This Week in Google Alerts: another BotNS review

Gwern Branwen · 19 Aug 2013, 16:11 · from 2013-August.txt.gz

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From: gwern at gwern.net (Gwern Branwen)
Date: Mon, 19 Aug 2013 12:11:49 -0400
Subject: (urth) This Week in Google Alerts: another BotNS review
Message-ID: <CAMwO0gzoVJMDpEyPAH3t-6ZfhcDg5h_0nGxBwFdMPxXGGO0HVQ at mail.gmail.com>

"http://www.rantingdragon.com/gfn-the-shadow-of-the-torturer/ "Great
Fantasy Novel Nomination: The Shadow of the Torturer by Gene Wolfe",
by Paul Weimer

> ...The setting was the first thing that drew me as a reader to _The Shadow of the Torturer_ years ago, and it still draws and enchants me today. Jack Vance may have codified the idea of a Dying Earth, refreshing it from the work of Clark Ashton Smith and William Hope Hodgson. However, it is Wolfe that has taken the idea of the Dying Earth, and put a map to the territory, eschewing the picaresque, small bore scope of much of Vance and instead launching us into an epic tale of an Earth just as close to the end of its days. Plants as dueling weapons. A crumbling ancient city under a literally dying sun.  And yet, the careful and alert reader can see how this bizarre far future world connects to and is an extension of our own.  There are allusions, intimations, and references to our own past, and earlier still, for readers to untangle and discover.
>
> Finally, and even more strongly than character and setting, is the writing. Reading _The Shadow of the Torturer_ is to be immersed into a world of language and words you likely have never heard of. The fuligin black of Severian?s cloak, the Autarch that rules over the land. These are not neologisms, but rather underused and nearly forgotten English words that Wolfe has found in a dusty corner of an antique store, and has bought, cleaned up and brought to light to the reader. This careful use of baroque words not only reinforces and reifies the far future, alien, fantastic world, but they also provide nuances and shades of meaning to exactly portray what he wants. Wolfe could have called the Autarch a King, or a Dictator, or a Tyrant. Each of those would have been close to what we wanted, but none of them would have been exactly what we wanted. It is that painstaking exactness and perfection in language, in sentence structure, in dialogue that really marks his craft.
>
> Admittedly, given that The Shadow of the Torturer is the first book of not only a four volume series, but an entire cycle of stories and novels, it might seem unfair and unreasonable to call this one book the Great Fantasy Novel. Nevertheless, a suite of stories and novels must start strongly or never be written. The Shadow of the Torturer is equaled and surpassed in some of the subsequent novels of the series. However, the stature of those later novels, in every case is dependent on it being a follow up, ultimately, of The Shadow of the Torturer. Thus, standing first, The Shadow of the Torturer is the greatest of the series and the cycle.
>
> With its ambiguous and odd ending, The Shadow of the Torturer also stands alone as a volume that engages and allows the reader to fill in the blank at the end. The reader is perfectly capable and given the tools needed to leave the series and suite after reading this book, if they so wish. What really happens at the gate of the massive wall of Nexus? Where will Severian and his companions go? What is the world outside the walls of the city really like? The Shadow of the Torturer only gives us hints, leaving, in the context of this book, our imagination, our own faculties to fill it in. It allows the reader to continue to imagine it for themselves. And that is what the best literature, especially genre literature does: it provides room for the playground of the imagination.

-- 
gwern
http://www.gwern.net

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