys, Seth's sister-wife, but was unable to find the 14th, as it had been eaten by a fish. Instead, she fashioned a phallus out of gold and sang a song around Osiris until he came back to life. [I am wondering if Nephthys is Hyacinth, another rebirth figure. Note also the fish (!) and the singing. I also wonder how much of this extends beyond Silk's scanning into Pas into BSS, since Silk himself dies and lives on. If Silk is in some sense Pas by being Typhon, then some of Osiris's story could also apply to Silk.] Isis: Consequently, the story became that before resurrecting Osiris, Isis put together 13 of the 14 parts, but was unable to find the 14th, his phallus, which was eaten by the oxyrhynchus fish (a fish with an unusual curved snout resembling depictions of Set). So Isis created a phallus for him, and then attempted to revive him. In some versions, Isis sang a song around Osiris until he came back to life. She then took the form of a kite and flew around his body in order to conceive Horus. In other tellings of the story, Isis grows wings and hovers over Osiris. She breathes life into him in order to revive him and conceive Horus. Being simultaneously alive and dead, Osiris became the god and king of the afterlife. [Note the bird flying around Osiris. I also think "simultaneously alive and dead" is a striking phrase.] Isis was worshipped as the ideal mother and wife as well as the matron of nature and magic. She was the friend of slaves, sinners, artisans, and the downtrodden.... [One or more of the Mayteras ....] Nephthys: Nephthys was typically paired with her sister Isis in funerary rites because of their role as protectors of the mummy and the god Osiris and as the sister-wife of Seth. As the primary "nursing mother" of the incarnate Pharaonic-god, Horus, Nephthys also was considered to be the nurse of the reigning Pharaoh himself.[7] [I don;t see this as very Hyacinth-like ...] Though other goddesses could assume this role, Nephthys was most usually portrayed in this function. In contrast Nephthys is sometimes featured as a rather ferocious and dangerous divinity, capable of incinerating the enemies of the Pharaoh with her fiery breath.[8] [but this is totally Hy with the azoth] Thus, Nephthys was also seen in the Pyramid Texts as a supportive cosmic force occupying the night-bark on the journey of Ra, the majestic sun god, particularly when he entered Duat at the transitional time of dusk, or twilight. Isis was Ra's companion at the coming of dawn. [A few suggestive elements here; the night-bark makes me think of the Whorl again. The sun is of course reborn daily.] Nephthys was also considered a festive deity whose rites could mandate the liberal consumption of beer. In various reliefs at Edfu, Dendera, and Behbeit, Nephthys is depicted receiving lavish beer-offerings from the Pharaoh, which she would "return", using her power as a beer-goddess "that [the pharaoh] may have joy with no hangover." Elsewhere at Edfu, for example, Nephthys is a goddess who gives the Pharaoh power to see "that which is hidden by moonlight." This fits well with more general textual themes that consider Nephthys to be a goddess whose unique domain was darkness, or the perilous edges of the desert. [I don't know about beer, but there is a suggestion of the Outsider.] Dionysus: [The Osiris myth was exported to Greece, which had its own rebirth cycles. The Sun Cycle itself is of course at its heart a rebirth cycle.] god of the grape harvest, winemaking and wine, of ritual madness and ecstasy in Greek mythology. .... In some cults, he arrives from the east, as an Asiatic foreigner; and in others, from Ethiopia in the South. [Specific to Silk and the Outsider:] He is a god of epiphany, "the god that comes", and his "foreignness" as an arriving outsider-god ... [ahem] ... may be inherent and essential to his cults. He is a major, popular figure of Greek mythology and religion, and is included in some lists of the twelve Olympians. His festivals were the driving force behind the development of Greek theater. [Everything the gods do on the Whorl is theater and ventriloquism.] The earliest cult images of Dionysus show a mature male, bearded and robed. He holds a fennel staff, tipped with a pine-cone and known as a thyrsus. [Another reason I suspect Silkhorn continues to play out mythical themes begun in BLS. Only Quetzal and Incanto have staffs.] Later images show him as a beardless, sensuous, naked or half-naked youth: the literature describes him as womanly or "man-womanish".[6] In its fully developed form, his central cult imagery shows his triumphant, disorderly arrival or return, as if from some place beyond the borders of the known and civilized. His procession (thiasus) is made up of wild female followers (maenads) and ithyphallic, bearded satyrs. Some are armed with the thyrsus, some dance or play music. The god himself is drawn in a chariot, usually by exotic beasts such as lions or tigers, and is sometimes attended by a bearded, drunken Silenus. This procession is presumed to be the cult model for the human followers of his Dionysian Mysteries. In his Thracian mysteries, he wears the bassaris or fox-skin, symbolizing a new life. Dionysus is represented by city religions as the protector of those who do not belong to conventional society and thus symbolizes everything which is chaotic, dangerous and unexpected, everything which escapes human reason and which can only be attributed to the unforeseeable action of the gods.
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