Wolfe's short stories
Tony Ellis · 17 Oct 2004, 08:04
· from 2004-October.txt.gz
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From: tonyellis69 at btopenworld.com (Tony Ellis) Date: Sun Oct 17 08:04:40 2004 Subject: (urth) RE: Wolfe's short stories In-Reply-To: <001f01c4a9dc$deb7c020$9f3ec6d8 at rclackey.stic.net> Message-ID: <000801c4b45a$5644c3e0$6501a8c0@NAME> Jason McCready wrote: > I've been reading the short stories in Endangered Species. Could > anyone give me some hints on even beginning to understand > the three Procreation stories... The Procreation stories are among my all-time favourite Wolfe short stories (admittedly, it's a long list). They're funny, inventive, moving, and wonderfully concise - all things I love about Wolfe's writing. Apologies in advance if I'm just stating the obvious, but: 'Creation' is a jokey skit on Genesis. A scientist accidentally creates a universe, and each day of its evolution corresponds to a stage in the Bible story: the land separating from the waters, life, Adam, Eve etc. The fly is the introduction of evil. Is this perhaps 'our' universe? Most writers would have been happy enough with a story like 'Creation'. Wolfe, and this is absolutely characteristic of the man, takes the idea and runs with it. 'Re-creation' introduces the idea that maybe a second universe was created at the same time as the first, but one that has evolved backwards through time. Sure enough, as it propagates back through his life, the scientist suddenly finds himself 'remembering' encounters with it. Finally, 'The Sister's Account' ups the ante again. We witness the birth, flowering and death of one of the worlds of this backwards universe - in barely three pages. But we're no longer in the realm of shaggy-god jokes and scientists. There's something very poignant about these little glimpses of a paradise now lost forever, and it's no coincidence that Wolfe makes our narrator a spinster. "When Gene had married and it was clear I never would" is an incredible line - it tells you so much about Sis in so few words, and where she stands in relation to this world. As does the image of all the little rockpools on a shore teeming with new life, each one reflecting her empty spinster's bed. The final sentence raises the bar again, and never fails to send a shiver down my spine. Have we been listening all the while to the thoughts of a woman who lived and died a whole universe ago? One rabbit after another, all pulled from the same unremarkable-looking hat. Irreverent tall story; beguiling could-it-work-like-that SF idea; elegiac meditation on the mystery and transient nature of life. That's how I understand Procreation, anyway.
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