eating trees
Roy C. Lackey · 30 Mar 2002, 18:17
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From: "Roy C. Lackey" <rclackey at stic.net> Subject: Re: (urth) eating trees Date: Sat, 30 Mar 2002 12:17:08 -0600 Message-ID: <urth-v0203-520 at digest.urth.net> X-Urthmirror-Source: http://www.urth.net/urth/archives/v0203/520.txt.shtml MIME-Version: 1.0 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: quoted-printable Date: Friday, March 29, 2002 11:06 AM Marc wrote, in part: --------------------------------------------- The trees are in cahoots with Horn, and therefore empathize with his goal and want to help him liberate Silk's psyche. One of the scenes that argues against Babbie being Horn is the Horn claims he is sentient: "ONCE, when Seawrack and I were on the riverbank, I felt that there were three of us . ... after an hour or more of this uneasiness, I realized that the third person I sensed was merely Babbie, whom I had by a species of mental misstep ceased to consider an animal." SFBC BOTSS 79 Immediately after this, Babbie comes tooling around: "In half an hour [Babbie] was back, still swimming strongly but not making anything like the progress he had earlier becuase he was pushing a SMALL TREE ahead of him , roots and all" ..."For a moment there I thought I saw somebody ... a face, very pale, down under the water. It was probably a fish, really, or just a piece of waterlogged wood." (80) The tree can be used to explain the sentience of that the narrator senses - the tree is the other presence he feels just that "ONCE": In this same scene, the song of the mother starts, and he says" there was that in it that sounded very far away indeed. I have since that that the distance was perhaps of time, that we heard a song on that warm, calm evening that was not merely hundreds but thousands of years old, sung as it had been sung when the Short Sun of Blue was yet young, and floating to us across that lonely sea with a pain of loss and longing that my poor words cannot express" (81). This is the scene where we have Babbie as sentient, and a tree, roots and all, shows up, and this transtemporal song starts playing. All in one scene in Chapter 5: The Thing on the Green Plain. [snip] ---------------------------------------------------------- Uh, what I have quoted from Marc's post, above, is somewhat of a misrepresentation of the text. The pagination of the SFBC edition apparently differs quite a bit from that of the original OBW, where the pages in question range from 137-140. First of all, what is described above is not all in one scene. The scene on the riverbank is a flashforward to a time after, obviously, Horn had met Seawrack, who he had yet to even lay eyes on. Second, Babbie's return to the sloop after a half hour did not follow the scene on the riverbank, as implied above, "immediately" or at all in the sequence of events. Third, the pale face Horn thought he saw underwater was very likely that of Seawrack, who had already lost her arm to Babbie, who was clearly hanging around the boat, and who would make her appearance the next day. Finally, the two ONCE statements emphasized and linked above are unrelated; they refer to two different events in the narrative, one before and one after Horn met Seawrack. -Roy --=20
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