Ant?nio Pedro Marques wrote:
Jerry Friedman wrote (11-01-2012 06:04):
From: Ant?nio Pedro Marques<entonio at gmail.com>
With the possible exception of Pig's 'eye dialect', how can those characters' specific ways of speaking be presented other than as they are? You may say you'd rather they didn't have specific ways of speaking, or that their ways of speaking weren't so conspicuous (like those of thieves, soldiers, councillors, and so on), but there I'd just have to disagree, as I quite like Remora and just love Oreb, for instance. The one I feel is a bit forced is Incus, but that's in character also.
I'm not sure what you're saying here. I think Wolfe did a good job distinguishing the speech of the characters, except for the ones I mentioned, which are too mechanical for me. (There might be other exceptions that I don't remember.)
Well, my point is that the characters you mention are done that way on purpose. Wolfe could have made them distinctive in ways more similar to the ones you like, but he chose to do it that way for those. And I can't believe I'm the only one who likes the result. The reason I somewhat dislike Pig's speech is that it does get in the way of comprehension for me, and while that is also true of that of thieves, there it's just my ignorance of english, whereas with Pig it's really a graphical thing.
I have the gravest possible doubts that either the h's or "yer" for "you" are part of the dialect Wolfe seems to be aiming at.
There is no Scotland in the Whorl.
Okay, why wouldn't it be better to use one's best imitation of a real Scots dialect (or literary Scots) than a combination of Scots with a feature from Classical Cockney? Or just let the simple sentences and third-person self-references characterize Pig's speech? On the other hand, maybe few people beside me were annoyed that they didn't know whether Pig pronounced the "r" in "yer" and "ter".
I think my answer is that it could have been done that way, but it wasn't, so it was a matter of choice, not ignorance or hastiness (this can also be my reply to Thomas, I think). Far from me to suggest that any human work is perfect, but ot1h I don't feel equipped to complain about the choices made by the author of the BSS and otoh it doesn't get on my nerves - except for the <'>, that is.
Getting back to Thomas's point: I personally know people who talk like Remora. How can one express the way they talk if not as Wolfe does? Sure, one may hint - but at some point it isn't the same thing.
And I think Olivine's speech is an important part of her
characterisation, one I don't see achieveable by other means.
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