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Chrasmological Writings - "Open Eyes"

James Wynn · 31 Mar 2003, 17:02 · from urth-v0303.mbox · original

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From: "James Wynn" <crushtv at hotpop.com>
Subject: (urth) Chrasmological Writings - "Open Eyes"
Date: Mon, 31 Mar 2003 11:02:49 -0600
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Andrew Bollen pondered the source of the following Chrasmological =3D
quotation:
"A simple way would be to admit that myth is neither irresponsible =3D
fantasy, nor the object of weighty psychology, or any such thing. It is =3D
wholly other, and requires to be looked at with open eyes."

Josh Geller first suggested:
"Could easily be 'Hamlet's Mill'."


And when speculation continued without considering his suggestion, Josh =3D
defiantly asserted:
"I really do think it is from 'Hamlet's Mill'. Anyone who enjoys Gene =3D
Wolfe's fiction owes it to themselves to read 'Hamlet's Mill'."


Well I still didn't take Josh's help for what it was worth, but while =3D
wandering along one of Wolfe's byways I happened to come across Georgio =3D
de Santillana (who co-authored 'Hamlet's Mill' with Herth von Dechend). =3D
"Well", thinks I, "who am I to blow against the wind?"

So I bought 'Hamlet's Mill", and thought, "Oh my, another very thick =3D
book to read". But I enjoyed every word and, sure enough....

****at the end of section one of the Epilogue, "The Lost Treasure", is =3D
the very quote.******

I must thank Josh because I probably wouldn't have elected to try this =3D
book without his recommendation. Aside from the beautiful merit of the =3D
book in its own right, I found rich veins of Wolfean source material.

For those who may not know, Shakespeare derived his Hamlet from the Dane =
=3D
Saxo Grammaticus' Latin work which included a story about the prince =3D
Amlethus. Santillana and Dechend argue that Amlethus is the Norse =3D
Amlohdi who owned  "a fabled mill which in his own time ground out peace =
=3D
and plenty. Later, in decaying times, it ground out salt; and now =3D
finally, having landed at the bottom of the sea, it is grinding rock and =
=3D
sand, creating a vast whirlpool, the Maelstrom which is supposed to be =3D
the way to the land of the dead."

The "millstone" to which they refer is spinning heavens. The center of =3D
the Mill is the polar star.=3D20

Graves asserted that true poetry is mythological, that it conveys the =3D
hidden roots of all poetry and religion. Santillana and Dechend assert =3D
that true **mythology** is cosmological; that it conveys the story of =3D
the stars and the "great catastrophe" caused by the Precession of the =3D
Equinox (when the millstone became "unhinged"). This implicitly denies =3D
(actually they contemptuously deny it) Graves attempt to derive Greek =3D
mythology from ancient religio-political upheavals on the Peloponese.

=46rom this one "great scientific marvel" of science -- the moving of the =3D
polar center and banishing of constellations "to the underworld", "to =3D
beneath the ocean",  the writers have attempted to connect practically =3D
all the great myths: Prometheus, Vishnu, the Flood, Samson, Hercules, =3D
etc. etc.)

It would be impossible to describe here every insight into Wolfe's work =3D
that this book has provided me. However, note that as in Wolfe's Whorl, =3D
ancient man also saw himself in the middle of a spinning elongated =3D
whorl, and also that Horn build's a paper mill from which comes the =3D
"Book of Silk" through which, in a sense, the gods of the Heavens, =3D
especially Silk and the Outsider, were brought to the emmigrants.

Reading this work also begins to explain for me all the references to =3D
Hesphaestus, the Smith God.=3D20

And here is here is something for New Sun speculators attempting to nail =
=3D
down a relationship between Typhon and Severian:
"The story of the smith Kavag -- also written Kaweh, or Kawa -- is told =3D
by Firdausi in the book dealing with the 1000 years rule of Dahak, that =3D
fiendish tyrant out of whose shoulders grew two serpents that had to be =3D
fed with the brains of two young men every day. The predestined =3D
dragon-slayer and much expected savior, Faridun --- Avestan Thraethona =3D
-- .... had been saved from the snares of Dahak as a baby, and hidden =3D
away in the mountains."

On science fiction, Tolkien, and Wolfe's 'bleak" plots:
"Science fiction, when it is good, is a wholly valid attempt at =3D
restoring a mythical element, with its adventures and tragedies, it =3D
meditations on man's errors and man's fate. For true tragedy is an =3D
essential component or outcome of myth....Tokien's efforts at reviving =3D
the genre, whatever the talent employed, carry as much conviction as the =
=3D
traditional three-dollar bill."

So there ya go. Thanks again to Josh for identifying this quotation and =3D
putting me on to a really interesting book.=3D20

-- Crush

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Andrew Bollen pondered the source of =3D
the following=3D20
Chrasmological quotation:
"A simple way would be to admit that =3D
myth is=3D20
neither irresponsible fantasy, nor the object of weighty psychology, or =3D
any such=3D20
thing. It is wholly other, and requires to be looked at with open=3D20
eyes."
=C2=A0
Josh Geller first =3D
suggested:
"Could easily be 'Hamlet's =3D
Mill'."
=C2=A0
And when speculation continued without =3D
considering=3D20
his suggestion, Josh defiantly asserted:
"I really do think it is from 'Hamlet's Mill'. Anyone who enjoys =3D
Gene=3D20
Wolfe's fiction owes it to themselves to read 'Hamlet's =3D
Mill'."
=C2=A0
Well I still didn't take Josh's help =3D
for what it=3D20
was worth, but while=C2=A0wandering along one of Wolfe's byways I =3D
happened to=3D20
come across Georgio de Santillana (who co-authored 'Hamlet's Mill' with =3D
Herth=3D20
von Dechend). "Well", thinks I, "who am I to blow against the=3D20
wind?"
=C2=A0
So I bought 'Hamlet's Mill", and =3D
thought, "Oh my,=3D20
another very thick book to read". But I enjoyed every word and, sure=3D20
enough....
=C2=A0
****at the end of=C2=A0section one of =3D
the Epilogue,=3D20
"The Lost Treasure", is the very quote.******
=C2=A0
I must thank Josh because I probably =3D
wouldn't have=3D20
elected to try this book without his recommendation. Aside from the =3D
beautiful=3D20
merit of the book in its own right,=C2=A0I found rich veins of Wolfean =3D
source=3D20
material.
=C2=A0
For those who may not know, Shakespeare =3D
derived his=3D20
Hamlet from the Dane Saxo Grammaticus' Latin work which included a story =
=3D
about=3D20
the prince Amlethus.=C2=A0Santillana and=C2=A0Dechend argue that =3D
Amlethus is the=3D20
Norse Amlohdi who=C2=A0owned =C2=A0"a fabled mill which in his own time =3D
ground=3D20
out peace and plenty. Later, in decaying times, it ground out salt; and =3D
now=3D20
finally, having landed at the bottom of the sea, it is grinding rock and =
=3D
sand,=3D20
creating a vast whirlpool, the Maelstrom which is supposed to be the way =
=3D
to the=3D20
land of the dead."
=C2=A0
The "millstone" to which they refer=3D20
is=C2=A0spinning heavens. The center of the Mill is the polar=3D20
star.=C2=A0
=C2=A0
Graves asserted that true poetry=3D20
is=C2=A0mythological, that it conveys the hidden roots of all poetry and =
=3D

religion. Santillana and Dechend assert that true **mythology** is =3D
cosmological;=3D20
that it conveys the story of the stars and the "great catastrophe" =3D
caused by the=3D20
Precession of the Equinox (when the millstone became "unhinged"). This=3D20
implicitly denies (actually they=C2=A0contemptuously deny it) Graves =3D
attempt to=3D20
derive Greek mythology from ancient religio-political upheavals on the=3D20
Peloponese.
=C2=A0
=46rom this one "great scientific marvel" =3D
of science=3D20
-- the moving of the polar center and banishing of constellations "to =3D
the=3D20
underworld",=C2=A0"to beneath the ocean", =C2=A0the writers have =3D
attempted to=3D20
connect practically all the great myths: Prometheus, Vishnu, the Flood, =3D
Samson,=3D20
Hercules, etc. etc.)
=C2=A0
It would be impossible to describe here =3D
every=3D20
insight into Wolfe's work that this book has provided me. However, =3D
note that=C2=A0as in Wolfe's Whorl, ancient man =3D
also saw=3D20
himself in the middle of a spinning elongated whorl, and also =3D
that=C2=A0Horn=3D20
build's a paper mill from which comes the "Book of Silk" through which, =3D
in a=3D20
sense,=C2=A0the gods of the Heavens, especially Silk and the Outsider, =3D
were=3D20
brought to the emmigrants.
=C2=A0
Reading this work also begins =3D
to=C2=A0explain for=3D20
me all the references to Hesphaestus, the Smith God.=20
=C2=A0
And here is=C2=A0here is something for =3D
New Sun=3D20
speculators attempting to nail down=C2=A0a=C2=A0relationship between =3D
Typhon and=3D20
Severian:
"The story of the smith Kavag -- also =3D
written=3D20
Kaweh, or Kawa -- is told by Firdausi in the book dealing with the 1000 =3D
years=3D20
rule of Dahak, that fiendish tyrant out of whose shoulders grew two =3D
serpents=3D20
that had to be fed with the brains of two young men every day. The =3D
predestined=3D20
dragon-slayer and much expected savior, Faridun --- Avestan Thraethona =3D
-- ....=3D20
had been saved from the snares of Dahak as a baby, and hidden away in =3D
the=3D20
mountains."
=C2=A0
On=C2=A0science fiction, =3D
Tolkien,=C2=A0and Wolfe's=3D20
'bleak" plots:
"Science fiction, when it is good, is a =3D
wholly=3D20
valid attempt at restoring a mythical element, with its adventures and=3D20
tragedies, it meditations on man's errors and man's fate. For true =3D
tragedy is an=3D20
essential component or outcome of myth....Tokien's efforts at reviving =3D
the=3D20
genre, whatever the talent employed, carry as much conviction as the =3D
traditional=3D20
three-dollar bill."
=C2=A0
So there ya go. Thanks again to Josh =3D
for=3D20
identifying this quotation and putting me on to a really interesting =3D
book.=3D20

=C2=A0
-- Crush</BODY></HTML>

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