Shadow, Chapter X
Gwern Branwen · 02 Mar 2012, 01:10
· from 2012-March.txt.gz
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From: gwern0 at gmail.com (Gwern Branwen) Date: Thu, 1 Mar 2012 20:10:16 -0500 Subject: (urth) Shadow, Chapter X In-Reply-To: <cbf55b100811181700g6538651fr8ead945869411028 at mail.gmail.com> References: <W315002510453461227031732@webmail15> <cbf55b100811181700g6538651fr8ead945869411028 at mail.gmail.com> Message-ID: <CAMwO0gxW0Ees==M6a4M5WkoyyVeGaW3toWEpQayXQ93mRypnoA at mail.gmail.com> On Tue, Nov 18, 2008 at 8:00 PM, Gwern Branwen <gwern0 at gmail.com> wrote: > A little while ago, I mentioned that one of the two essays by Wolfe in > _Shadows of the New Sun_ that I liked best was "Nor the summers as > golden", but I didn't quote it then because I had forgotten to make a > copy of it. But the final two paragraphs are relevant; the context of > this 6-page essay is Gene discussing storytelling and how multi-volume > works are more challenging than single novels (pg 213): > > "I said the end of the overshadowing story would provide an end for > the final volume. Perhaps I should add, 'if you are lucky'. It must > wrap up its own volume, obviously. It must also wrap up the entire > work in a satisfactory way. In general, it should not undercut the > endings of any of the earlier books, rendering them, in retrospect, > trivial. Rather it must validate them, assuring the reader that they > were indeed important points in the overshadowing story - that you did > not cheat. Thus in _The Book of the New Sun_, Severian leaves his > native city at the end of the first book, reaches the distant city in > which he is to be employed at the end of the second, and reaches the > war toward which he has been inexorably drawn at the end of the third. > At the end of the fourth book (when he returns to his city) I > attempted to show that all had been significant, moulding his > character and contributing to his rise to the Phoenix Throne. > There is one final point, the point that separates a true multivolume > work from a short story, a novel, or a series. The ending of the final > novel should leave the reader with a feeling that he has gone through > the defining circumstances of Main Character's life. The leading > character in a series can wander off into another book and a new > adventure better even than this one. Main Character cannot, at the end > of your multivolume work. (Or at least, it should seem so.) His life > may continue, and in most cases it will. He may or may not live > happily ever after. But the problems he will face in the future will > not be as important to him or us, nor the summers as golden." I've put up the whole thing at http://www.gwern.net/docs/2007-wolfe -- gwern http://www.gwern.net
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