Gummed-Up Works or Got Lives?
David Stockhoff · 16 Dec 2011, 19:31
· from 2011-December.txt.gz
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From: dstockhoff at verizon.net (David Stockhoff) Date: Fri, 16 Dec 2011 14:31:12 -0500 Subject: (urth) Gummed-Up Works or Got Lives? In-Reply-To: <CAGB0RZ5teDJ5oZsTGN0FheOdQdQFhBUivNm421RcpnEjLvtqYQ at mail.gmail.com> References: <SNT123-W50ECAE6E13A6F40B0B1A23CFA00 at phx.gbl> <CADQR0GqEgVsBUSp7WpsdDkgCnY8P9CkGs1bW_02GTDaVRcEZmQ at mail.gmail.com> <CAJ8=rtgZcZ1fWYad2Mrd_gx+=y7SuJzyiE8cxrkb5NAsHFBsrQ at mail.gmail.com> <4EEB7EAB.6020404 at verizon.net> <CAGB0RZ5teDJ5oZsTGN0FheOdQdQFhBUivNm421RcpnEjLvtqYQ at mail.gmail.com> Message-ID: <4EEB9C80.8050205 at verizon.net> Yes. Although Howard touched a bit on horror too, it was never the main point, and Howard, Burroughs, and Fritz Lieber codified the s&s genre (which was often enough swords VS sorcery) more than anyone. Too bad Lovecraft never wrote about a lone swordsman---that would really have been something. He'd have to be a madman who never gets close enough to the creeping horror to kill it. Kind of like a detective who is always too drunk to solve murders but somehow has an interesting career nevertheless. On 12/16/2011 1:27 PM, Daniel Petersen wrote: > I tend to think of Robert Howard and Tolkien as two differing and > interesting streams that find their mutual source in Dunsany (at least > in so far as each of the former embody modern S&S). Again, it's as if > these two streams reunite into one at Wolfe. (You can also do this > sort of 'flow chart' from Dunsany with Lovecraft and Tolkien as the > two streams reunited in Wolfe - this time in relation to horror.) > > -DOJP > > On Fri, Dec 16, 2011 at 5:23 PM, David Stockhoff > <dstockhoff at verizon.net <mailto:dstockhoff at verizon.net>> wrote: > > And Dunsany and Wilde. > > > On 12/16/2011 12:21 PM, Dan'l Danehy-Oakes wrote: > > Yes, and there is plenty of "high" fantasy that precedes JRRT > also -- > notably William Morris. > > On Fri, Dec 16, 2011 at 9:01 AM, Larry > Miller<decanus1284 at gmail.com <mailto:decanus1284 at gmail.com>> > wrote: > > Dont forget that sword and sorcery also has roots in the > planetary > romances of burroughs who we know Wolfe was aware of. > There was also > the Jirel of Joiry and the Zothique stories that are the > earliest > sword and sorcery tales. Or the Worm Ouroborous. They > all predate > Tolkien. And Conan being a cheap comic book derivative? > Come on! > > On 12/16/11, Lee Berman<severiansola at hotmail.com > <mailto:severiansola at hotmail.com>> wrote: > > Dan'l Danehy-Oakes: You are absolutely correct, I > meant "religious > morality" and should > have said so explicitly. > > Ah, well, not really. I understood but I'll confess > that I just wanted an > excuse to > further discuss Tolkien with someone who knows more > than I do about the > subject. :- ) > > Antonio Pedro Marques: The discussion was about > what it looked like on the > _surface_. If > you only find out at the end of the story that a > character seems to fit a > fairy tale, > then the fairytaleness isn't really part of the > scenery, is it? > > Scenery! That's an interesting point. For me, it was > fairly early in BotNS > that the S& S/ > > fairy tale aspects hit me. What came later (much > later) was the recognition > of real religious > content in the story, albeit with an intensely gnostic > flavor. > > For years I had wondered why Wolfe put "gnostic > symbols" in the Witches > Tower. The problem > was my own limited knowledge of gnosticism. The impact > of Alexander's brief > but mighty > empire on all levels of Western culture can't be > ignored, including > religion. Our legends of > witches, vampires, manbeasts shapeshifting gods, > monsters etc. can be traced > back to that time > period, in that part of the world. > > But anyway, does the fact that my realization of the > religious aspect of > BotNS came later mean > it is not a religious story? Or even that religious > trappings are not part > of the scenery? > > Maybe for me s&s is a more restricted thing than > for others. I think of > Conan the Barbarian > rather than LotR as the prototype. I'm not even > sure I find LotR all that > s&s, given the serious > 'historical' feeling I get from it, nor the > Hobbit, given its (deceivingly) > children's-tale style. > > Great observation and recognition Antonio. Perhaps I > am not alone in having > assumed that LotR was > more of a prototype or archetype of S& S while Conan > is more of a cheap > > comic book derivative. > A cultural bias? Conan (like Tarzan) is a European > character created by an > American, while LotR seems > somehow more authentic and refined- high brow British > characters created by > an Englishman. > > But, a check online about Robert Howard, the creator > of Conan (and who > pre-dates Tolkien), produces > this blurb: > > With Conan and his other heroes, Howard created > the genre now known as > sword and sorcery, spawning > a wide swath of imitators and giving him an > influence in the fantasy field > rivaled only by J. R. R. > Tolkien and Tolkien's similarly inspired creation > of high fantasy. > > > _______________________________________________ > Urth Mailing List > To post, write urth at urth.net <mailto:urth at urth.net> > Subscription/information: http://www.urth.net > > _______________________________________________ > Urth Mailing List > To post, write urth at urth.net <mailto:urth at urth.net> > Subscription/information: http://www.urth.net > > > > _______________________________________________ > Urth Mailing List > To post, write urth at urth.net <mailto:urth at urth.net> > Subscription/information: http://www.urth.net > > > > > _______________________________________________ > Urth Mailing List > To post, write urth at urth.net > Subscription/information: http://www.urth.net
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