The ending (was Re: (whorl) Not the Torah, but Torah-like)
↰ answers Nicholas Gevers
· by quotation
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on 4/11/01 3:08 AM, Nicholas Gevers at vermoulian at yahoo.com wrote: As for this repeated criticism about TBSS's "hurried ending": it's not hurried at all. It's simply that GW has spent seven volumes building up characters and scenarios, and he rightly assumes that readers who have stuck with him this far know those characters and situations well enough by now to infer their final motivations and destinies. To invoke Kim Stanley Robinson again: GW is the king of the slingshot ending; his texts move on and work on beyond the page; read in the spirit of the enterprise.
But the ending voyage doesn't "work on beyond the page." We've never seen Silk qua Silk with any of the other passengers (except Oreb), and the others are all strangers to each other, so we have no idea what will become of this ill-assorted bunch. And, to be frank, I don't particularly care.
To compare it with ENGINE SUMMER, a comparison mantis made (though apparently he didn't mean by it what I took him to): in ES also, the protagonist's story is not resolved in the sense we had expected it to be; instead, a sudden twist of events abruptly "closes off" the protagonist's story. But in ES the resolution worked, and I didn't feel cheated, because it was emotionally moving and thematically resonant. Neither of these things are true of the ending voyage in RttW.
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Thus, to repeat
what I and others have pointed out: Mucor is now old
enough to look after herself; just in case, Babbie
remains on Blue to keep many eyes on her; Jahlee is a
predator and jealously in love with Horn to boot, and
is fully capable of a crime of passion on Lizard
Island, just as is Horn himself, a mere human when all
is said and done; Oreb accompanies Silk to the Whorl
again, as you would expect; Nettle ditto, because the
only remnant of her husband is in Silk, Old Viron is
her old home anyway, and her children are all grown up
on Blue and Green; Seawrack ditto, because she and
Silk form an archetypal couple once Hyacinth is out of
the way, and Horn (again) is still in Silk; and Blue
and Green are left to their own devices because that
is how God governs the Earth and its humans, giving
them free will.
In your list of motives, you don't explain why Silk wants to leave, or why he has to leave so quickly. Aside from this, I think alga's basic complaint is not that the characters aren't motivated, it's that the hasty departure fails to resolve any of the narrative threads that have been left dangling.
A couple of minor points on the ending, while we're at it:
1) If, as you've argued, the inhumi mobbed the wedding to kill "Horn" and anyone whom he might have told the secret to, then Silk and Nettle's plan to use Pajarocu as their point of departure might not be that great an idea.
2) To put Nettle on a small boat for weeks with a woman who, in Daisy's words, "trusted only 'Father,' and would have put her long knife into any other person as readily as I would gut a fish" (411) seems to be asking for trouble. Isn't being nearly murdered by a rival once enough for Nettle?
--Adam
*This is WHORL, for discussion of Gene Wolfe's Book of the Long Sun.