_The Wizard_ by Gene Wolfe - too much like previous Wolfe
JavaJosh · 04 Nov 2005, 13:23
· from rec.arts.sf.written.2005.mbox
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From: "JavaJosh" <javajosh at gmail.com> Subject: _The Wizard_ by Gene Wolfe - too much like previous Wolfe Date: 4 Nov 2005 05:23:00 -0800 Message-ID: <1131110580.237908.247530 at g49g2000cwa.googlegroups.com> Newsgroups: rec.arts.sf.written _The Wizard_ is volume two of "The Wizard Knight" saga. It trades engenue magic for the magic of erudition - a dissapointment since Wolfe's work is repleat with the latter, short on the former, and all things being equal innovation would be preferred. Indeed, the plotting, pacing, and most importantly the voice returned to Severian and Silk in force. Much time is spent away from Able in the beginning of this book, and instead follows Toug. Able returns after about 100 pages 20 subjective years from Skai, where he's been feasting and fighting with the Valfather and his Overcyn children, but only a short time has passed on Mythregar. In addition, much time is spent in Jotunland, the land of the Frost Giants, and truth be told this place isn't nearly as interesting as the many varied places in _The Knight_. It is cold, rocky, and filled with miserable people, and we spend about 200 pages there. The last 200 pages are an almost surreal battle with the Osterlings. The strange, revelatory Wolfe-gene shows itself much more strongly in this book. There are several of the frustratingly opaque turns of plot and dialogue which, to my mind, only serve to alienate the reader and remove him from the action. At least *I* feel alienated when I come to a full stop and ask myself, "What on earth was *that*, and why did that happen?" These Wolfian revelations seem to all take on the same pattern - the protagonist is in one place, and another major character enters with some urgent information, and is interrupted by the entrance of another major character who begins to confess something, when the protagonist must call for a fourth major character to confess something of his own, but as soon as the fourth character enters, the protagonist quite coldly states that they wish to kill the first character, but that it must wait, and finally the protagonist leaves the room to go do something, with all 4 major characters presumably staring at each other wondering what the hell just happened. Mix in a lot of metaphysical confusion and even issues of mundane identity and you get a bitter, choking draught of a scene. This happened only twice in _The Knight_ and it certainly wasn't as bad as in, most especially, _The Book of the New Sun_ when any lengthy passage with Severian acting rationally came as a relief. It may occur to someone reading this to deride me for my lack of comprehension and inability to either anticipate these episodes, or failing that, understand them after the fact. While this is possible from your perspective, it is not from mine. It is clear to me that Wolfe enjoys createing tension from half-truths and incomplete communication, and that these scenes describe crescendos of such tension and are something that he enjoys writing. Sometimes peices are wrapped up later, sometimes not. The problem is not that, as a reader, I disagree with the actions of the protagonist, it is that the protag's action is completely incomprehensible, alien and inconsistent with past actions. It didn't help that Able's voice in this book crept even closer to Severian's and Patera Silk's, when it was already so very close. What was really startling was that Toug's voice moved perceptibly in that direction as well. Toug was Sir Able's squire, and while its possible in that position he'd start talking like his master, it didn't read like that. I'm not sure what Wolfe's sources were for this - probably Lord Dunsany, which I haven't yet read. Maybe _A Once and Future King_. For all its problems, it's a thinking man's romp through faerie to be sure, but _The Knight_ was the better romp by far. Reading this review, I realize that it's fairly poor as it is a first draft. But frankly, I doubt I'll have time or the inclination to write it again, so this will have to do. While reading _The Wizard_ many questions and ideas came up for me, but now that the novel is ended I find that my interest has already waned and those questions forgotten. Maybe if I find a magical stream to restore my memory...
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