Crowley
Joshua A. Solomon · 04 Aug 2003, 10:58
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From: "Joshua A. Solomon" <J.A.Solomon at city.ac.uk> Subject: Re: (urth) Crowley Date: Mon, 04 Aug 2003 11:58:22 +0100 Message-ID: <urth-v0308-3851 at digest.urth.net> X-Urthmirror-Source: http://www.urth.net/urth/archives/v0308/3851.txt.shtml MIME-Version: 1.0 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: quoted-printable > From: "Alice K. Turner" <aturner6 at nyc.rr.com> > Date: Fri, 1 Aug 2003 03:07:35 -0400 > Subject: Re: (urth) Crowley >=3D20 >>> Little, Big can be especially bewildering if >>> you are not familiar with the symbolic devices >>> he develops in his earlier novels. >=3D20 > Hmm. By this time I suppose I'm pretty conversant with Crowley but I don'= =3D t > know what you mean by this. LB does not seem to me to pick up on themes f= =3D rom > his three earlier books, other than details like cards and games. Not do > they seem to have a lot in common. What am I missing here? I don't actually have any of the books here with me, but off the top of my head... The colours, particularly Red and Black, but also Gray/White and Gold. Fire and Smoke (particularly cigarette smoke). And Water. I know he elucidates the elements in Little, Big, but they're there in The Deep & Engine Summer too. Not certain about Beasts. Bridges, Rings, waterstairs. The list goes on and on. If I can remember, I'll bring my copy of Little, Big (over a bridge to the island/hub) to my computer tomorrow, and see what they can produce. :-) >>> Although Crowley is certainly intrigued, >>> if not obsessed, with occult matters > (you urthlings have convinced me that Gnostic > themes in particular are explored in his novels), >>> I find it hard to pinpoint >>> where his actual sympathies lie. Smoky, like >>> the protagonist of the =3DC6gypt series, frequently >>> encounters strange goings-on--even falls in love >>> with a semi-fantastic creature or two--but never >>> really buys into the whole supernatural mindset. >>> I suspect that one of the reasons Crowley mines >>> the occult so heavily is because it is such a >>> convenient metaphor for fiction in general. If >>> there is a single dominant theme in Crowley's >>> work it is the creation and perpetuation of >>> stories. Crowley may believe in certain things >>> that others consider fiction; he may not. I dunno. >=3D20 > Crowley emphatically does not. So he says with considerable vigor in the > interview printed both in mantis's chapbook and in the > booklength -Snake's-hands- and also, slightly differently, in Locus of 20= =3D 01 > or so. But you are correct that he finds it a useful and even beautiful > metaphor. Yeah, well I thought I would actually read the books before I got to the criticism. Which, I must say, I am looking forward to almost as much as The Translator (having awaken at 5.30 so as to finish D=3DE6monomania before wo= rk). --=20
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