Blue and Green
6 quoted lines · depth 2
Marc wrote:
I've already proposed several mechanisms, and
Nigel Price has come up with an interesting
further interpretation of the star system that
is fascinating and may explain the theme of the
doubled limbs.
I take GW's comment to Marc very seriously, and believe that it is true, at least at a symbollic level. Green is, in part, a satire on greedy, warring, self-destroying Urth/Earth. Here is part of my recent off-list correspondence with Marc on the subject.
94 quoted lines · 1–2 deep
Hi Marc!
OK, I've been thinking. Unusual, I know, but
true nevertheless.
Thought #1: GW told you that Green is Urth, but
that doesn't preclude the possibility that Blue is
Ushas.
My reasoning - or rather, my fragile chain of loose,
associative, links - goes as follows.
I always thought that there was a symbollic polarisation
at the end of Long Sun. If you made it to a lander,
you could go to Blue or to Green. Blue was good. Green
was bad.
As far as I understood, somewhere in the grand, allusive,
quasi-allegorical scheme of things, this was somehow an
image of Death and Judgement.
Now, of course, if it had been any other author playing
with this sort of complex and symbolic material, this
would have played out as a clear cut binary split. Blue
would have been heaven and Green would have been hell.
Instead, because GW loves hierarchies and because things
are always resolutely themselves as well as something
else, Blue is good, but not heaven, not least because of
the proximity of Green and the infiltration of inhumi
from Green to Blue. Green is hellish and horrible, but
not hell itself. Even there on Green, there is the
possibility of heroism and generosity.
So Blue is hopeful and has the potential to be an urthly
paradise, and Green is horrible but possibly redeemable.
Not Heaven, not Hell, but heavenly and hellish with the
possibility that each can influence and even move towards
the state of the other.
In New Sun and UotNS, we see that there are multiple time
streams. The research station in the Last House observes
the various possibilities. Urth can end in cold and
eternal night, or it can be reborn to new life. Severian
brings the New Sun and the Urth is purged and becomes
Ushas, a cleansed and higher, better place.
But what if, in the light of the observations from the
Last House, we're supposed to see that Urth, like
Shrodinger's Cat, both dies and lives, becomes ever more
desolate and corrupt as well as being renewed and refreshed.
Ushas and Urth exist side by side, twin planetary
possibilities.
Now Green is not the Urth of a dead or dying sun, but rather the Urth which is given a new sun but is not in the process cleansed and renewed. It has physical life in abundance, but is morally bankrupt. The life on Green is fecund and vigorous, but cannibalistic and corrupt, torturously self-devouring like the symbollically significant huge and fearsome trees.
Blue could be Ushas - Urth flooded, cleansed and renewed.
The new binary duality is not Urth and Lune, but Ushas and
Urth. Both are renewed compared to the Urth of the
Commonwealth, but Green/Urth is only physically, not morally
or spiritually, renewed.
Maybe!
Thought #2: Roger Zelazny, a very different sort of author to GW, but a master in his own, mercurial way, had a strange way of adding depth and interest to his fictional characters and worlds. He used to invent a fact or an episode about his hero and then not include it in the book or story he was writing. The fact was carefully worked out and developed, and he sometimes even wrote out in full the story about the character which he was not going to tell the reader. Zelazny's idea was that knowing but not revealing this information would make his creations more real and rounded. After all, when do we ever know everything about a real person, even someone we know well?
Now, Zelazny would sometimes drop hints in his stories or make unexplained references to the unrevealed episode, but that's as far as he would allow himself to go, although once or twice he published the "lost" episode as a separate story in its own right.
My understanding of GW's literary practice hitherto has been that although there are gradations of certainty within his method, he gives the reader everything they need to know to be able to work out the most important mysteries of his stories. The answers to minor or tangential concerns may be left less defined or even unresolved, but the central matters are ultimately determined, though difficult to discern.
The revelation that Green is Urth leaves me wondering, however, whether GW is not borrowing Zelazny's technique and introducing elements into his story which only he knows and which are impossible for the reader ever to work out by themselves. If that is the case, then we would have to suppose either that he is being deliberately frustrating, or that such matters as he completely hides are of themselves unimportant.
Does GW really think that it's obvious to the intelligent
reader that Green is Urth? No one on the list has guessed
this, and there are some bright sparks out there who are
devoted and assiduous readers too.
Marc, you asked:
does this mean the man with the limp on top
of the tower was Severian? Is the tower on
Green the Matachin Tower?! Has the water
drained? Weird, eh?
Utterly, utterly weird. The foregoing ruminations not
withstanding, I am still stunned.
You commented:
I don't know - is Blue Lune, or is it some kind of
re-aquafied Mars knocked out of orbit? I guess its Lune.
Weird, huh? Where did the water come from?!!
I'd wondered about the Mars option, but dismissed it. On
consideration, Lune seems all wrong too.
No, I stick to Blue=Ushas, at least symbolically, if not
literally.
More on this anon!
Nigel
** Hear what John Culshaw sounded like before he became
** famous and what George Barford said to the man from
** the future!
** http://moorhousepartnership.co.uk/ud.htm