Sherry Gold's death
StoneOx17 · 30 May 2002, 11:40
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From: StoneOx17 at aol.com Subject: Re: (urth) Sherry Gold's death Date: Thu, 30 May 2002 07:40:05 EDT Message-ID: <urth-v0205-1129 at digest.urth.net> X-Urthmirror-Source: http://www.urth.net/urth/archives/v0205/1129.txt.shtml MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="part1_157.e93fa49.2a276995_boundary" --part1_157.e93fa49.2a276995_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit In reply to my statement that I thought Sherry died after Weer, mantis wrote > Stone Ox wrote > >I'm not convinced. I see Sherry's death as being one instance of the > >"everybody is dead" theme, and Weer's stroke as being the first of > >his ailments in the afterlife (although it may be a reflection of a real > >stroke that killed him) ,,, > >In fact, I think Weer had his posthumous > >stroke _because_ Sherry Gold died, and that she was the last > >person alive who remembered him well ... >So Sherry's death triggers Weer's wandering? No, just a posthumous stroke, >a turning over in the grave--the wandering is still triggered by the fall >of the elm (hundreds of years after Sherry's death)? The wandering is still triggered by the fall of the elm ... showing real-life posthumous events can have an effect on Weer's spirit. Why not Sherry's death as well? >If =this= is true, then any post-stroke memories (in the factory, limping; >the illness and death of the secretary; the letter from Peacock to Smart on >the desktop [?]) are all of the more spacey "corridors of time" category, >like the visits to Dr. Black (did it ever really happen?) and Dr. Van Ness >(compilation of many visits boiled down, with bad splices), rather than the >"realistic" category of nearly everything else. No, I'd say rather that the stroke is filtering back into his recollections and coloring them. You have to admit =something= funny is going on with the stroke. In real life, when Weer slept with Sherry, he could hardly have apologized to her for a stroke he had after she died. I wrote > >And thanks to Michael Straight for his suggestion, obvious once > >it's been made, that the Chinese philosopher's headrest at the end means > >that Weer will be reliving his afterlife (and not necessarily for the first > >time). mantis replied >I don't know if you have addressed this or not, so I'll just go ahead: One >problem with the "recurring loop" reading of PEACE is that there are clear >ways to signal such a thing: FINNEGANS WAKE (and in genre, DHALGREN) uses >a split sentence, the opening fragment then lining up perfectly with the >ending fragment many hundreds of pages later. The text is a circle, no >question about it. > >The framing structure of PEACE does not really allow such a thing: it is >quite linear. A. D. Weer starts writing in a notebook (the beginning) and >then he stops writing (the end). It would not have been too hard at all >for an ending fragment to match up to a beginning fragment, but it did not >happen. Nor would it have been difficult if Weer had a notion to express >himself in non-writing, through song or sculpture, for example (change of >media, but the same story), but that did not happen, either. I have to admit I'm not so sure about the circularity. You could also take the hope of resurrection from the Chinese philosopher's pillow as a warning against belief in reincarnation, and not as a sign that Weer's ghost will relive his afterlife. Given how little I know about Purgatory, I can't even say which interpretation is more in line with Catholic thought. >Speaking of which, I'm hoping I can get Gene Wolfe to go to the Winchester >House in San Jose, or tag along if he is already going! > >Oo, even better: get some friends to go dressed up as characters from >PEACE. Have Sherry Gold wandering around inside Winchester House, bobby >socks and all. Good luck ... that sounds like great fun! Stone Ox -- --part1_157.e93fa49.2a276995_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: 7bit <HTML>In reply to my statement that I thought Sherry died after Weer, mantis wrote > Stone Ox wrote > >I'm not convinced. I see Sherry's death as being one instance of the > >"everybody is dead" theme, and Weer's stroke as being the first of > >his ailments in the afterlife (although it may be a reflection of a real > >stroke that killed him) ,,, > >In fact, I think Weer had his posthumous > >stroke _because_ Sherry Gold died, and that she was the last > >person alive who remembered him well ... >So Sherry's death triggers Weer's wandering? No, just a posthumous stroke, >a turning over in the grave--the wandering is still triggered by the fall >of the elm (hundreds of years after Sherry's death)? The wandering is still triggered by the fall of the elm ... showing real-life posthumous events can have an effect on Weer's spirit. Why not Sherry's death as well? >If =this= is true, then any post-stroke memories (in the factory, limping; >the illness and death of the secretary; the letter from Peacock to Smart on >the desktop [?]) are all of the more spacey "corridors of time" category, >like the visits to Dr. Black (did it ever really happen?) and Dr. Van Ness >(compilation of many visits boiled down, with bad splices), rather than the >"realistic" category of nearly everything else. No, I'd say rather that the stroke is filtering back into his recollections and coloring them. You have to admit =something= funny is going on with the stroke. In real life, when Weer slept with Sherry, he could hardly have apologized to her for a stroke he had after she died. I wrote > >And thanks to Michael Straight for his suggestion, obvious once > >it's been made, that the Chinese philosopher's headrest at the end means > >that Weer will be reliving his afterlife (and not necessarily for the first > >time). mantis replied >I don't know if you have addressed this or not, so I'll just go ahead: One >problem with the "recurring loop" reading of PEACE is that there are clear >ways to signal such a thing: FINNEGANS WAKE (and in genre, DHALGREN) uses >a split sentence, the opening fragment then lining up perfectly with the >ending fragment many hundreds of pages later. The text is a circle, no >question about it. > >The framing structure of PEACE does not really allow such a thing: it is >quite linear. A. D. Weer starts writing in a notebook (the beginning) and >then he stops writing (the end). It would not have been too hard at all >for an ending fragment to match up to a beginning fragment, but it did not >happen. Nor would it have been difficult if Weer had a notion to express >himself in non-writing, through song or sculpture, for example (change of >media, but the same story), but that did not happen, either. I have to admit I'm not so sure about the circularity. You could also take the hope of resurrection from the Chinese philosopher's pillow as a warning against belief in reincarnation, and not as a sign that Weer's ghost will relive his afterlife. Given how little I know about Purgatory, I can't even say which interpretation is more in line with Catholic thought. >Speaking of which, I'm hoping I can get Gene Wolfe to go to the Winchester >House in San Jose, or tag along if he is already going! > >Oo, even better: get some friends to go dressed up as characters from >PEACE. Have Sherry Gold wandering around inside Winchester House, bobby >socks and all. Good luck ... that sounds like great fun! Stone Ox </HTML> --part1_157.e93fa49.2a276995_boundary--
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