Maru

Maru Dubshinki · 17 Jan 2005, 15:57 · from 2005-January.txt.gz

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From: marudubshinki at gmail.com (Maru Dubshinki)
Date: Mon Jan 17 15:57:30 2005
Subject: (urth) Maru
In-Reply-To: <f5238c30501171555754f0f25 at mail.gmail.com>
References: <20050117224712.8885.qmail at web25710.mail.ukl.yahoo.com>
	<1f76173705011715324b6ef06d at mail.gmail.com>
	<f5238c30501171555754f0f25 at mail.gmail.com>
Message-ID: <f5238c305011715577d6aaf21 at mail.gmail.com>

Err.. Typoe should have been 'How Can Egonorance?'
~Maru

On Mon, 17 Jan 2005 18:55:09 -0500, Maru Dubshinki
<marudubshinki at gmail.com> wrote:
> Cum a-round SING A ROUNDdelay! to the essencetal ting ding an' sich of
> thething seeking mall in all in all in mall Witten dis (oh surely
> not!) circle with non circumventing seeking the 'libre mundi' of the
> 'libre fantasia' not looking into any interpenetration follow
> limlights circles if limmits;  quoting like nuts hmm...likenuts NUts
> to that:Cum around to the essential thing of the thing seeking all in
> all within this circle with non vircumventing seeking the 'libre
> mundi' of the 'libre fantasia' not looking into any interpenetration
> follow limlights circles if limmits;  quoting like nuts likenuts NUts
> to that [et am full ergo arcadia Not Joan, how can egnorance?] Parody
> Parodia Paradise!
> 
> ~Maru
> IM  thru e^male greatly handicapped by never having Joy of joyces
> On Mon, 17 Jan 2005 15:32:29 -0800, Dan'l Danehy-Oakes <danldo at gmail.com> wrote:
> > Jim, hwaet youre bespeaking meseamyth to comb doon
> > to a claimb (on sewerants) that "The Filth Hood of
> > Cerebus" (oh how antidivourean) is essessessentialolly
> > a greet collideoscape in wit (ch! ch!)  the reaver may
> > licitimably find whatsowhomever hershey pliz.
> >
> > While sty mouckle rejoyce ivver sichen idear anidher toim,
> > polace, I nottit nao forthat mystomin some. Thing!
> >
> > On Mon, 17 Jan 2005 22:47:12 +0000 (GMT), Jim Raylor
> > <rjraylor at yahoo.co.uk> wrote:
> > > Ode to Joy
> > >
> > > Io advised me that the song 'Ode to Joy' is written
> > > for her and just because I hear it when I read GW,
> > > doesn't mean it's really there.
> > > A song of Joy for love and understanding? I'm doing
> > > this without Google... his 5th was easier to find... a
> > > prisoner tapped it out in a nearby cell.
> > > 'the owlet whoops' an ode to joy.
> > >
> > > Ok again without google
> > >
> > > Let's start with a storm at sea... monstrous
> > > servants... I don't know Shakespeare well but I think
> > > M Million is Robbie the Robot in Forbidden Planet...
> > > amongst other things.
> > >
> > > Jung
> > >
> > > Archetypical symbols... like a lintel or a wing... no
> > > trace of that here...
> > >
> > > Buckminster fuller...
> > >
> > > ...again without googling
> > > I should learn more about architecture as it is a
> > > major feature of this book.
> > > Fuller I associate with geodesic domes and I have not
> > > looked for those yet.
> > > GW would not have known about bucky-balls, but I will
> > > be surprised if I get beyond his depiction of William
> > > Morris' wallpaper pattern 'Willow Bough' on the first
> > > pages before I find more evidence of his interest in
> > > tesselated structures.
> > > Will a library with a domed roof do?
> > >
> > > Gandhi
> > >
> > > Peaceful resistance... stuff like this is most evident
> > > in 'A Story'
> > > Why don't they fight back?
> > >
> > > GW hides the stories of women, children, minorities,
> > > animals, etc. as openly as he can!
> > >
> > >
> > > ___________________________________________________________
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> >
> >
> > --
> > www.livejournal.com/users/sturgeonslawyer
> > Freedom has no barcode.
> >      --J.G. Ballard
> > _______________________________________________
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> >
>

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