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Index · 2 messages · 2 voices · 30 Nov – 01 Dec 2010

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Andrew Mason30 Nov 2010, 19:10as archived
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↰ answers Mo Holkar · by quotation
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Mo Holkar wrote: I have always seen the storytelling contest as narratively and thematically important. We step back from the main action, and get a succession of insights into the metaphysics of the characters' world. We then read on with somewhat renewed eyes.
I think it's quite reasonable to think the contest was not part of the original plan, but once it was decided to insert it, Wolfe used it for material of thematic importance. For instance, as has been mentioned in another debate going on right now, the angel's statement that he is far below God and guesses at his will is very significant for understanding the Hierogrammates. Now, the same point is made elsewher, though in a more oblique way (yes, even more oblique). In Dr Talos' play. Nod says that the Nephilim serve the Increate but don't get messages from him; they try to guess what he wants them to do. Gabriel replies 'that's what I was afraid of', suggesting that angels do the same. So by Wolfean standards, the information was already there, but the contest helps to make it clearer. By the way, it is a bit striking that each volume has an embedded story - COTC, SOTL and UOTNS have 'Urth and Sky' stories, while SOTT has the story of Father Inire's mirrors. So once COTA was separated off into a new volume it was fairly inevitable that there would be a story in it, though it was a work of supererogation to give us four.
Lee Berman01 Dec 2010, 04:23as archived
↳ follows Andrew Mason · by subject
Son o' Witz: "Like the man your friend talked about, most men think they make their homes for their families, but the fact is that they make both homes and families for themselves.
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I love all the stories in BotNS and the story contest might be my favorites, even Loyal/17's. By contrast I never liked the poetry and songs in LOTR and usually skim or skip over them. In Halvard's story I best liked the words in the sound the fishermen hear as the gravel scraped their boat bottoms, "my wife, my children, my children, my wife". I like Melito's and really like Foila's elegant story. Nice also that they provide some guidance for the rules of shapeshifting, since the main text does not (until we get to Severian/Zak).

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