tolkien, platonism, mythology
Alex David Groce · 22 Aug 2001, 13:13
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From: Alex David Groce <Alex_Groce at gs246.sp.cs.cmu.edu> Subject: Re: (urth) tolkien, platonism, mythology Date: Wed, 22 Aug 2001 13:13:23 Message-ID: <urth-v0030-0659 at digest.urth.net> X-Urthmirror-Source: http://www.urth.net/urth/archives/v0030/0659.shtml MIME-Version: 1.0 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: quoted-printable Rostrum wrote: > Further support for your thesis: comparing traditional modernist > detective stories with Umberto Eco's postmodern detective story, > _The Name of the Rose_. In which there is no pattern, no answer to > the mystery, except what the detective creates. In which, by > looking for a "solution," to the mystery behind the deaths, the > detective creates one that wasn't there. I'm just quoting this, but the whole detective discussion is interesting. I agree that Wolfe's "baptized" detective fiction derives from Chesterton (_Nightside_ being practically Father Brown in space, and I now wonder if the long climbing scenes don't owe a bit to _Manalive_), who was, despite his reputation for paradox and whimsy, a devotee of reason in his own fashion. "The Detective of Dreams" is very much a Chestertonized Poe tale, where Reason points the way to Faith. Wolfe's _realities_ are at heart of Aquinas rather than Kafka or Eco (there is an underlying truth, approachable at least by reason). The psychology of Wolfe's characters is considerably less "solvable," I would argue--more the infinite depths and profundities of mystery as expounded by Augustine or Pascal than the rational enumeration of faculties of Aristotle and Aquinas. The motives of numerous Wolfe characters remain hidden, guessable from the outside (and even with 1st person narrators, we are always outside) or dimly perceived through lies and self deceptions, but in the end not amenable to something like Freud's detective work. Dorcas in BOTNS, the narrator of "Seven American Nights," and of course Dennis Alden Weer are examples (at least for me). Also, (and this drifts into whorl territory) the Short Sun narrator spends quite a bit of time in detective mode, as Silk did in Long Sun (ask for an excorcist, get a detective for free, etc.). I don't have IGJ with me, but someone asks him about mystery, and he says something like: "I don't enjoy mysteries for their own sake. I try to clear up mysteries whereever I find them." I suspect this is Wolfe talking to the reader as well, and that he thinks the clues are there to solve the many (for me) still obscure aspects of the Short Sun books. I think that one reason the revelation about identity made at the end of RttW is so explicit (if debatable in its exact meaning) is that Wolfe thinks the psychological mysteries are much harder to solve or even impossible, and this one _must_ be seen by the reader for Short Sun to work. -- "And ye shall know the truth, and the truth shall make you free." John 8:32 -- Alex David Groce (agroce+ at cs.cmu.edu) Ph.D. Student, Carnegie Mellon University - Computer Science Department 8112 Wean Hall (412)-268-3066 http://www.cs.cmu.edu/~agroce *More Wolfe info & archive of this list at http://www.urth.net/urth/
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