The genres of PEACE
Adam Stephanides · 31 Oct 2000, 11:29
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From: Adam Stephanides <adamsteph at earthlink.net> Subject: (urth) The genres of PEACE Date: Tue, 31 Oct 2000 11:29:11 Message-ID: <urth-v0030-0075 at digest.urth.net> X-Urthmirror-Source: http://www.urth.net/urth/archives/v0030/0075.shtml MIME-Version: 1.0 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: quoted-printable I don't know if this observation has been made before, but each of PEACE's five parts is "in the mode," so to speak, of a different genre.=20 (I'm referring to the predominant action of each part, not to the short tales embedded within them.) Part one is, I think, in the "genre" of serious realistic fiction, the "Dickens and Jane Austen and Proust and Stendahl" that Charles Turner craves. We see a scene of childhood innocence about to be shattered, as in the beginnings of many "literary" novels. (Actually, I'm less sure about this first part than about the others.) Part two is a screwball comedy, with its eccentric, spirited heroine baiting her stuffy suitors, the "scavenger hunt" for the Chinese egg, and its farcical discovery in the barn. Part three is a horror story, of course; even the storytelling frame is a frequent device of horror stories. Part four is a hardbooiled detective story. We have a crime being investigated (forgery) and an alluring but treacherous woman whom the "detective" gets entangled with. The bogus treasure is out of THE MALTESE FALCON, and Gold's dusty bookshop is out of THE BIG SLEEP. Weer even compares himself to "Humphrey Bogart or Charlie Chan." (213) And part five is a documentary, or a journalistic expose: a day in the life of a corporation. I doubt that Weer intended this structure. But Wolfe has experimented with telling a single story through several different genres elsewhere, in the four-part story beginning with "The Dark of the June." Here he applies the technique to a man's life. Incidentally, I take back what I said earlier about beginning to understand PEACE. I still think there was a lot of truth in what I said about Weer's psychology; but I no longer think that the book can be seen as fundamentally a straightforward psychological novel in disguise, as I was trying to read it. There's too much more going on. --Adam *More Wolfe info & archive of this list at http://www.urth.net/urth/
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