Driving past Castleview
Tony Ellis · 09 Jan 2001, 09:59
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From: "Tony Ellis" <tony.ellis at futurenet.co.uk> Subject: (urth) Driving past Castleview Date: Tue, 09 Jan 2001 09:59:10 +0000 Message-ID: <urth-v0030-0235 at digest.urth.net> X-Urthmirror-Source: http://www.urth.net/urth/archives/v0030/0235.shtml MIME-Version: 1.0 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: quoted-printable Spectacled Bear wrote: > Does that mean you can answer all, many, or even some of > the long list of questions I posted a few weeks ago? > I did say I would have a bash at those myself. Dan'l Danehy-Oakes made some interesting suggestions, here are some of mine. Three key points first: 1. I would like to resurrect Nutria=E2=80=99s argument that Casteview is = =E2=80=9Cabout perception=E2=80=9D. This is a recurring theme in Wolfe=E2=80=99s work, and= a particularly important one here. Wolfe makes Shields spend two solid pages explaining to Bob Roberts how people who saw a castle with three, four or even five towers could actually have been seeing the same castle. He even makes a little model, for pity=E2=80=99s sake. Wolfe could = have saved himself a big wodge of expository writing here simply by saying that everyone who saw the castle saw the same number of towers. That he didn=E2=80=99t suggests to me that he wants us to think about people seeing= the same thing differently because they=E2=80=99re seeing it from different perspectives. 2. Tom Stoppard once described =E2=80=9CRosencrantz and Guildenstern Are De= ad=E2=80=9D as the dramatic equivalent of driving past Elsinore castle. You might see a ghost on the ramparts, you might glimpse a funeral procession in your wing mirror, but like poor R and G themselves you would have no idea from these snapshots what the =E2=80=9Creal story=E2=80=9D was all abo= ut. I find that a useful way of thinking about Castleview. 3. We see the supernatural characters, which Dan'l Danehy-Oakes usefully identifies as =E2=80=9Cfey=E2=80=9D, primarily in terms of late western Eur= opean mythology, and particularly Arthurian mythology. But as with the Latro books, Wolfe is writing from the post-White Goddess, post-Joseph Campbell standpoint that understands that mythical characters overlap. Thus Viviane Morgan isn=E2=80=99t just the Lady of the Lake and Morgan le F= ay, she=E2=80=99s also the Phantom Hitcher =E2=80=93 a modern myth which I don= =E2=80=99t suppose dates back much more than 50 years. > Is Shields really killed? > Nope. See the quote from Morte d=E2=80=99Arthur prefacing the book. > Who is Liam Fee... Is he really an alien or monster, as he appears to be > when Hwan Lee stuns him? > He=E2=80=99s an alien and a faerie =E2=80=93 different ways of looking at t= he same entity. In the fine Wolfe short story =E2=80=9CA Cabin On the Coast=E2=80= =9D a pipe-smoking leprechaun tells the protagonist =E2=80=9CWould ye like to see= me as a tiny green man wi' horns like a snail's? I can do that too.=E2=80=9D > Who is Lucie? > A tenant of Meadow Grass who has been turned into a vampire. > Why is she pretending to be French, or if she really is French, why does = she > sound American for a while to Sally? > I think she really is French, because that's how she talks when she is alone with Boomer. I don't know why she drops the accent with Sally, or why she picks it up again when Seth is mentioned. Wolfe gives us quite a few hints about Lucie, which makes me feel there=E2=80=99s something here w= e=E2=80=99re just not seeing. > G. Gordon Kitty is great fun > Agreed. I wish there was more of him in the novel. > What's all the business with the organ playing in the museum? > I can=E2=80=99t improve on Dan=E2=80=99l=E2=80=99s "cool effects?" With its= insanely, ludicrously frenetic pace, and magically-transformed cats, I don=E2=80=99t = think this is a book we are supposed to take =E2=80=93too- seriously. > Viviane Morgan appears to be Vivian *and* Morgan le Fay. How does she > manage to be both? > Because these are just our personifications of the same supernatural being. > Von Madadh is King of Hounds or Wolves, and he's the dog that Sally > thinks is Rexy. But what's he doing? Is he just there to lure everyone to= the > Castle? > Seems so to me. Given that he=E2=80=99s the leader of Morgan=E2=80=99s troo= ps in the final battle, and gives Shields his mortal wound, I suspect that he=E2=80= =99s also Mordred. > Is all the trouble at Meadow Grass to do with the attempts to kill Wrangl= er? > Not necessarily. The camp has the misfortune to be both isolated and located near a gateway to Faerie, so a certain amount of mischief seems inevitable. *More Wolfe info & archive of this list at http://www.urth.net/urth/
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