The Canocentric Exegesis of Wolfe's `Tracking Song'
Dan Rabin · 03 Mar 1998, 20:04
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From: Dan Rabin <danrabin at a.crl.com> Subject: (urth) The Canocentric Exegesis of Wolfe's `Tracking Song' Date: Tue, 3 Mar 1998 20:04:43 Message-ID: <urth-v0007-0594 at digest.urth.net> X-Urthmirror-Source: http://www.urth.net/urth/archives/v0007/0594.shtml MIME-Version: 1.0 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: quoted-printable [Posted from URTH, a mailing list about Gene Wolfe's New Sun and other work= s] This theory of David Lebling's is quite intriguing! Here are a couple more resonances: 1. The `lost dog finding its way home' motif resonates with the perception of death among some Christians as `going home to one's Maker'. 2. The winged beings as beyond-humans resonate with Wolfe's own Hierogrammates, shaped by humans according to human ideals (`united, compassionate, just') never actually achieved by the human race itself. I can't quite draw an exact analogy, but I'm always willing to believe that Wolfe often works impressionistically rather than with exacting exactness. I think he's willing to deviate slightly from his clever constructs in order to deliver a haunting image or a well-timed surprise. -- Dan Rabin
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