I mentioned a while ago the way in which, in Long Sun/Short Sun, the lesser gods can sometimes become manifestations of the true God, culminating in the Rajan's statement near the end that 'insofar as they are gods at all they are him'. I've realised that there is something similar in New Sun, in the Oannes passage (SOTL 31), 'I did not believe in Oannes or fear him. But I knew, I thought, whence he came - I knew that there is an all-pervasive power in the universe of which every other is the shadow. I knew that my conception of that power was as laughable (and as serious) as Oannes.' The power is identified as the Increate at the end of the chapter.
Later, in Urth, Severian says that he has become the Oannes of his people. Might this be a clue to what Wolfe means by saying that Severian is a form of the Outsider?
On Fri, Mar 16, 2012 at 10:35 PM, Andrew Mason <
andrew.mason53 at googlemail.com> wrote:
I mentioned a while ago the way in which, in Long Sun/Short Sun, the lesser gods can sometimes become manifestations of the true God, culminating in the Rajan's statement near the end that 'insofar as they are gods at all they are him'. I've realised that there is something similar in New Sun, in the Oannes passage (SOTL 31), 'I did not believe in Oannes or fear him. But I knew, I thought, whence he came - I knew that there is an all-pervasive power in the universe of which every other is the shadow. I knew that my conception of that power was as laughable (and as serious) as Oannes.' The power is identified as the Increate at the end of the chapter.
Later, in Urth, Severian says that he has become the Oannes of his people. Might this be a clue to what Wolfe means by saying that Severian is a form of the Outsider?
_______________________________________________
Sent: Friday, March 16, 2012 10:35 PM
To: urth at lists.urth.net
Subject: (urth) Oannes
I mentioned a while ago the way in which, in Long Sun/Short Sun, the lesser gods can sometimes become manifestations of the true God, culminating in the Rajan's statement near the end that 'insofar as they are gods at all they are him'. I've realised that there is something similar in New Sun, in the Oannes passage (SOTL 31), 'I did not believe in Oannes or fear him. But I knew, I thought, whence he came - I knew that there is an all-pervasive power in the universe of which every other is the shadow. I knew that my conception of that power was as laughable (and as serious) as Oannes.' The power is identified as the Increate at the end of the chapter.
Later, in Urth, Severian says that he has become the Oannes of his people. Might this be a clue to what Wolfe means by saying that Severian is a form of the Outsider?
Works for me.
It is as true of Severian as it is of all gods.
- Gerry Quinn
This theme came up in Latro In the Mist as well. Io compared the gods actors in a play she saw. "The actors wore masks but the people in the play [eg the characters] didn't know."
5 quoted lines
On 3/16/2012 5:35 PM, Andrew Mason wrote:
I mentioned a while ago the way in which, in Long Sun/Short Sun, the lesser gods can sometimes become manifestations of the true God, culminating in the Rajan's statement near the end that 'insofar as they are gods at all they are him'. I've realised that there is something similar in New Sun, in the Oannes passage (SOTL 31), 'I did not believe in Oannes or fear him. But I knew, I thought, whence he came - I knew that there is an all-pervasive power in the universe of which every other is the shadow. I knew that my conception of that power was as laughable (and as serious) as Oannes.' The power is identified as the Increate at the end of the chapter.
Later, in Urth, Severian says that he has become the Oannes of his people. Might this be a clue to what Wolfe means by saying that Severian is a form of the Outsider?
_______________________________________________
On 3/16/2012 6:35 PM, Andrew Mason wrote:
I mentioned a while ago the way in which, in Long Sun/Short Sun, the lesser gods can sometimes become manifestations of the true God, culminating in the Rajan's statement near the end that 'insofar as they are gods at all they are him'. I've realised that there is something similar in New Sun, in the Oannes passage (SOTL 31), 'I did not believe in Oannes or fear him. But I knew, I thought, whence he came - I knew that there is an all-pervasive power in the universe of which every other is the shadow. I knew that my conception of that power was as laughable (and as serious) as Oannes.' The power is identified as the Increate at the end of the chapter.
Later, in Urth, Severian says that he has become the Oannes of his people. Might this be a clue to what Wolfe means by saying that Severian is a form of the Outsider?
_______________________________________________
On 3/17/2012 1:03 AM, Jeff Wilson wrote:
On 3/16/2012 8:13 PM, David Stockhoff wrote:
And isn't Oannes the Babylonian fish god?
Dagon
Apparently only by conflation with Oannes, because Dagon was originally a grain-god. However, Dagon is part of the chain of identifications, which includes Pan:
Dagon, Fish-god tradition
In the eleventh century, Jewish bible commentator Rashi writes of a Biblical tradition that the name D?g?n is related to Hebrew d?g/d?g 'fish' and that Dagon was imagined in the shape of a fish: compare the Babylonian fish-god Oannes. In the thirteenth century David Kimhi interpreted the odd sentence in 1 Samuel 5.2?7 that "only Dagon was left to him" to mean "only the form of a fish was left", adding: "It is said that Dagon, from his navel down, had the form of a fish (whence his name, Dagon), and from his navel up, the form of a man, as it is said, his two hands were cut off." The Septuagint text of 1 Samuel 5.2?7 says that both the hands and the head of the image of Dagon were broken off.[5]
H. Schm?kel asserted in 1928[6] that Dagon was never originally a fish-god, but once he became an important god of those maritime Canaanites, the Phoenicians, the folk-etymological connection with d?g would have ineluctably affected his iconography.[7]
The fish form may be considered as a phallic symbol as seen in the story of the Egyptian grain god Osiris, whose penis was eaten by (conflated with) fish in the Nile after he was attacked by the Typhonic beast Set. Likewise, in the tale depicting the origin of the constellation Capricornus, the Greek god of nature Pan became a fish from the waist down when he jumped into the same river after being attacked by Typhon.
Various 19th century scholars, such as Julius Wellhausen and William Robertson Smith, believed the tradition to have been validated from the occasional occurrence of a merman motif found in Assyrian and Phoenician art, including coins from Ashdod and Arvad.
John Milton uses the tradition in his Paradise Lost Book 1:
... Next came one
Who mourned in earnest, when the captive ark
Maimed his brute image, head and hands lopt off,
In his own temple, on the grunsel-edge,
Where he fell flat and shamed his worshippers:
Dagon his name, sea-monster, upward man
And downward fish; yet had his temple high
Reared in Azotus, dreaded through the coast
Of Palestine, in Gath and Ascalon,
And Accaron and Gaza's frontier bounds.
Adapa, As Oannes
Oannes (??????, Hovhannes [?????????] in Armenian) was the name given
by the Babylonian writer Berossus in the 3rd century BCE to a mythical being who taught mankind wisdom. Berossus describes Oannes as having the body of a fish but underneath the figure of a man. He is described as dwelling in the Persian Gulf, and rising out of the waters in the daytime and furnishing mankind instruction in writing, the arts and the various sciences.
The name "Oannes" was once conjectured to be derived from that of the ancient Babylonian god Ea,[2] but it is now known that the name is the Greek form of the Babylonian Uanna (or Uan) a name used for Adapa in texts from the Library of Ashurbanipal.[3][4
So Dagon, Oannes, and Pan are all legitimately "mermen." Dagon links to the biblical tradition and Pan to the Greek.
Wait though, isn't Oannes a god OF the dogon tribe of Mali, also (of the Sirius mystery fame)
On Mar 17, 2012 7:04 AM, "David Stockhoff" <dstockhoff at verizon.net> wrote:
4 quoted lines · 1–2 deep
On 3/17/2012 1:03 AM, Jeff Wilson wrote:
On 3/16/2012 8:13 PM, David Stockhoff wrote:
And ...
Apparently only by conflation with Oannes, because Dagon was originally a grain-god. However, Dagon is part of the chain of identifications, which includes Pan:
Dagon, Fish-god tradition
In the eleventh century, Jewish bible commentator Rashi writes of a Biblical tradition that the name D?g?n is related to Hebrew d?g/d?g 'fish' and that Dagon was imagined in the shape of a fish: compare the Babylonian fish-god Oannes. In the thirteenth century David Kimhi interpreted the odd sentence in 1 Samuel 5.2?7 that "only Dagon was left to him" to mean "only the form of a fish was left", adding: "It is said that Dagon, from his navel down, had the form of a fish (whence his name, Dagon), and from his navel up, the form of a man, as it is said, his two hands were cut off." The Septuagint text of 1 Samuel 5.2?7 says that both the hands and the head of the image of Dagon were broken off.[5]
H. Schm?kel asserted in 1928[6] that Dagon was never originally a fish-god, but once he became an important god of those maritime Canaanites, the Phoenicians, the folk-etymological connection with d?g would have ineluctably affected his iconography.[7]
The fish form may be considered as a phallic symbol as seen in the story of the Egyptian grain god Osiris, whose penis was eaten by (conflated with) fish in the Nile after he was attacked by the Typhonic beast Set. Likewise, in the tale depicting the origin of the constellation Capricornus, the Greek god of nature Pan became a fish from the waist down when he jumped into the same river after being attacked by Typhon.
Various 19th century scholars, such as Julius Wellhausen and William Robertson Smith, believed the tradition to have been validated from the occasional occurrence of a merman motif found in Assyrian and Phoenician art, including coins from Ashdod and Arvad.
John Milton uses the tradition in his Paradise Lost Book 1:
... Next came one
Who mourned in earnest, when the captive ark
Maimed his brute image, head and hands lopt off,
In his own temple, on the grunsel-edge,
Where he fell flat and shamed his worshippers:
Dagon his name, sea-monster, upward man
And downward fish; yet had his temple high
Reared in Azotus, dreaded through the coast
Of Palestine, in Gath and Ascalon,
And Accaron and Gaza's frontier bounds.
Adapa, As Oannes
Oannes (??????, Hovhannes [?????????] in Armenian) was the name given by the Babylonian writer Berossus in the 3rd century BCE to a mythical being who taught mankind wisdom. Berossus describes Oannes as having the body of a fish but underneath the figure of a man. He is described as dwelling in the Persian Gulf, and rising out of the waters in the daytime and furnishing mankind instruction in writing, the arts and the various sciences.
The name "Oannes" was once conjectured to be derived from that of the ancient Babylonian god Ea,[2] but it is now known that the name is the Greek form of the Babylonian Uanna (or Uan) a name used for Adapa in texts from the Library of Ashurbanipal.[3][4
So Dagon, Oannes, and Pan are all legitimately "mermen." Dagon links to the biblical tradition and Pan to the Greek.
No, sorry. Answered own spurious claim...carry on.
On Mar 17, 2012 8:46 AM, "Jordon Flato" <jordonflatourth at gmail.com> wrote:
Wait though, isn't Oannes a god OF the dogon tribe of Mali, also (of the Sirius mystery fame)
7 quoted lines · 1–3 deep
On Mar 17, 2012 7:04 AM, "David Stockhoff" <dstockhoff at verizon.net> wrote:
On 3/17/2012 1:03 AM, Jeff Wilson wrote:
On 3/16/2012 8:13 PM, David Stockhoff wrote:
...
And ...
Apparently only by conflation with Oannes, because Dagon was originally a grain-god. However, D...
David Stockhoff: What is it [Jurupari], then? A monstrous mouth? A fish sign..
Sorry I didn't meant to be oblique. Summing up the evidence, I think Jurupari is
a reference to Abaia and generally signifies (like the chicken with needles through the eyes) an allegiance to the forces trying to prevent the coming of the New Sun.
Given the village name "Murene" and the lake name "Diuturna" I find sufficient evidence to suspect Oannes also is associated with Abaia. Yes, Abaia is supposed to be in the ocean but, as for Tzadkiel and Greek gods, I think we are dealing with asexually reproducing, plural beings who can be in more than one place at once.
At the end of UotNS, when Severian says he has become the Oannes of these people I think it signifies that he has (as The Sleeper) replaced Abaia to become the ruling pagan god of the planet. (and if that sets up the potential for an unusual relationship with Juturna, so much the better to match the filial confusion of pagan mythological pantheons, like, say Zeus and Dionysus or Pas and Silk)
2 quoted lines
Andrew Mason: Later, in Urth, Severian says that he has become the Oannes of his people. Might this be a clue to what Wolfe means by saying that Severian is a form of
the Outsider?
Yep. I think so. But I think it only works if The Outsider is recognized as a paganish, gnostic sort of god. Approaching the Christian ideal of God but not quite there yet.
I have suggested that the God of the OT seems to be rather pagan by our modern Christian standards. I think the prevalence of the fish motif in the Sun Series is a recognition that the earliest Christians (including the ones who used the fish symbol) were still pretty damn gnostic in their beliefs and actions by modern Christian standards.
I am at the hotel in Chicago now getting everything ready for my flight back to Vegas, and I noticed a little computer in the lobby (my phone is low tech - for calling) so I figured I would give a brief summary of events. I will expand more later after I arrive home.
AWESOME event. Valya and the coordinators did a wonderful job getting together a very interesting and entertaining evening. The atmosphere and weather were wonderful, and the estate was amazing, with the highlight (of the facility) being an 8000 pipe organ that was masterfully played by their organist, from coin operated boy to Star Wars. The Toy Theater story adaptation was perfect for the setting, and as James Wynn commented, the estate was a steampunk's dream come true, probably the best way to describe it.
I got to meet James Wynn, Michael Andre-Druissi, Nick Lee and his date, and Jensen and his wife from the list (if they don't all post actively, they have at least frequented it). I have probably mispelled the even names. I have to admit that a priori in my mind I harbored the idea that we must be somewhat nerdy, but we are actually a pretty sharp bunch even when it comes to appearance. I had never gone to a con or anything before, and this was well worth it. It was a much more handsome and dignified group than I expected from the Urth list, both women and men. I enjoyed speaking with all of them.
Craig, I didn't see your email before I drove up to Vegas and have not had access to a computer until now, I apologize. The personal stories related by Neil Gaiman and Lawrence (was it Sarrantonio?) the guy who adapted the Toy Theater were profound and touching. Michael Swanwick had some great things to say as well, as did David Hartwell. Patrick O'Leary and his wife were sitting at my dinner table with James Wynn, and they were also great.
I will try to get some photos online Monday; I still have to fly back.
Gene's acceptance speech was hilarious and touching. It went into the reason for his style (four kids and a wife hollering if he wanted bacon while he was trying to write in a small place), his reasons for writing (easier than repairing stuff around the house), and said he wanted to make sure to personally insult every friend who came. He is a wonderful speaker, and there is a sharpness and energy to him that makes the years fade when he starts to talk.
I will post more later, but it was a truly great evening and one of the highlights of my life. Gene has always been a kind and brilliant man, and he still is. I really enjoyed getting the chance to meet everyone there. I will post more later. Some pics to come!
On 3/17/2012 7:10 PM, Lee Berman wrote:
David Stockhoff: What is it [Jurupari], then? A monstrous mouth? A fish sign..
Sorry I didn't meant to be oblique. Summing up the evidence, I think Jurupari is
a reference to Abaia and generally signifies (like the chicken with needles through the eyes) an allegiance to the forces trying to prevent the coming of the New Sun.
Given the village name "Murene" and the lake name "Diuturna" I find sufficient evidence to suspect Oannes also is associated with Abaia. Yes, Abaia is supposed to be in the ocean but, as for Tzadkiel and Greek gods, I think we are dealing with asexually reproducing, plural beings who can be in more than one place at once.
At the end of UotNS, when Severian says he has become the Oannes of these people I think it signifies that he has (as The Sleeper) replaced Abaia to become the ruling pagan god of the planet. (and if that sets up the potential for an unusual relationship with Juturna, so much the better to match the filial confusion of pagan mythological pantheons, like, say Zeus and Dionysus or Pas and Silk)
OK, but what about the sign itself?
5 quoted lines · 1–2 deep
Andrew Mason: Later, in Urth, Severian says that he has become the Oannes of his
people. Might this be a clue to what Wolfe means by saying that Severian is a form of the Outsider?
Yep. I think so. But I think it only works if The Outsider is recognized as a paganish,
gnostic sort of god. Approaching the Christian ideal of God but not quite there yet.
SO the Outsider is not the Increate, but a godling?
1 quoted line
I have suggested that the God of the OT seems to be rather pagan by our modern Christian standards. I think the prevalence of the fish motif in the Sun Series is a recognition that the earliest Christians (including the ones who used the fish symbol) were still pretty damn gnostic in their beliefs and actions by modern Christian standards.
I'm not sure what this means. Does "pagan" mean one-dimensional, in the sense of "representational" art, where there is a one-to-one correspondence with the thing represented? Does it mean a god who says, I prefer long beards and Tuesdays and cocker spaniels and the smell of roast pig on Mount Tippytop, vs a god of all things and times and places?
Does "gnostic" mean "fearful and suspicious of the demiurge" and "seeking union with a higher divinity"? Because I really don't think early Christian beliefs included Satan or considered God to be distant. At all. He was here and now, always.
If anything, Caesar (who was after all worshiped as a god) was mistrusted as a local authority, but even if they organized their world in a superficially similar way (Caesar's things to Caesar and God's things to God), Caesar was no demiurge.
Wonderful, Marc. I'm still terribly jealous. Chasing a 3 year old around a wedding reception while my wife enjoyed her friends was poor compensation. How we suffer for those we love...
I am at the hotel in Chicago now getting everything ready for my flight back to Vegas, and I noticed a little computer in the lobby (my phone is low tech - for calling) so I figured I would give a brief summary of events. I will expand more later after I arrive home.
AWESOME event. Valya and the coordinators did a wonderful job getting together a very interesting and entertaining evening. The atmosphere and weather were wonderful, and the estate was amazing, with the highlight (of the facility) being an 8000 pipe organ that was masterfully played by their organist, from coin operated boy to Star Wars. The Toy Theater story adaptation was perfect for the setting, and as James Wynn commented, the estate was a steampunk's dream come true, probably the best way to describe it.
I got to meet James Wynn, Michael Andre-Druissi, Nick Lee and his date, and Jensen and his wife from the list (if they don't all post actively, they have at least frequented it). I have probably mispelled the even names. I have to admit that a priori in my mind I harbored the idea that we must be somewhat nerdy, but we are actually a pretty sharp bunch even when it comes to appearance. I had never gone to a con or anything before, and this was well worth it. It was a much more handsome and dignified group than I expected from the Urth list, both women and men. I enjoyed speaking with all of them.
Craig, I didn't see your email before I drove up to Vegas and have not had access to a computer until now, I apologize. The personal stories related by Neil Gaiman and Lawrence (was it Sarrantonio?) the guy who adapted the Toy Theater were profound and touching. Michael Swanwick had some great things to say as well, as did David Hartwell. Patrick O'Leary and his wife were sitting at my dinner table with James Wynn, and they were also great.
I will try to get some photos online Monday; I still have to fly back.
Gene's acceptance speech was hilarious and touching. It went into the reason for his style (four kids and a wife hollering if he wanted bacon while he was trying to write in a small place), his reasons for writing (easier than repairing stuff around the house), and said he wanted to make sure to personally insult every friend who came. He is a wonderful speaker, and there is a sharpness and energy to him that makes the years fade when he starts to talk.
I will post more later, but it was a truly great evening and one of the highlights of my life. Gene has always been a kind and brilliant man, and he still is. I really enjoyed getting the chance to meet everyone there. I will post more later. Some pics to come!
At least you both probably feel better today than I do after celebrating our National Saint’s day in the traditional fashion...
- Gerry Quinn
From: Craig Brewer
Sent: Sunday, March 18, 2012 2:07 PM
To: The Urth Mailing List
Subject: Re: (urth) chicago event
Wonderful, Marc. I'm still terribly jealous. Chasing a 3 year old around a wedding reception while my wife enjoyed her friends was poor compensation. How we suffer for those we love...
-------------------------------------------------------------------------------- From: Marc Aramini <marcaramini at yahoo.com> To: The Urth Mailing List <urth at lists.urth.net> Sent: Sunday, March 18, 2012 7:13 AM Subject: (urth) chicago event
I am at the hotel in Chicago now getting everything ready for my flight back to Vegas, and I noticed a little computer in the lobby (my phone is low tech - for calling) so I figured I would give a brief summary of events. I will expand more later after I arrive home.
AWESOME event. Valya and the coordinators did a wonderful job getting together a very interesting and entertaining evening. The atmosphere and weather were wonderful, and the estate was amazing, with the highlight (of the facility) being an 8000 pipe organ that was masterfully played by their organist, from coin operated boy to Star Wars. The Toy Theater story adaptation was perfect for the setting, and as James Wynn commented, the estate was a steampunk's dream come true, probably the best way to describe it.
I got to meet James Wynn, Michael Andre-Druissi, Nick Lee and his date, and Jensen and his wife from the list (if they don't all post actively, they have at least frequented it). I have probably mispelled the even names. I have to admit that a priori in my mind I harbored the idea that we must be somewhat nerdy, but we are actually a pretty sharp bunch even when it comes to appearance. I had never gone to a con or anything before, and this was well worth it. It was a much more handsome and dignified group than I expected from the Urth list, both women and men. I enjoyed speaking with all of them.
Craig, I didn't see your email before I drove up to Vegas and have not had access to a computer until now, I apologize. The personal stories related by Neil Gaiman and Lawrence (was it Sarrantonio?) the guy who adapted the Toy Theater were profound and touching. Michael Swanwick had some great things to say as well, as did David Hartwell. Patrick O'Leary and his wife were sitting at my dinner table with James Wynn, and they were also great.
I will try to get some photos online Monday; I still have to fly back.
Gene's acceptance speech was hilarious and touching. It went into the reason for his style (four kids and a wife hollering if he wanted bacon while he was trying to write in a small place), his reasons for writing (easier than repairing stuff around the house), and said he wanted to make sure to personally insult every friend who came. He is a wonderful speaker, and there is a sharpness and energy to him that makes the years fade when he starts to talk.
I will post more later, but it was a truly great evening and one of the highlights of my life. Gene has always been a kind and brilliant man, and he still is. I really enjoyed getting the chance to meet everyone there. I will post more later. Some pics to come!
--------------------------------------------------------------------------------
Dang. My heart just literally ached in my chest.
-DOJP
17 quoted lines
On Sun, Mar 18, 2012 at 12:13 PM, Marc Aramini <marcaramini at yahoo.com>wrote: I am at the hotel in Chicago now getting everything ready for my flight back to Vegas, and I noticed a little computer in the lobby (my phone is low tech - for calling) so I figured I would give a brief summary of events. I will expand more later after I arrive home.
AWESOME event. Valya and the coordinators did a wonderful job getting together a very interesting and entertaining evening. The atmosphere and weather were wonderful, and the estate was amazing, with the highlight (of the facility) being an 8000 pipe organ that was masterfully played by their organist, from coin operated boy to Star Wars. The Toy Theater story adaptation was perfect for the setting, and as James Wynn commented, the estate was a steampunk's dream come true, probably the best way to describe it.
I got to meet James Wynn, Michael Andre-Druissi, Nick Lee and his date,
and Jensen and his wife from the list (if they don't all post actively, they have at least frequented it). I have probably mispelled the even names. I have to admit that a priori in my mind I harbored the idea that we must be somewhat nerdy, but we are actually a pretty sharp bunch even when it comes to appearance. I had never gone to a con or anything before, and this was well worth it. It was a much more handsome and dignified group than I expected from the Urth list, both women and men. I enjoyed speaking with all of them.
Craig, I didn't see your email before I drove up to Vegas and have not had access to a computer until now, I apologize. The personal stories related by Neil Gaiman and Lawrence (was it Sarrantonio?) the guy who adapted the Toy Theater were profound and touching. Michael Swanwick had some great things to say as well, as did David Hartwell. Patrick O'Leary and his wife were sitting at my dinner table with James Wynn, and they were also great.
I will try to get some photos online Monday; I still have to fly back.
Gene's acceptance speech was hilarious and touching. It went into the reason for his style (four kids and a wife hollering if he wanted bacon while he was trying to write in a small place), his reasons for writing (easier than repairing stuff around the house), and said he wanted to make sure to personally insult every friend who came. He is a wonderful speaker, and there is a sharpness and energy to him that makes the years fade when he starts to talk.
I will post more later, but it was a truly great evening and one of the highlights of my life. Gene has always been a kind and brilliant man, and he still is. I really enjoyed getting the chance to meet everyone there.
I will post more later. Some pics to come!
_______________________________________________
Yes, I was jealous also. Only a 6 hour drive too. But a family with small kids
can make such a trip difficult to arrange. If only it had been a week later...
Ah well. Thanks for representing us, Marc and James and Nick!
David Stockhoff: SO the Outsider is not the Increate, but a godling?
Like Pig? Argh, surely not so low on the totem pole. Unlike our modern Christian world where only God and Man exist, the Sun Series seems to
have a rather well-stocked hierarchy of beings between Man and The Increate. Size seems to have something to do with one's level. Exultants are taller than armgers. B, F and O are taller than exultants. Tzadkiel, in full glory, is taller than B, F and O and is as big as an island in the largest form we encounter.
Given that The Outsider never incarnates into a material form, I would guess that he is at a higher level than Tzadkiel. But is the Outsider imbued in every person and everything, everywhere across all time and all universes?
I get the sense he is more limited than that (though he has potential).
3 quoted lines · 1–3 deep
David Stockhoff: What is it [Jurupari], then? A monstrous mouth? A fish sign..
Summing up the evidence, I think Jurupari is a reference to Abaia
OK, but what about the sign itself?
Not sure what sign you mean. The sign Agia scratches? Like the chicken for the jungle sorcerers, I think it is a sign that she is working against the coming of the New Sun.
Do you mean the Christian fish symbol? I think it is no shock to learn that it likely
has its roots in earlier pagan symbolism. I can imagine that simple wordplay on "Christ" might not give the symbol the potency it had at the time. An excerpt from an article on the Christian fish symbol origin:
4 quoted lines
In pagan beliefs, Ichthys was the offspring of the ancient Sea goddess Atargatis, and
was known in various mythic systems as Tirgata, Aphrodite, Pelagia, or Delphine. The word
also meant "womb" and "dolphin" in some tongues, and representations of this appeared in
the depiction of mermaids.
The fish symbol probably also is derived from symbols for an Oannes cognate god, Dagon,
a Philistine deity who is half-man, half-fish. Also:
3 quoted lines
The fish also appears in another sacred iconograph, the Avatars of Vishnu, where the deity
"is represented as emerging from the mouth of a fish, and being a fish himself; the legend
being that he was to be the Saviour of the world in a deluge which was to follow..."
In writing the Sun Series I suspect Wolfe was aware of all this. Severian replaces Abaia, He is the new Oannes...etc.
2 quoted lines · 1–2 deep
I have suggested that the God of the OT seems to be rather pagan by our modern Christian standards.
I'm not sure what this means.
I mean the God of the OT recognizes the existence of rival gods, seems to have human emotions and faults, demands burnt offering sacrifices, toys with the idea of human sacrifice, is
tolerant even approving of polygamy, engages in genocide of innocents if they are Hebrew
enemies, etc. He isn't much like the God most Christians know and love today. He is more like
all the other gods of His time. His main distinction (as I see it) is that He is One God
(allowing him to avoid the sin of incest committed by all the other pagan pantheons).
1 quoted line
Does "gnostic" mean "fearful and suspicious of the demiurge"
I've been using the word gnostic in the broader sense for a couple years here but I suppose I still need to qualify it now and then. I mean it to refer to the broad swath of religious beliefs
which came to exist in the time period between Alexander and Christ. Alexander's empire allowed
the blending and cross-polination of eastern and western religion and mythology to happen. Judaism
may have been something of an oasis in the midst of it but, of course, it was not unaffected.
There are Wiccan and satanic cults today which practice some of such pre-christian beliefs
and rituals. (remember the Wolfe quote, "you could tell me that witches don't exist, but I could show you one").
David Stockhoff: SO the Outsider is not the Increate, but a godling?
Like Pig? Argh, surely not so low on the totem pole. Unlike our modern Christian world where only God and Man exist, the Sun Series seems to
have a rather well-stocked hierarchy of beings between Man and The Increate. Size seems to have something to do with one's level. Exultants are taller than armgers. B, F and O are taller than exultants. Tzadkiel, in full glory, is taller than B, F and O and is as big as an island in the largest form we encounter.
Given that The Outsider never incarnates into a material form, I would guess that he is at a higher level than Tzadkiel. But is the Outsider imbued in every person and everything, everywhere across all time and all universes?
I get the sense he is more limited than that (though he has potential).
I see. In essence, you are saying the Outsider is not God, but Dionysius. Right?
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David Stockhoff: What is it [Jurupari], then? A monstrous mouth? A fish sign..
Summing up the evidence, I think Jurupari is a reference to Abaia
OK, but what about the sign itself?
Not sure what sign you mean. The sign Agia scratches? Like the chicken for the jungle sorcerers, I think it is a sign that she is working against the coming of the New Sun.
What I was getting at was whether you saw any parallel between ANY sign (Agia's in particular) and the fish sign.
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Do you mean the Christian fish symbol? I think it is no shock to learn that it likely has its roots in earlier pagan symbolism. I can imagine that simple wordplay on "Christ" might not give the symbol the potency it had at the time. An excerpt from an article on the Christian fish symbol origin:
In pagan beliefs, Ichthys was the offspring of the ancient Sea goddess Atargatis, and was known in various mythic systems as Tirgata, Aphrodite, Pelagia, or Delphine. The word also meant "womb" and "dolphin" in some tongues, and representations of this appeared in the depiction of mermaids.
Interesting---it makes sense that "fish" would connect with numerous cults, but I did not know they would be such prominent ones.
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. . . The fish also appears in another sacred iconograph, the Avatars of Vishnu, where the deity "is represented as emerging from the mouth of a fish, and being a fish himself; the legend being that he was to be the Saviour of the world in a deluge which was to follow..."
Nor this!
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In writing the Sun Series I suspect Wolfe was aware of all this. Severian replaces Abaia, He is the new Oannes...etc.
I have suggested that the God of the OT seems to be rather pagan by our modern Christian standards.
I'm not sure what this means.
I mean the God of the OT recognizes the existence of rival gods, seems to have human emotions and faults, demands burnt offering sacrifices, toys with the idea of human sacrifice, is tolerant even approving of polygamy, engages in genocide of innocents if they are Hebrew enemies, etc. He isn't much like the God most Christians know and love today. He is more like all the other gods of His time. His main distinction (as I see it) is that He is One God
(allowing him to avoid the sin of incest committed by all the other pagan pantheons).
OK---that is what I was suggesting. Setting aside polygamy, which doesn't seem relevant, are you observing that the OT God stands apart from His local contemporaries because he lacks a sister? You may be right---certainly it shows he was not Egyptian.
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Does "gnostic" mean "fearful and suspicious of the demiurge"
I've been using the word gnostic in the broader sense for a couple years here but I suppose I still need to qualify it now and then. I mean it to refer to the broad swath of religious beliefs which came to exist in the time period between Alexander and Christ. Alexander's empire allowed
the blending and cross-polination of eastern and western religion and mythology to happen. Judaism may have been something of an oasis in the midst of it but, of course, it was not unaffected.
Yes, that's probably not a precise use of the term. I think the term you may want to use is "mystical" or maybe "syncretist" or "esoteric." Generally that is taken to mean "oriental" in the older vocabulary, where it signifies anything non-Roman or Greek: Mithraism and so on. Note however that Egypt used to be included in that category, and thus two "oriental" traditions, the Persian and the Egyptian, combined with the Greek cults during the Ptolemaic and Seleucid periods. As has been discussed here many times, the early Christian cult drew heavily from all three, but at an early point the truly gnostic contingent, with its gospels, went underground.
David Stockhoff: Yes, that's [gnostic] probably not a precise use of the term. I think the term you may want to use is "mystical" or maybe "syncretist" or "esoteric."
I appreciate these suggestions. I'm not happy either with using the term "gnostic" but it still seems to come closer to what I mean. The Catholic Encyclopedia calls gnosticism:
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A collective name for a large number of greatly-varying and pantheistic-idealistic sects, which flourished from some time before the Christian Era down to the fifth century, and which...held matter to be a deterioration of spirit, and the whole universe a depravation of the Deity...
I'm okay with that definition. Moreover, I think James has lately been using the term in a similar fashion to mine. And I consider James' ideas to be essential to this conversation. What the C.E. doesn't fully recognize is the essential function of Alexander and his empire in drawing in and blending eastern and western (spritual and material, maternalistic and paternalistic, etc.) religious beliefs together.
As James so astuely observed, Spring Wind is likely the younger version of Typhon in BotNS. And as was also discussed, combining the lives of Spring Wind and Typhon provides a nice allegory for the life of Alexander. As Alexander's empire set the stage for 400 years of pre-Christian "gnosticism" so Typhon's empire sets the stage for the gnostic world of Severian that we see in BotNS (and the Whorl/Blue/Green).
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I see. In essence, you are saying the Outsider is not God, but Dionysius. Right?
Essentially, yes. The Dionysus who evolved beyond his incarnation as a rustic origin god (Father), who evolved beyond his role as a minor part of the Greek pantheon (Son) and became the central deity (Spirit) of much pre-Christian worship.
Both Dionysus and The Outsider retained associations with wine and the vine and goatmen (Neighbors) after their ascension. The Dionysian trinity and its association with Long/Short Sun and the Christian trinity has previously been discussed. Whether Dionysus faded away and was replaced by the Christian God or whether he evolved into Him is a topic of theological discussion and debate.
Not a coincidence that bisexual, boyish, deified Alexander was the impetus for
centuries of androgynous Dionysus worship (and not a coincidence that Typhon is bisexual). Alexander was notable for shaving and for making his soldiers shave. Severian shaves himself with his sword and I think that is a nod to the Alexanderian practice.
Okay. Let's see what I can add to what Marc posted:
This initial ceremonies were instituted in a house that --as Wolfe remarked-- appeared to be the sort of place that you have to use a password just to enter. The performance hall was built around a giant Wurlitzer that could be automatically sunk entirely into the stage floor. The pipes and brass horns surrounded us on all sides. Also it was filled with amazing giant mechanical player organs for the turn of the century (the last one). There was a player bango I saw there too. The house architecture was of the sort that you would expect someone from each event held there would disappear and forced to eternally serve as staff.
This house was filled with surely every early model of gramophone and other recorded player ever produced prior to 1920. Also lots of art deco furniture, figurines, and stained glass. Also
Gary K. Wolfe gave the first speech. Gene Wolfe later noted that Gary usually points out that he and Gene are not brothers or even related to which Gene always responds "I'm telling Ma!" Michael Swanwick gave a speech. The Gaiman gave the award, offering a speech that drew a lot from him Guardian article from Wolfe's birthday last year.
Marc's summary of Wolfe's speech is accurate but I'll give more detail to something he mentioned. He took questions after his speech. Someone shouted out (humorously) was "Where do you get your ideas!" This led Wolfe to answer another common question he gets" "Why do you write?" The answer to this was "So I don't have to explain why I'm not working." And then he told a story about the sale of "Car Sinister" (collected in "Book of Days"/"Castle of Days"). He would do all his writing in the early morning before the distractions of work and kids. In 1969?, they needed money to buy school clothes for their four children, but they didn't really have it. Then he sold the story for $80 (which went a lot further then than it does now). He cashed the check and gave Rosemary four 20s explaining that it was all the money he got from the sale of the story and she now had $20 for each kid. So not long afterwards he's doing so manual repair work around the house and Rosemary came up to him and said "Shouldn't you be writing?"
Then there was the terrific adaptation of "A Toy Theater" (adapted by /Larry Santoro/). And I think, having seen it, everyone should now agree with me that not only is Stromboli a puppet, but so is the narrator and everyone else. Wolfe is the sole puppeteer. They worked in "Coin Operated Boy" by Amanda Palmer (Neil Gaiman's wife) of "The Dresden Dolls". The actors were tremendous singers as well. The play was accompanied by the Wurlitzer.
After the play, we had the Wurlitzer performance, in which he also did another rendition of "Coin Operated Boy" which leads me to believe that Wolfe has an especial affection for this song right now, since I know that the organist had asked his family for a favorite song of Gene's that he could perform. It was the only song that appeared to be not part of his usual repertoire.
Then we proceeded to the building where we ate. This was essentially a barn containing more giant music players. Also, a huge turn of the century circus carrousel. The walls were festooned with vintage movie posters and side show posters. In another room, they had aisle upon aisle of early steam engines. The whole thing was a steam punk dream.
I sat with Marc and Patrick O'Leary and also Jill Thompson the illustrator. I wish I had googled her at the table because I discovered afterwards that I was a huge fan of hers. I have the entire 80s Elementals series, and the Dead Boy Detective series, and Black Orchid. And of course of have the "Fables and Reflections" Sandman volume (Wolfe wrote the introduction). Instead, of a friendly conversation with her, I could have had an amazing conversation with her.
Peter Sagal of NPR's "Wait Wait Don't Tell Me" was the master of ceremonies. When I heard this was the case, I thought "Eh...big name and local to Chicago but...." However, it turns out he's a huge SF literature fan. He's one of us. It was totally appropriate. He boosted the "John Carter" movie which made Mantis quite happy because he would ask everyone he met if they saw it and what they thought of it. Mantis is huge Burroughs fan and he was not looking forward to this adaption. He was quite happily surprised. However, he had not noted all the Burroughs references in "The Long Sun/Short Sun" so I was glad to be the first to point them out to him.
Incidentally, Mantis is about to release a Lexicon Urthus-style book on "The Long Sun" and "The Short Sun."
David Hartwell gave a speech in which he described why Wolfe is so difficult to edit. He would try to do due diligence as an editor and would say things like "I don't think it's clear why such-and-such." To which Wolfe responds, "Well, you must have only skimmed the book." So Hartwell always reads every manuscript twice before making editing suggestions.
This lead Patrick O'Leary to recount how Hartwell has once noted that Wolfe had used the exact same word to describe the color of separate women's aureolas. Wolfe's initial response was "But they ARE the same color." But he then conceded that it was a mistake. And, of course, if that had got through, I WOULD be convinced that despite all reason, that WAS the same woman or at least the same breast.
By, the way, Hartwell's anthologies are absolutely the best IMO. Not just "The Years Best" series. I mean the ones where he gets to pick from all eras to compile stories based on a them. I strongly recommend the two "Masterpieces" books. But he has others that you can almost fill a shelf with and that's exactly what you should do.
After we ate, we all had to ride the huge vintage carrousel. I was a little worried that I would get off as child or an (even) old(er) man. Aside for horses, it also spinner seats (like the tea cups at Disneyland). And it also had carriages which we assumed was for grandmothers to be able to ride with their kids---until the ride started and we discovered that the carriages teeter wildly left and right through the entire ride. It was probably the most harrowing choice of all.
It was a disappointment that Rosemary couldn't be there this time due to health reasons. I think this is the first event I've been to with Wolfe in which she wasn't there. She is a really sweet person who is obviously crazy about Gene.
It was great to meet Marc face-to-face after all these years. And Nick and Jensen. It was great to see Mantis and Gene's daughter Teri again. I missed all the the people who couldn't make it. By the way, Teri is now working with Cheeky Frawg books (http://www.cheekyfrawg.com/about.html) which seems devoted to bringing under-recognized literature to e-book format. Check it out.
J.
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On 3/18/2012 7:13 AM, Marc Aramini wrote:
I am at the hotel in Chicago now getting everything ready for my flight back to Vegas, and I noticed a little computer in the lobby (my phone is low tech - for calling) so I figured I would give a brief summary of events. I will expand more later after I arrive home.
AWESOME event. Valya and the coordinators did a wonderful job getting together a very interesting and entertaining evening. The atmosphere and weather were wonderful, and the estate was amazing, with the highlight (of the facility) being an 8000 pipe organ that was masterfully played by their organist, from coin operated boy to Star Wars. The Toy Theater story adaptation was perfect for the setting, and as James Wynn commented, the estate was a steampunk's dream come true, probably the best way to describe it.
I got to meet James Wynn, Michael Andre-Druissi, Nick Lee and his date, and Jensen and his wife from the list (if they don't all post actively, they have at least frequented it). I have probably mispelled the even names. I have to admit that a priori in my mind I harbored the idea that we must be somewhat nerdy, but we are actually a pretty sharp bunch even when it comes to appearance. I had never gone to a con or anything before, and this was well worth it. It was a much more handsome and dignified group than I expected from the Urth list, both women and men. I enjoyed speaking with all of them.
Craig, I didn't see your email before I drove up to Vegas and have not had access to a computer until now, I apologize. The personal stories related by Neil Gaiman and Lawrence (was it Sarrantonio?) the guy who adapted the Toy Theater were profound and touching. Michael Swanwick had some great things to say as well, as did David Hartwell. Patrick O'Leary and his wife were sitting at my dinner table with James Wynn, and they were also great.
I will try to get some photos online Monday; I still have to fly back.
Gene's acceptance speech was hilarious and touching. It went into the reason for his style (four kids and a wife hollering if he wanted bacon while he was trying to write in a small place), his reasons for writing (easier than repairing stuff around the house), and said he wanted to make sure to personally insult every friend who came. He is a wonderful speaker, and there is a sharpness and energy to him that makes the years fade when he starts to talk.
I will post more later, but it was a truly great evening and one of the highlights of my life. Gene has always been a kind and brilliant man, and he still is. I really enjoyed getting the chance to meet everyone there. I will post more later. Some pics to come!
_______________________________________________
________________________________
From: Lee Berman <severiansola at hotmail.com>
To: urth at urth.net
Sent: Monday, March 19, 2012 10:34 AM
Subject: (urth) Oannes
Not a coincidence that bisexual, boyish, deified Alexander was the impetus for
centuries of androgynous Dionysus worship (and not a coincidence that Typhon is bisexual). Alexander was notable for shaving and for making his soldiers shave. Severian shaves himself with his sword and I think that is a nod to the Alexanderian practice. ? ??? ??? ??? ? ??? ??? ?
_______________________________________________
What's the evidence that Typhon is bisexual? Not that I don't think he is---note the double-penised depiction of Pas on the obscene tapestry, which seems to suggest a dual sexual nature that some perceived as his primary feature. Note also the demand for a tribute of boys and girls by the tyrant of the tale of the Student. But is that evidence or conjecture?
Lee Berman: I have suggested that the God of the OT seems to be rather pagan by our
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modern Christian standards.
I'm not sure what this means.
I mean the God of the OT recognizes the existence of rival gods,
In the early books, but not the later ones.
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seems to have human emotions
and faults, demands burnt offering sacrifices, toys with the idea of human sacrifice,
All true.
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is tolerant even approving of polygamy,
Jesus had nothing to say about polygamy, which seems like tolerating it. Paul said a church overseer or deacon should be "the husband of one wife", which still doesn't look to the naive like an outright condemnation, though apparently it's usually taken that way.
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engages in genocide of innocents if they are Hebrew
enemies, etc. He isn't much like the God most Christians know and love today.
One important difference is that in the Old Testament, God punishes people in life, while by New Testament times, no one could believe this any more (I assume), so in the NT, God punishes people after death. In this respect, neither seems more pagan, as the Greek gods punished people both in life and after death.
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He is more like
all the other gods of His time. His main distinction (as I see it) is that He is One God (allowing him to avoid the sin of incest committed by all the other pagan pantheons).
An interesting point.
Another important distinction is that He is depicted as the direct source of a wide-ranging code of laws. In contrast, the oldest surviving law code is presented as the work of a king (who got his position by divine favor).
http://en.wikipedia.org/wiki/Code_of_Ur-Nammu
Likewise, as I understand it, the Greek gods punished offenses against them and a few transgressions against mortals, notably killing or having sex with one's relatives, but they didn't particularly care about murder, theft, adultery, etc.
Jerry Friedman
I think it might be drawn from the point where Typhon / Paiton is stroking (himself? itself?) after being awoken by Severian. If memory serves, it was when they were overlooking the land far below the statue. I remember reading here on the Urth list that one theory was that Typhon was going to rape Severian, and that Paiton resisted.
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On Mon, Mar 19, 2012 at 12:52 PM, DAVID STOCKHOFF <dstockhoff at verizon.net>wrote:
------------------------------
From: Lee Berman <severiansola at hotmail.com>
To: urth at urth.net
Sent: Monday, March 19, 2012 10:34 AM
Subject: (urth) Oannes
Not a coincidence that bisexual, boyish, deified Alexander was the impetus for centuries of androgynous Dionysus worship (and not a coincidence that Typhon is bisexual). Alexander was notable for shaving and for making his soldiers shave. Severian shaves himself with his sword and I think that is a nod to the Alexanderian practice.
_______________________________________________
What's the evidence that Typhon is bisexual? Not that I don't think he is---note the double-penised depiction of Pas on the obscene tapestry, which seems to suggest a dual sexual nature that some perceived as his primary feature. Note also the demand for a tribute of boys and girls by the tyrant of the tale of the Student. But is that evidence or conjecture?
_______________________________________________
On 3/18/2012 11:04 PM, Lee Berman wrote:
Given that The Outsider never incarnates into a material form, I would guess that he is at a higher level than Tzadkiel. But is the Outsider imbued in every person and everything, everywhere across all time and all universes? I get the sense he is more limited than that (though he has potential).
Well, given that the Outsider asserted that all powers that pretend to be gods will (in some way) tend to become Him specifically, then, yes, he does seem to imbue all matter. This is a paradox that (I think it was) CS Lewis pointed out regarding worldwide religions and religious sects based on the God of the Bible (including Islam and LDS): In other world religions God is either impersonal and infinite or personal and finite. The God of the Bible, he says, is both infinite and person. The Outsider-as-Increate is a very Bible-oriented deity.
J.
What's the evidence that Typhon is bisexual? Not that I don't think he is---note the double-penised depiction of Pas on the obscene tapestry, which seems to suggest
a dual sexual nature that some perceived as his primary feature. Note also the demand
for a tribute of boys and girls by the tyrant of the tale of the Student. But is that
evidence or conjecture?
Typhon says to Severian:
?From your throne in Nessus you will send me tribute of fair women and boys, of the ancient devices and books, and all the good things this world of Urth produces.
I think it’s more of a power thing than a sex thing with Typhon, though.
The painting doesn't really mean anything - it's an obvious obscene riff on the two-headed iconography of Pas.
- Gerry Quinn
On 3/19/2012 1:56 PM, DAVID STOCKHOFF wrote:
This is a paradox that (I think it was) CS Lewis pointed out
regarding worldwide religions and religious sects based on the God
of the Bible (including Islam and LDS): In other world religions
God is either impersonal and infinite or personal and finite. The
God of the Bible, he says, is both infinite and person. The
Outsider-as-Increate is a very Bible-oriented deity.
___________________________________
Does that make him a syncretistic combination of East (impersonal infinite, e.g, Buddhism) and West (personal finite, e.g., Thor)? Or is this equally true of the OT as it is of the NT?
Yeah. I would say it is equally true of the OT and the NT God.
The OT creates the Earth and the sun, moon, stars and light itself. Yet, he has personal conversations with Moses and Abraham. The NT God is just an extrapolation of that as described in the gospel of John and Paul's letter to the Colossians.
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Also, are there any examples of an impersonal finite god? Or would that just be a BDO?
That's a good question. Big Dumb Object is an interesting term for it. An impersonal finite god would be a god drained of everything worthy of worship.
J.
David Stockhoff: What's the evidence that Typhon is bisexual?
Yep, you guys did a good job listing the evidence. The erection in Severian's presence, the tribute, the painting. Added to the matings with Echidna and his relationship with Kypris, of course.
I agree with Antonin that a rape might have been implied as the upcoming event after Severian had been fed and had sworn utter fealty and obedience to Typhon. Which may be part of why Severian refused to swear it. His torturer days might have alerted him that some men (like some animals) use sex as a way of affirming male-male dominance.
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Gerry Quinn: I think it’s more of a power thing than a sex thing with Typhon, though.
Agreed, but it is still sex. The choice of "fair women and boys" implies exercising sexual power and coercion. Not the sort of tribute subjects you'd pick if you planned to hold gladiator fights or build giant monuments to yourself. The painting does corroborate this view.
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The painting doesn't really mean anything
I'm sure you wouldn't intend to speak for others, so perhaps that could be amended to, "The painting doesn't really mean anything to me".
But is that evidence or conjecture?
DAVID STOCKHOFF wrote:
Also, are there any examples of an impersonal finite god? Or would that just be a BDO?
That's a good question. Big Dumb Object is an interesting term for it. An impersonal finite god would be a god drained of everything worthy of worship.
It seems to me that the God of Deism is pretty close to an impersonal finite God.
I mean the God of the OT recognizes the existence of rival gods,
Jerry Friedman: In the early books, but not the later ones.
Yes, exactly. I am suggesting that God seems to change through the course of the Bible (OT and NT). Anthropologically I certainly accept that this could be the result of changes in the cultures which are writing about God.
But the Sun Series seems to depict gods which can be washed away or divided, shuffled and redealt, like cards, into different forms. Gods like The Outsider can evolve from being minor deities in a pantheon to The God (as was true for Dionysus).
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Jesus had nothing to say about polygamy, which seems like tolerating it. Paul said a church overseer or deacon should be "the husband of one wife",
This is my point. Judeo-Christian religions have evolved from more pagan forms which condone polygamy to a modern version which does not. This does not seem consistent with a God who is perfect and unchanging and cares very much about marriage. Why would polygamy be okay 5000 years ago but gradually become not okay?
Perhaps Gene wolfe is not entirely satisfied with the anthropological explanation. Perhaps, in noticing the evolution of ancient pagan forms toward more Christian forms, even pre-Christ, he has come to the conclusion that God is an evolving and adapting entity. I dunno. Doesn't matter, I guess. What matters to me is that we see divine reshuffling and evolution in the Sun Series. At least I think so.
James Wynn: Well, given that the Outsider asserted that all powers that pretend to be gods will (in some way) tend to become Him specifically, then, yes, he does seem to imbue all matter... ..The God of the Bible..is both infinite and person[al]. The Outsider-as-Increate is a very Bible-oriented deity.
I agree. I suppose the main difference in our views is that I see an evolution of God from being more like a powerful person in the OT to being more infinite as we move to Christ and on to modern Christianity.
In UotNS, Tzadkiel says that The Increate is so far above him that
he must guess at The Increate's intentions. So even for angels, there is no direct communication with God.
Yet the Outsider does communicate directly with Silk. This is the main source of my feeling that The Outsider is not The Increate.
If he is, then it seems to put Silk in a position above angels. Silk is the sole conduit via which The Increate will communicate with humanity in the Whorl/Blue/Green system. Doesn't this make Silk the equivalent of Jesus, if not Christ himself?
On 3/19/2012 2:57 PM, DAVID STOCKHOFF wrote:
OTOH, perhaps the Roman household gods were like that---not the family ancestors, but the little guys you'd nod to as you stepped over the threshold or stoked the fire in the hearth. Nobody expected them to speak, but the domain of each was limited to a few square feet.
And Dan'l Danehy-Oakes also wrote:
It seems to me that the God of Deism is pretty close to an impersonal finite God.
I don't think this is what is meant by an "impersonal god" when comparing it with, say, Zen Buddhism. I think "impersonal" doesn't mean a Person who is uncommunicative. It means a Person who is "not a personality"...a person who is not "aware" at any time in any sense as we would define it. Deism only argues that the Creator doesn't respond to personal requests or is even absent. I think the hearth gods were conceived as actual persons even though they had no prophets.
J.
Lee Berman wrote:
In UotNS, Tzadkiel says that The Increate is so far above him that
he must guess at The Increate's intentions. So even for angels, there is no direct communication with God.
Yet the Outsider does communicate directly with Silk. This is the main source of my feeling that The Outsider is not The Increate.
The God of the OT does communicate directly with humans: Moses, Abraham, and divers prophets.
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If he is, then it seems to put Silk in a position above angels. Silk is the sole conduit via which The Increate will communicate with humanity in the Whorl/Blue/Green system. Doesn't this make Silk the equivalent of Jesus, if not Christ himself?
Interestingly, in Christianity humanity is in some sense above angels -- Paul says in one of the letters that we are to "judge" angels ("judge," I presume, being taken in the Hebrew sense of governing and leading into warfare).
________________________________
From: Lee Berman <severiansola at hotmail.com>
To: urth at urth.net
Sent: Monday, March 19, 2012 3:50 PM
Subject: (urth) Oannes
David Stockhoff: What's the evidence that Typhon is bisexual?
Yep, you guys did a good job listing the evidence. The erection in Severian's presence, the tribute, the painting. Added to the matings with Echidna and his relationship with Kypris, of course.
I agree with Antonin that a rape might have been implied as the upcoming event after Severian had been fed and had sworn utter fealty and obedience to Typhon. Which may be part of why Severian refused to swear it. His torturer days might have alerted him that some men (like some animals) use sex as a way of affirming male-male dominance.
1 quoted line
Gerry Quinn: I think it’s more of a power thing than a sex thing with Typhon, though.
Agreed, but it is still sex. The choice of "fair women and boys" implies exercising sexual power and coercion. Not the sort of tribute subjects you'd pick if you planned to hold gladiator fights or build giant monuments to yourself. The painting does corroborate this view.
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The painting doesn't really mean anything
I'm sure you wouldn't intend to speak for others, so perhaps that could be amended to, "The painting doesn't really mean anything to me".
__________________________________________________________
Circumstantial, but likely enough.
Gerry is right that whoever painted that painting may have had his own motives that have nothing to do with any basis in fact. But even if Pas/Typhon was only rumored to be bisexual, that at least suggests that someone thought he was, and so he might have been.
I'd like to remind y'all of the Watchmen Principle:
Everything in a Wolfe story means something.
But not everything in a Wolfe story means much.
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On Mon, Mar 19, 2012 at 1:45 PM, DAVID STOCKHOFF <dstockhoff at verizon.net> wrote:
________________________________
From: Lee Berman <severiansola at hotmail.com>
To: urth at urth.net
Sent: Monday, March 19, 2012 3:50 PM
Subject: (urth) Oannes
David Stockhoff: What's the evidence that Typhon is bisexual?
Yep, you guys did a good job listing the evidence. The erection in Severian's presence, the tribute, the painting. Added to the matings with Echidna and his relationship with Kypris, of course.
I agree with Antonin that a rape might have been implied as the upcoming event after Severian had been fed and had sworn utter fealty and obedience to Typhon. Which may be part of why Severian refused to swear it. His torturer days might have alerted him that some men (like some animals) use sex as a way of affirming male-male dominance.
Gerry Quinn: I think it’s more of a power thing than a sex thing with Typhon, though.
Agreed, but it is still sex. The choice of "fair women and boys" implies exercising sexual power and coercion. Not the sort of tribute subjects you'd pick if you planned to hold gladiator fights or build giant monuments to yourself. The painting does corroborate this view.
The painting doesn't really mean anything
I'm sure you wouldn't intend to speak for others, so perhaps that could be amended to, "The painting doesn't really mean anything to me".
__________________________________________________________
Circumstantial, but likely enough.
Gerry is right that whoever painted that painting may have had his own motives that have nothing to do with any basis in fact. But even if Pas/Typhon was only rumored to be bisexual, that at least suggests that someone thought he was, and so he might have been.
_______________________________________________
On Mon, Mar 19, 2012 at 1:46 PM, DAVID STOCKHOFF <dstockhoff at verizon.net> wrote:
________________________________
From: Dan'l Danehy-Oakes <danldo at gmail.com>
To: The Urth Mailing List <urth at lists.urth.net>
Sent: Monday, March 19, 2012 3:53 PM
Subject: Re: (urth) Oannes
James Wynn wrote:
DAVID STOCKHOFF wrote:
Also, are there any examples of an impersonal finite god? Or would that just be a BDO?
That's a good question. Big Dumb Object is an interesting term for it. An impersonal finite god would be a god drained of everything worthy of worship.
It seems to me that the God of Deism is pretty close to an impersonal finite God.
_______________________________________________
Finite---although very, very big?
_______________________________________________
DAVID STOCKHOFF wrote:
pets are just such beings, granted
personality only by their owners' powers of projection.
Obviously you are not a pet person. They have personality; one cat or dog is quite different from another. (Hamsters, not so much...) What they may lack is person_hood_.
1 quoted line
At any rate, if one were to worship one's cat, it would probably be a lot like worshiping an impersonal, finite god.
Lee:
I mean the God of the OT recognizes the existence of rival gods, Jerry Friedman wrote:
In the early books, but not the later ones.
It never occurred to me that in the early books of Bible God is ever depicted as actually feeling to be in competition with actual rivals (as opposed to /effective/ competition for the affections of his worshipers). While the early books seem to assume that His worshipers DO believe in rival gods, the upshot of the storytelling seems to imply that the true circumstances are otherwise.
In Genesis, he condemns Sodom and Gomorrah even though they do not appear to be his worshipers. In Genesis one never seems to encounter a god he must compete with or overcome. In Exodus, God plagues the Egyptians and their gods are not even addressed. In Numbers, Balaam's prophecy seems to assume one God who blesses and condemns. Also, in 1 Samuel, when the Philistines capture the Ark of the Covenant, they offer it before Dagan. Then the next morning the find the idol fallen forward on its face in front of the Ark. Also in 1 Kings when the Aramites decide that the gods of the Israelites are gods of the hills. So they decide to fight them in the plains where they can be easily defeated. So God thrashes them extra hard to make a point. And in Job, argued to be the earliest book written, there is really no credible alternative to God offered even though Job's worship of God does not protect him from harm.
J.
James Wynn wrote:
In Exodus, God plagues the Egyptians and their
gods are not even addressed.
Actually, they are, in that Pharaoh's "magicians" (which is to say priests of Thoth) are able to duplicate a few of Moses' miracles but not the bigger ones.
Which doesn't really take away from your main point, I'm just a floccinaucinhilipilificator...
Lee:
I mean the God of the OT recognizes the existence of rival gods, Jerry Friedman wrote:
In the early books, but not the later ones.
It never occurred to me that in the early books of Bible God is ever depicted as actually feeling to be in competition with actual rivals (as opposed to /effective/ competition for the affections of his worshipers). While the early books seem to assume that His worshipers DO believe in rival gods, the upshot of the storytelling seems to imply that the true circumstances are otherwise.
In Genesis, he condemns Sodom and Gomorrah even though they do not appear to be his worshipers. In Genesis one never seems to encounter a god he must compete with or overcome. In Exodus, God plagues the Egyptians and their gods are not even addressed. In Numbers, Balaam's prophecy seems to assume one God who blesses and condemns. Also, in 1 Samuel, when the Philistines capture the Ark of the Covenant, they offer it before Dagan. Then the next morning the find the idol fallen forward on its face in front of the Ark. Also in 1 Kings when the Aramites decide that the gods of the Israelites are gods of the hills. So they decide to fight them in the plains where they can be easily defeated. So God thrashes them extra hard to make a point. And in Job, argued to be the earliest book written, there is really no credible alternative to God offered even though Job's worship of God does not protect him from harm.
I was talking to some list members this weekend, and a very common repetitive theme was that Wolfe's short fiction has recieved short shrift on the list. SO ... since I will have four weeks in May with very little to do except read or play video games or work out, I have come up with a project for myself from which I thought we could all benefit.
I will start with the earliest chronological stories of Gene and proceed with the most basic of summaries, my impressions if I have any that I think are worthwhile, and then perhaps a series of elements that I found confusing or would like to re-examine after I have read through the story twice with notes. I will be on the look out for repetitive patterns of occurence or words that are used with mysterious misplaced connotation. this would be for the short stories.
Obviously I don't think I will have insight into every story, but perhaps my confusion could drudge up some more relevant commentary or other questions. The problem is ... stuff like the Dickens archipelago story might be beyond my allusive skill, because while I do think I can see patterns, I am actually not the most classically rigorous amongst us - thank a biochemistry degree and a love of numbers. I might skip entirely oft discussed ones like Seven American Nights and Suzanne Delage in favor of more obscure ones. As of right now I believe I have every story, collected and uncollected, even the drabble project 100 word one, so if anybody has any suggestions as to something they would like in the format of my initial posts I would be amenable to incorporating it so that we could easily spring into a general discussion.
Are you going to include the three novelettes that make up Fifth Head of Cerberus as instances of short stories, or just leave them to one side as a one unified piece? Just curious...
-DOJP
6 quoted lines
On Mon, Mar 19, 2012 at 10:23 PM, Marc Aramini <marcaramini at yahoo.com>wrote: I was talking to some list members this weekend, and a very common repetitive theme was that Wolfe's short fiction has recieved short shrift on the list. SO ... since I will have four weeks in May with very little to do except read or play video games or work out, I have come up with a project for myself from which I thought we could all benefit.
I will start with the earliest chronological stories of Gene and proceed with the most basic of summaries, my impressions if I have any that I think are worthwhile, and then perhaps a series of elements that I found confusing or would like to re-examine after I have read through the story twice with notes. I will be on the look out for repetitive patterns of occurence or words that are used with mysterious misplaced connotation. this would be for the short stories.
Obviously I don't think I will have insight into every story, but perhaps my confusion could drudge up some more relevant commentary or other questions. The problem is ... stuff like the Dickens archipelago story might be beyond my allusive skill, because while I do think I can see patterns, I am actually not the most classically rigorous amongst us - thank a biochemistry degree and a love of numbers. I might skip entirely oft discussed ones like Seven American Nights and Suzanne Delage in favor of more obscure ones. As of right now I believe I have every story, collected and uncollected, even the drabble project 100 word one, so if anybody has any suggestions as to something they would like in the format of my initial posts I would be amenable to incorporating it so that we could easily spring into a general discussion.
_______________________________________________
Do you already have a list (is the Internet Spec Data Base accurate--I wasn't sure if you'd call, for example, the chapbooks "short stories"--drawing a line with the novelettes/novellas or ???)?
I don't think I have a great set of the short works, but maybe I'll participate as I can. (I started the year reading the four or so NESFA Zelazny collections but got sidetracked, as usual.)
13 quoted lines · 1–2 deep
On Mon, Mar 19, 2012 at 7:22 PM, Daniel Petersen <
danielottojackpetersen at gmail.com> wrote:
Are you going to include the three novelettes that make up Fifth Head of Cerberus as instances of short stories, or just leave them to one side as a one unified piece? Just curious...
-DOJP
On Mon, Mar 19, 2012 at 10:23 PM, Marc Aramini <marcaramini at yahoo.com>wrote:
I was talking to some list members this weekend, and a very common repetitive theme was that Wolfe's short fiction has recieved short shrift on the list. SO ... since I will have four weeks in May with very little to do except read or play video games or work out, I have come up with a project for myself from which I thought we could all benefit.
I will start with the earliest chronological stories of Gene and proceed with the most basic of summaries, my impressions if I have any that I think are worthwhile, and then perhaps a series of elements that I found confusing or would like to re-examine after I have read through the story twice with notes. I will be on the look out for repetitive patterns of occurence or words that are used with mysterious misplaced connotation. this would be for the short stories.
Obviously I don't think I will have insight into every story, but perhaps my confusion could drudge up some more relevant commentary or other questions. The problem is ... stuff like the Dickens archipelago story might be beyond my allusive skill, because while I do think I can see patterns, I am actually not the most classically rigorous amongst us - thank a biochemistry degree and a love of numbers. I might skip entirely oft discussed ones like Seven American Nights and Suzanne Delage in favor of more obscure ones. As of right now I believe I have every story, collected and uncollected, even the drabble project 100 word one, so if anybody has any suggestions as to something they would like in the format of my initial posts I would be amenable to incorporating it so that we could easily spring into a general discussion.
_______________________________________________
Why yes, guvnah. Me and th' boys, we'll be happy ta ... discuss "short stories" with ya. Long as you're payin, that is. Right, Sally?
(laughs nastily, takes out greasy blade and begins to sharpen it, crooning)
7 quoted lines
On 3/19/2012 6:23 PM, Marc Aramini wrote:
I was talking to some list members this weekend, and a very common repetitive theme was that Wolfe's short fiction has recieved short shrift on the list. SO ... since I will have four weeks in May with very little to do except read or play video games or work out, I have come up with a project for myself from which I thought we could all benefit.
I will start with the earliest chronological stories of Gene and proceed with the most basic of summaries, my impressions if I have any that I think are worthwhile, and then perhaps a series of elements that I found confusing or would like to re-examine after I have read through the story twice with notes. I will be on the look out for repetitive patterns of occurence or words that are used with mysterious misplaced connotation. this would be for the short stories.
Obviously I don't think I will have insight into every story, but perhaps my confusion could drudge up some more relevant commentary or other questions. The problem is ... stuff like the Dickens archipelago story might be beyond my allusive skill, because while I do think I can see patterns, I am actually not the most classically rigorous amongst us - thank a biochemistry degree and a love of numbers. I might skip entirely oft discussed ones like Seven American Nights and Suzanne Delage in favor of more obscure ones. As of right now I believe I have every story, collected and uncollected, even the drabble project 100 word one, so if anybody has any suggestions as to something they would like in the format of my initial posts I would be amenable to incorporating it so that we could easily spring into a general discussion.
_______________________________________________
RE: Novellas and TFHoC; i've got to imagine that part of the point behind this project is to discuss and shed light on the less-tread portion of Wolfe's bibliography. Cerberus has been pretty heavily discussed on here.
18 quoted lines · 1–3 deep
On Mon, Mar 19, 2012 at 8:20 PM, Fred Kiesche <godelescherbach at gmail.com>wrote: Do you already have a list (is the Internet Spec Data Base accurate--I wasn't sure if you'd call, for example, the chapbooks "short stories"--drawing a line with the novelettes/novellas or ???)?
I don't think I have a great set of the short works, but maybe I'll participate as I can. (I started the year reading the four or so NESFA Zelazny collections but got sidetracked, as usual.)
On Mon, Mar 19, 2012 at 7:22 PM, Daniel Petersen <
danielottojackpetersen at gmail. com <danielottojackpetersen at gmail.com>>wrote:
Are you going to include the three novelettes that make up Fifth Head of Cerberus as instances of short stories, or just leave them to one side as a one unified piece? Just curious...
-DOJP
On Mon, Mar 19, 2012 at 10:23 PM, Marc Aramini <marcaramini at yahoo.com>wrote:
I was talking to some list members this weekend, and a very common repetitive theme was that Wolfe's short fiction has recieved short shrift on the list. SO ... since I will have four weeks in May with very little to do except read or play video games or work out, I have come up with a project for myself from which I thought we could all benefit.
I will start with the earliest chronological stories of Gene and proceed with the most basic of summaries, my impressions if I have any that I think are worthwhile, and then perhaps a series of elements that I found confusing or would like to re-examine after I have read through the story twice with notes. I will be on the look out for repetitive patterns of occurence or words that are used with mysterious misplaced connotation. this would be for the short stories.
Obviously I don't think I will have insight into every story, but
perhaps my confusion could drudge up some more relevant commentary or other questions. The problem is ... stuff like the Dickens archipelago story might be beyond my allusive skill, because while I do think I can see patterns, I am actually not the most classically rigorous amongst us - thank a biochemistry degree and a love of numbers. I might skip entirely oft discussed ones like Seven American Nights and Suzanne Delage in favor of more obscure ones. As of right now I believe I have every story, collected and uncollected, even the drabble project 100 word one, so if anybody has any suggestions as to something they would like in the format of my initial posts I would be amenable to incorporating it so that we could easily spring into a general discussion.
______________________________?_________________
James Wynn: It never occurred to me that in the early books of Bible God is ever depicted as actually feeling to be in competition with actual rivals (as opposed to /effective/ competition for the affections of his worshipers).
I had the impression but in a quick search I didn't find any of the passages I thought I'd find. Fair enough. But God is jealous of idols his followers might worship and He is even a bit fearful of humanity gaining too much godly power, (e.g. the Tree Of Life and the Tower of Babel stories). He shows anger and vengeance and remorse, etc. Does God still have all those feelings today?
My broader point is observing that the Judeo-Christian God seems to me to evolve and mature as the 5000 year history of Judeo-Christianity passes (and I respect the opinion of those who disagree and I'm not interested in debate or changing minds).
Given my observation, I am suggesting that Wolfe also sees an evolution in the Judeo- Christian deity and uses the Sun Series as a fictional way of illustrating how it might work. I really could be wrong on that, I know. But I think it is possible.
BotNS mentions the Theanthropos, the Demiurge, the Pancreator and the Increate. Are these all names for different entities? Stages or aspects of one entity? What is Wolfe trying to say with this and how does it relate to The Outsider? I am interested in the views of others on this.
Yeah Marc, post a list! At least a first 25. If we're going, to start with the "Young Wolfe" stories I'll have to track down that volume.
Sent from my iPhone
2 quoted lines
On Mar 19, 2012, at 7:20 PM, Fred Kiesche <godelescherbach at gmail.com> wrote:
Do you already have a list (is the Internet Spec Data Base accurate--I wasn't sure if you'd call, for example, the chapbooks "short stories
On 3/19/2012 11:45 AM, James Wynn wrote:
After the play, we had the Wurlitzer performance, in which he also did another rendition of "Coin Operated Boy" which leads me to believe that Wolfe has an especial affection for this song right now, since I know that the organist had asked his family for a favorite song of Gene's that he could perform. It was the only song that appeared to be not part of his usual repertoire.
The video of this song:
http://www.youtube.com/watch?v=j4gPZPKJc0s
For those who don't follow Amanda Palmer, the white face and bowler hat is part of her former group, the Dresden Dolls', "dark cabaret" look rather than something particular to this video. Some of her work is pretty upbeat but the emo stuff is really emo, as in you might want to read some Poe to help lighten your mood afterward.
Jeff Wilson - jwilson at clueland.com
Computational Intelligence Laboratory - Texas A&M Texarkana
< http://www.tamut.edu/CIL >
On 3/19/2012 5:01 PM, Dan'l Danehy-Oakes wrote:
DAVID STOCKHOFF wrote:
At any rate, if one were to worship one's cat, it would probably be a lot like worshiping an impersonal, finite god. Ask an ancient Egyptian ;)
I will start with the earliest chronological stories of Gene and proceed with the most basic of summaries, my impressions if I have any that I think are worthwhile, and then perhaps a series of elements that I found confusing or would like to re-examine after I have read through the story twice with notes. I will be on the look out for repetitive patterns of occurence or words that are used with mysterious misplaced connotation. this would be for the short stories.
Interesting. the WolfeWiki seems to attempt something like this, but the notes and questions are rather sparse for a lot of stories.
- Gerry Quinn
Given my observation, I am suggesting that Wolfe also sees an evolution in the Judeo- Christian deity and uses the Sun Series as a fictional way of illustrating how it might work. I really could be wrong on that, I know. But I think it is possible.
I would say, rather, that Wolfe takes for granted that our views of the Divine evolve, and it is part of the backdrop of the entire series.
Just as the oldest stories of our ancestors can be told as well against a hi-tech background (Wolfe goes out of his way to demonstrate this) so the various conceptions [I am using the “mental conception” sense] of God find echoes throughout the future. (Wolfe goes out of his way to demonstrate this also, and of course the events themselves of New Sun and to some degree Long Sun reflect certain Judeo-Christian stories.)
I don’t think he has any particular hang-ups about whether Christianity survives in its current form, or any theological issues regarding the flooding of Urth. Those aren’t what the books are about. Certainly in the places and times we visit there is no indication that Christianity in its current form is practiced.
Insofar as the actual storyline of New Sun strongly reflects traditions associated with Christianity, it would actually have been extremely difficult to write New Sun and have Christianity in any way prominent, even if Wolfe wanted to do that. As I noted before, it would be like having Jesus running around in Narnia — it would make the tale quite impossible to tell. In Long Sun and Short Sun, he is a little freer to insert Christian symbology, and he doesn’t hesitate to do so, with several rather direct references identifying the Outsider with the God of Christianity.
Which is not to say that all dogmas associated with the Outsider, if indeed there are such dogmas, would necessarily be agreeable to the Vatican of the Dawn Men. Our views of the Divine will continue to evolve, just as (in much of the world anyway) they evolved from pagan conceptions to Christianity.
- Gerry Quinn
DAVID STOCKHOFF wrote:
At any rate, if one were to worship one's cat, it would probably be a lot like worshiping an impersonal, finite god. Ask an ancient Egyptian ;)
That's exactly what I was thinking of.
Cats don’t require worship — just obedience.
- Gerry Quinn
On 3/20/2012 9:36 AM, Gerry Quinn wrote:
From: Lee Berman <mailto:severiansola at hotmail.com>
Given my observation, I am suggesting that Wolfe also sees an
evolution in the Judeo-
Christian deity and uses the Sun Series as a fictional way of
illustrating how it
might work. I really could be wrong on that, I know. But I think it is possible. I would say, rather, that Wolfe takes for granted that our views of the Divine evolve, and it is part of the backdrop of the entire series. Just as the oldest stories of our ancestors can be told as well against a hi-tech background (Wolfe goes out of his way to demonstrate this) so the various conceptions [I am using the “mental conception” sense] of God find echoes throughout the future. (Wolfe goes out of his way to demonstrate this also, and of course the events themselves of New Sun and to some degree Long Sun reflect certain Judeo-Christian stories.) I don’t think he has any particular hang-ups about whether Christianity survives in its current form, or any theological issues regarding the flooding of Urth. Those aren’t what the books are about. Certainly in the places and times we visit there is no indication that Christianity in its current form is practiced. Insofar as the actual storyline of New Sun strongly reflects traditions associated with Christianity, it would actually have been extremely difficult to write New Sun and have Christianity in any way prominent, even if Wolfe wanted to do that. As I noted before, it would be like having Jesus running around in Narnia — it would make the tale quite impossible to tell. In Long Sun and Short Sun, he is a little freer to insert Christian symbology, and he doesn’t hesitate to do so, with several rather direct references identifying the Outsider with the God of Christianity. Which is not to say that all dogmas associated with the Outsider, if indeed there are such dogmas, would necessarily be agreeable to the Vatican of the Dawn Men. Our views of the Divine will continue to evolve, just as (in much of the world anyway) they evolved from pagan conceptions to Christianity.
I agree. I don't see how an evolving deity could be anything but an evolving perception of that deity. Plainly, that has always fascinated Wolfe.
At 13:03 20/03/2012, Gerry wrote:
From: <mailto:marcaramini at yahoo.com>Marc Aramini
I will start with the earliest chronological stories of Gene and
proceed with
the most basic of summaries, my impressions if I have any that I think are worthwhile, and then perhaps a series of elements that I found confusing or would like to re-examine after I have read through the story twice with notes. I will be on the look out for repetitive patterns of occurence or words that are used with mysterious misplaced connotation. this would be for the short stories.
Interesting. the WolfeWiki seems to attempt something like this, but the notes and questions are rather sparse for a lot of stories.
- Gerry Quinn
Yes, WolfeWiki contributors have worked enthusiastically over a selection of stories, but it's very patchy. I'm hoping that Marc and those who discuss indivdual stories with him on here will be kind enough to let some of their forthcoming thoughts be reflected on the wiki (with appropriate credit of course).
best wishes,
Mo
# ~ # ~ #
WolfeWiki -- a wiki about Gene Wolfe
http://www.wolfewiki.com/pmwiki/
David Stockhoff: I agree. I don't see how an evolving deity could be anything but an evolving perception of that deity. Plainly, that has always fascinated Wolfe.
I agree about the fascination. And Wolfe's use of a first person narrator throughout the Sun Series ensures we understand that all we are hearing is filtered through human perception and writing.
Such a premise is based on an assumption. One assumption is atheistic: that there is no real God. God consists only of what human minds think about him. Before the first humans there was no God and he will disappear when there are no longer any humans around to think about him. Is Wolfe suggesting this scenario?
Another assumption is that there is a one true God who is perfect and choiceless and unchanging. As you suggest, any perceived changes or personification of such a God (including calling it "He") are false. They are simply projections of human imperfection on a perfect God. But this means all religions are equally valid and/or equally false. Hindus, Christians and animists are all equally human and thus equally right and wrong about the unknowable perfection of the "real" God. How could one group of humans have a better grasp of the infinite than another?
Well, I'm frustrated at the digression. What I'm saying is this: In Long/Short
Sun we have a pantheon of false electronic gods who are shuffled like cards and replaced in new forms, becoming closer and perhaps a part of The Outsider in the process. In BotNS we have a pantheon of sea (and earth) gods who are similarly replaced. Was this shuffling important to The Increate/Outsider? Did it have an impact on Him? If not, why even tell the stories? (my impression of The Increate from BotNS is that he might best be described AS a universal story, which is being played out). Ah never mind. I don't know what I'm saying.
On 3/19/2012 11:45 AM, James Wynn wrote:
Okay. Let's see what I can add to what Marc posted:
This initial ceremonies were instituted in a house that --as Wolfe remarked-- appeared to be the sort of place that you have to use a password just to enter. The performance hall was built around a giant Wurlitzer that could be automatically sunk entirely into the stage floor. The pipes and brass horns surrounded us on all sides. Also it was filled with amazing giant mechanical player organs for the turn of the century (the last one). There was a player bango I saw there too. The house architecture was of the sort that you would expect someone from each event held there would disappear and forced to eternally serve as staff.
This house was filled with surely every early model of gramophone and other recorded player ever produced prior to 1920. Also lots of art deco furniture, figurines, and stained glass. Also
Gary K. Wolfe gave the first speech. Gene Wolfe later noted that Gary usually points out that he and Gene are not brothers or even related to which Gene always responds "I'm telling Ma!" Michael Swanwick gave a speech. The Gaiman gave the award, offering a speech that drew a lot from him Guardian article from Wolfe's birthday last year.
Marc's summary of Wolfe's speech is accurate but I'll give more detail to something he mentioned. He took questions after his speech. Someone shouted out (humorously) was "Where do you get your ideas!" This led Wolfe to answer another common question he gets" "Why do you write?" The answer to this was "So I don't have to explain why I'm not working." And then he told a story about the sale of "Car Sinister" (collected in "Book of Days"/"Castle of Days"). He would do all his writing in the early morning before the distractions of work and kids. In 1969?, they needed money to buy school clothes for their four children, but they didn't really have it. Then he sold the story for $80 (which went a lot further then than it does now). He cashed the check and gave Rosemary four 20s explaining that it was all the money he got from the sale of the story and she now had $20 for each kid. So not long afterwards he's doing so manual repair work around the house and Rosemary came up to him and said "Shouldn't you be writing?"
Then there was the terrific adaptation of "A Toy Theater" (adapted by /Larry Santoro/). And I think, having seen it, everyone should now agree with me that not only is Stromboli a puppet, but so is the narrator and everyone else. Wolfe is the sole puppeteer. They worked in "Coin Operated Boy" by Amanda Palmer (Neil Gaiman's wife) of "The Dresden Dolls". The actors were tremendous singers as well. The play was accompanied by the Wurlitzer.
After the play, we had the Wurlitzer performance, in which he also did another rendition of "Coin Operated Boy" which leads me to believe that Wolfe has an especial affection for this song right now, since I know that the organist had asked his family for a favorite song of Gene's that he could perform. It was the only song that appeared to be not part of his usual repertoire.
Then we proceeded to the building where we ate. This was essentially a barn containing more giant music players. Also, a huge turn of the century circus carrousel. The walls were festooned with vintage movie posters and side show posters. In another room, they had aisle upon aisle of early steam engines. The whole thing was a steam punk dream.
I sat with Marc and Patrick O'Leary and also Jill Thompson the illustrator. I wish I had googled her at the table because I discovered afterwards that I was a huge fan of hers. I have the entire 80s Elementals series, and the Dead Boy Detective series, and Black Orchid. And of course of have the "Fables and Reflections" Sandman volume (Wolfe wrote the introduction). Instead, of a friendly conversation with her, I could have had an amazing conversation with her.
Peter Sagal of NPR's "Wait Wait Don't Tell Me" was the master of ceremonies. When I heard this was the case, I thought "Eh...big name and local to Chicago but...." However, it turns out he's a huge SF literature fan. He's one of us. It was totally appropriate. He boosted the "John Carter" movie which made Mantis quite happy because he would ask everyone he met if they saw it and what they thought of it. Mantis is huge Burroughs fan and he was not looking forward to this adaption. He was quite happily surprised. However, he had not noted all the Burroughs references in "The Long Sun/Short Sun" so I was glad to be the first to point them out to him.
Incidentally, Mantis is about to release a Lexicon Urthus-style book on "The Long Sun" and "The Short Sun."
David Hartwell gave a speech in which he described why Wolfe is so difficult to edit. He would try to do due diligence as an editor and would say things like "I don't think it's clear why such-and-such." To which Wolfe responds, "Well, you must have only skimmed the book." So Hartwell always reads every manuscript twice before making editing suggestions.
This lead Patrick O'Leary to recount how Hartwell has once noted that Wolfe had used the exact same word to describe the color of separate women's aureolas. Wolfe's initial response was "But they ARE the same color." But he then conceded that it was a mistake. And, of course, if that had got through, I WOULD be convinced that despite all reason, that WAS the same woman or at least the same breast.
By, the way, Hartwell's anthologies are absolutely the best IMO. Not just "The Years Best" series. I mean the ones where he gets to pick from all eras to compile stories based on a them. I strongly recommend the two "Masterpieces" books. But he has others that you can almost fill a shelf with and that's exactly what you should do.
After we ate, we all had to ride the huge vintage carrousel. I was a little worried that I would get off as child or an (even) old(er) man. Aside for horses, it also spinner seats (like the tea cups at Disneyland). And it also had carriages which we assumed was for grandmothers to be able to ride with their kids---until the ride started and we discovered that the carriages teeter wildly left and right through the entire ride. It was probably the most harrowing choice of all.
It was a disappointment that Rosemary couldn't be there this time due to health reasons. I think this is the first event I've been to with Wolfe in which she wasn't there. She is a really sweet person who is obviously crazy about Gene.
It was great to meet Marc face-to-face after all these years. And Nick and Jensen. It was great to see Mantis and Gene's daughter Teri again. I missed all the the people who couldn't make it. By the way, Teri is now working with Cheeky Frawg books (http://www.cheekyfrawg.com/about.html) which seems devoted to bringing under-recognized literature to e-book format. Check it out.
J.
On 3/18/2012 7:13 AM, Marc Aramini wrote:
I am at the hotel in Chicago now getting everything ready for my
flight back to Vegas, and I noticed a little computer in the lobby
(my phone is low tech - for calling) so I figured I would give a
brief summary of events. I will expand more later after I arrive home.
AWESOME event. Valya and the coordinators did a wonderful job getting together a very interesting and entertaining evening. The atmosphere and weather were wonderful, and the estate was amazing, with the highlight (of the facility) being an 8000 pipe organ that was masterfully played by their organist, from coin operated boy to Star Wars. The Toy Theater story adaptation was perfect for the setting, and as James Wynn commented, the estate was a steampunk's dream come true, probably the best way to describe it.
I got to meet James Wynn, Michael Andre-Druissi, Nick Lee and his date, and Jensen and his wife from the list (if they don't all post actively, they have at least frequented it). I have probably mispelled the even names. I have to admit that a priori in my mind I harbored the idea that we must be somewhat nerdy, but we are actually a pretty sharp bunch even when it comes to appearance. I had never gone to a con or anything before, and this was well worth it. It was a much more handsome and dignified group than I expected from the Urth list, both women and men. I enjoyed speaking with all of them.
Craig, I didn't see your email before I drove up to Vegas and have not had access to a computer until now, I apologize. The personal stories related by Neil Gaiman and Lawrence (was it Sarrantonio?) the guy who adapted the Toy Theater were profound and touching. Michael Swanwick had some great things to say as well, as did David Hartwell. Patrick O'Leary and his wife were sitting at my dinner table with James Wynn, and they were also great.
I will try to get some photos online Monday; I still have to fly back.
Gene's acceptance speech was hilarious and touching. It went into the reason for his style (four kids and a wife hollering if he wanted bacon while he was trying to write in a small place), his reasons for writing (easier than repairing stuff around the house), and said he wanted to make sure to personally insult every friend who came. He is a wonderful speaker, and there is a sharpness and energy to him that makes the years fade when he starts to talk.
I will post more later, but it was a truly great evening and one of the highlights of my life. Gene has always been a kind and brilliant man, and he still is. I really enjoyed getting the chance to meet everyone there. I will post more later. Some pics to come!
_______________________________________________
Another assumption is that there is a one true God who is perfect and choiceless and unchanging. As you suggest, any perceived changes or personification of such a God (including calling it "He") are false. They are simply projections of human imperfection on a perfect God. But this means all religions are equally valid and/or equally false. Hindus, Christians and animists are all equally human and thus equally right and wrong about the unknowable perfection of the "real" God. How could one group of humans have a better grasp of the infinite than another?
The same way that one group of humans could have a better grasp of science, or economics, or poker, or any other unsolved matter. To say that the unknowability of absolute truth renders all views equally valid is the silly end of relativism.
- Gerry Quinn
David Stockhoff: I agree. I don't see how an evolving deity could be anything but an evolving perception of that deity. Plainly, that has always fascinated Wolfe.
I agree about the fascination. And Wolfe's use of a first person narrator throughout the Sun Series ensures we understand that all we are hearing is filtered through human perception and writing.
Such a premise is based on an assumption. One assumption is atheistic: that there is no real God. God consists only of what human minds think about him. Before the first humans there was no God and he will disappear when there are no longer any humans around to think about him. Is Wolfe suggesting this scenario?
No.
1 quoted line
Another assumption is that there is a one true God who is perfect and choiceless and unchanging. As you suggest, any perceived changes or personification of such a God (including calling it "He") are false. They are simply projections of human imperfection on a perfect God. But this means all religions are equally valid and/or equally false. Hindus, Christians and animists are all equally human and thus equally right and wrong about the unknowable perfection of the "real" God. How could one group of humans have a better grasp of the infinite than another?
Yes.
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Well, I'm frustrated at the digression. What I'm saying is this: In Long/Short Sun we have a pantheon of false electronic gods who are shuffled like cards and replaced in new forms, becoming closer and perhaps a part of The Outsider in the process. In BotNS we have a pantheon of sea (and earth) gods who are similarly replaced. Was this shuffling important to The Increate/Outsider? Did it have an impact on Him? If not, why even tell the stories?
Because they have an impact on the characters.
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(my impression of The Increate from BotNS is that he might best be described AS a universal story, which is being played out). Ah never mind. I don't know what I'm saying.
I think what you may have run into here is that, while there is certainly /conflict, /there may or may not be /development /in the characters' perceptions of the true god. So to rephrase your question: why tell stories of gods revealing their changing "natures" to characters if the characters' idea of these gods does not change? Fair question. I think Silk's does, as has been discussed. Severian ... who knows. He's seen enough to blow several people's minds.
"The same way that one group of humans could have a better grasp of science, or economics, or poker,"
So, repeatable experiments and mathematical models? How are these applicable to the study of "the infinite", especially when by "the infinite" is meant, "the divine"?
"To say that the unknowability of absolute truth renders all views equally valid is the silly end of relativism."
Not really, if you add the qualification "equally valid on the topic of absolute truth".
12 quoted lines · 1–2 deep
On Tue, Mar 20, 2012 at 1:02 PM, Gerry Quinn <gerry at bindweed.com> wrote:
From: Lee Berman <severiansola at hotmail.com>
**
Another assumption is that there is a one true God who is perfect and choiceless and unchanging. As you suggest, any perceived changes or personification of such a God (including calling it "He") are false. They are simply projections of human imperfection on a perfect God. But this means all religions are equally valid and/or equally false. Hindus, Christians and animists are all equally human and thus equally right and wrong about the unknowable perfection of the "real" God. How could one group of humans have a better grasp of the infinite than another?
The same way that one group of humans could have a better grasp of
science, or economics, or poker, or any other unsolved matter. To say that the unknowability of absolute truth renders all views equally valid is the silly end of relativism.
- Gerry Quinn
_______________________________________________
From: Lee Berman <mailto:severiansola at hotmail.com>
> How could one group of humans have
> a better grasp of the infinite than another?
On 3/20/2012 12:07 PM, Antonin Scriabin wrote:
"To say that the unknowability of absolute truth renders all views equally valid is the silly end of relativism."
Not really, if you add the qualification "equally valid /on the topic of absolute truth/".
Unless The Divine is not a concept like Economics or Geography, but instead a Person like, for example, the Outsider who is not discovered or understood but instead reveals himself in finite ways to finite individuals as he chooses.
J.
In that case, the statement "The same way that one group of humans could have a better grasp of science, or economics, or poker," isn't true at all, because we don't advance in our understanding of these subjects by revelation.
"Third person omniscience" doesn't exist in real life; is it possible that Silk is delusional, and that his theophany was some combination of hallucination and wishful thinking? I think so. We are reading, after all, a sort of belated account written by Horn, right? What I am getting at is that there is no narrator that arbitrates experiences here on earth (religious or otherwise), and can tell outside observers (like Wolfe tells the reader in Long Sun) whether or not someone has experienced a revelation. That having been said, there is real justification for saying that one class of persons can have a better or more accurate idea of "the infinite" than any other, if the only evidence is based in revelation.
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On Tue, Mar 20, 2012 at 1:31 PM, James Wynn <crushtv at gmail.com> wrote:
From: Lee Berman <severiansola at hotmail.com>
How could one group of humans have
a better grasp of the infinite than another?
On 3/20/2012 12:07 PM, Antonin Scriabin wrote:
"To say that the unknowability of absolute truth renders all views equally valid is the silly end of relativism."
Not really, if you add the qualification "equally valid on the topic of absolute truth".
Unless The Divine is not a concept like Economics or Geography, but
instead a Person like, for example, the Outsider who is not discovered or understood but instead reveals himself in finite ways to finite individuals as he chooses.
J.
_______________________________________________
On Tue, Mar 20, 2012 at 1:02 PM, Gerry Quinn <gerry at bindweed.com> wrote:
"The same way that one group of humans could have a better grasp of science, or economics, or poker,"
So, repeatable experiments and mathematical models? How are these applicable
to the study of "the infinite", especially when by "the infinite" is meant, "the divine"?
I should have said “analogous ways”, I suppose. (Though perhaps repeatable experiments and mathematical models could provide insight in some ways.)
2 quoted lines · 1–2 deep
"To say that the unknowability of absolute truth renders all views equally valid is the silly end of relativism."
Not really, if you add the qualification "equally valid on the topic of absolute truth".
Actually we have a relevant observation from Wolfe: “Silk is a good man in a bad religion.” Plainly he thinks that there can be better or worse conceptions of the Divine, even if all are imperfect.
- Gerry Quinn
"Actually we have a relevant observation from Wolfe: “Silk is a good man in a bad religion.” Plainly he thinks that there can be better or worse conceptions of the Divine, even if all are imperfect."
This seems to me more of a statement about Silk than the Divine. Also, now I can think of is Oreb continually assuring all players in the story that Silk is a "good man!". [?]
26 quoted lines
On Tue, Mar 20, 2012 at 2:17 PM, Gerry Quinn <gerry at bindweed.com> wrote:
From: Antonin Scriabin <kierkegaurdian at gmail.com>
On Tue, Mar 20, 2012 at 1:02 PM, Gerry Quinn <gerry at bindweed.com> wrote:
>
"The same way that one group of humans could have a better grasp of science,
>
or economics, or poker,"
So, repeatable experiments and mathematical models? How are these applicable
>
to the study of "the infinite", especially when by "the infinite" is meant, "the divine"?
I should have said “analogous ways”, I suppose. (Though perhaps repeatable experiments and mathematical models could provide insight in some ways.)
"To say that the unknowability of absolute truth renders all views equally valid is
>
the silly end of relativism."
>
Not really, if you add the qualification "equally valid on the topic of absolute truth".
Actually we have a relevant observation from Wolfe: “Silk is a good man in a bad religion.” Plainly he thinks that there can be better or worse conceptions of the Divine, even if all are imperfect.
- Gerry Quinn
_______________________________________________
Still, if no one can tell good religions from bad, what else is there to say about the topic? Why write about it, as Lee asks?
44 quoted lines
On 3/20/2012 2:22 PM, Antonin Scriabin wrote:
"Actually we have a relevant observation from Wolfe: “Silk is a good man in a bad religion.” Plainly he thinks that there can be better or worse conceptions of the Divine, even if all are imperfect."
This seems to me more of a statement about Silk than the Divine. Also, now I can think of is Oreb continually assuring all players in the story that Silk is a "good man!".
On Tue, Mar 20, 2012 at 2:17 PM, Gerry Quinn <gerry at bindweed.com <mailto:gerry at bindweed.com>> wrote:
From: Antonin Scriabin <mailto:kierkegaurdian at gmail.com>
> On Tue, Mar 20, 2012 at 1:02 PM, Gerry Quinn <gerry at bindweed.com
<mailto:gerry at bindweed.com>> wrote:
>
> "The same way that one group of humans could have a better grasp
of science,
>
>
or economics, or poker,"
>
So, repeatable experiments and mathematical models? How are these
applicable
>
to the study of "the infinite", especially when by "the infinite"
is meant, "the divine"?
I should have said “analogous ways”, I suppose. (Though perhaps
repeatable experiments and mathematical models could provide
insight in some ways.)
>
>
"To say that the unknowability of absolute truth renders all views
equally valid is
>
>
the silly end of relativism."
>
Not really, if you add the qualification "equally valid /on the
topic of absolute truth/".
Actually we have a relevant observation from Wolfe: “Silk is a
good man in a bad religion.” Plainly he thinks that there can be
better or worse conceptions of the Divine, even if all are imperfect.
- Gerry Quinn
_______________________________________________
On Tue, Mar 20, 2012 at 2:17 PM, Gerry Quinn <gerry at bindweed.com> wrote:
"Actually we have a relevant observation from Wolfe: ?Silk is a
good man in a bad religion. Plainly he thinks that there can be better or worse conceptions of the Divine, even if all are imperfect."
This seems to me more of a statement about Silk than the Divine. Also, now I can think of is Oreb continually > assuring all players in the story that Silk is a "good man!".
It’s mostly about Silk. But my point was: how can there be a bad religion, if all religions are equally valid?
- Gerry Quinn
"Actually we have a relevant observation from Wolfe: ?Silk is a good man in a bad religion. — Plainly he thinks that there can be better or worse conceptions of the Divine, even if all are imperfect."
This seems to me more of a statement about Silk than the Divine. Also, now I can think of is Oreb continually assuring all players in the story that Silk is a "good man!".
You seem to miss Gerry's point, which is that it's also a statement about religions, that there can be good ones and bad ones.
"But my point was: how can there be a bad religion, if all religions are equally valid?"
I think asking that question of the world of the Long Sun is very different than asking it of our world. The statement about all religions being equally valid was saying they are all equally insufficient when it comes to their knowledge of the Infinite, if the only tool on hand is revelation. I might have misunderstood Lee initially, but I think he was saying that they were all equally unable to claim knowledge of absolute truth, not that they were all valid and true (which would, of course, result in a ton of contradictions). We also don't know if by using the word "bad" Wolfe was speaking of "truth" at all; it could be a purely sociological usage. (Of course, the context is probably important ... anyone have a link to the interview?) Clearly the religion of Viron was "bad" for the citizens of that city in that it involved dealing with a megalomaniac tyrant trapped in a computer, who would have harmed a great number of people if his wishes weren't met. Silk is concerned with the theological accuracy of his religion, of course, but that doesn't mean that there must be a "true" religion in the universe of the Whorl.
7 quoted lines · 1–3 deep
On Tue, Mar 20, 2012 at 2:31 PM, Dan'l Danehy-Oakes <danldo at gmail.com>wrote: Antonin Scriabin wrote: ...quoting Gerry...
"Actually we have a relevant observation from Wolfe: ?Silk is a good man in a bad religion. Plainly he thinks that there can be better or worse conceptions of the Divine, even if all are imperfect."
This seems to me more of a statement about Silk than the Divine. Also, now I can think of is Oreb continually assuring all players in the story that Silk is a "good man!".
You seem to miss Gerry's point, which is that it's also a statement about religions, that there can be good ones and bad ones.
--
Dan'l Danehy-Oakes
_______________________________________________
David Stockhoff: So to rephrase your question: why tell stories of gods revealing their changing "natures" to characters if the characters' idea of these gods does not change? Fair question. I think Silk's does, as has been discussed. Severian ... who knows. He's seen enough to blow several people's minds.
Thanks, I appreciate the rephrasing. It can help sometimes. Yes, surely Severian, Silk and Horn have undergone massive personal, spiritual changes during the course of the story. But is Wolfe saying that any differences in perception of God are purely due to differences in the perceiver?
This is a very static, impersonal view of God. And given Wolfe's extreme interest in pagan mythology, I gather there is a part of him that needs more dynamism and personality in a deity, at least when he writes about it. A perfect, unchanging god who cannot and does not change and respond as people change seems extremely boring. Hardly worth writing about.
Let's say a person changes. Is it possible that God can do a Tzadkiel and pinch off a piece of Himself and that piece can relate to that changed person in a new way, while retaining the integrity and changeless perfection of the whole? This almost sounds like what James was suggesting in his discussion with Antonin. Since I am not religious and have never had a personal encounter with God I must rely on the reported experience of those who have.
1 quoted line
James Wynn: Unless The Divine is not a concept like Economics or Geography, but instead a Person like, for example, the Outsider who is not discovered or understood but instead reveals himself in finite ways to finite individuals as he chooses.
I think this ties into my perception of an evolving God. In the early days
(of Judeo-Christianity, who knows what God was doing before that), Yaweh was a God only to the Hebrews. A god revealing him/herself only to selected, special people seems so pagan. My impression is that Paul opened the door of God and Christ to everyone. No longer does God reveal Himself only to a few selected Hebrew guys but He is available to all who look for him.
1 quoted line
"Ask and it will be given to you; seek and you will find; knock and the door will be opened to you." Matthew 7:7
Yes?
2 quoted lines · 1–2 deep
How could one group of humans have a better grasp of the infinite than another?
Gerry Quinn: The same way that one group of humans could have a better grasp of science, or economics, or poker, or any other unsolved matter.
This demonstrates an interesting world view. religion, science, money and social games are all activities which are performed for the purpose of determining personal superiority. Knowing more, making more money, beating others and worshipping the best god is what life is all about. I have known a number of people who take this view. An interesting group...
1 quoted line
To say that the unknowability of absolute truth renders all views equally valid is the silly end of relativism.
And what is the opposite of relativism? Absolutism? What is the silly end of that? Do we find it on display in this forum?
On 3/20/2012 12:42 PM, Antonin Scriabin wrote:
In that case, the statement "The same way that one group of humans could have a better grasp of science, or economics, or poker," isn't true at all, because we don't advance in our understanding of these subjects by revelation.
"Third person omniscience" doesn't exist in real life; is it possible that Silk is delusional, and that his theophany was some combination of hallucination and wishful thinking? I think so. We are reading, after all, a sort of belated account written by Horn, right? What I am getting at is that there is no narrator that arbitrates experiences here on earth (religious or otherwise), and can tell outside observers (like Wolfe tells the reader in /Long Sun/) whether or not someone has experienced a revelation.
So you agree with Crane. Actually, Crane could be right about the brain aneurism and yet Silk's experiences with the Outsider could still be 100% valid. Remember that Latro's ability as a bridge between the divine and the mundane is precipitated by a wound to the head. Someone tells him that his wound is actually a curse-blessing from Demeter. I'm saying that perhaps a physical change in Silk's brain is exactly how the Outsider opened him up to communicate with him. Crane sees it as damage, but the Outsider understands it as a modification.
Again, in the Latro books, Io compares (I believe) the gods to characters in a play. The actors are all wearing masks but the characters in the play (the gods) are not aware of it. Even so, the Whorl gods are not aware that by their presumption, they have become a mask for the Outsider. I think this is a similar theme presented in "A Toy Theater" in people go to see a puppet show but it turns out that THEY are in the show...the puppeteer and the audience and the narrator are all puppets.
That said, the implication in all this is that Wolfe the author believes there IS an actor behind the mask, a puppeteer pulling the strings, an Outsider subsuming the powers of the Whorl.
J.
How could one group of humans have a better grasp of the infinite than another?
Gerry Quinn: The same way that one group of humans could have a better grasp of science, or economics, or poker, or any other unsolved matter.
This demonstrates an interesting world view. religion, science, money and social games are all activities which are performed for the purpose of determining personal superiority. Knowing more, making more money, beating others and worshipping the best god is what life is all about. I have known a number of people who take this view. An interesting group...
There is no need for me to dwell on the inanity of drawing the above conclusion about my supposed world view from my observation that some people have a better grasp of some things than others do.
- Gerry Quinn
Antonin Scriabin: I might have misunderstood Lee initially, but I think he was saying that they were all equally unable to claim knowledge of absolute truth, not that they were all valid and true.
You got me right, Antonin. I think the misunderstanding came from Gerry, perhaps due to a certain anti-relativist position he may share with many Americans of my acquaintance. Within this ideology, moral relativism is confused with immorality or amorality and denounced.
For Gerry, it might be intellectual relativism which really bothers him.
He may not be a Christian but I think he believes that for every question there is a true and correct answer waiting to be found which does not depend on the point of view of the questioner. Kinda like math. I am interested to know if Gerry agrees.
1 quoted line
Dan'l Dannehy-Oakes: You seem to miss Gerry's point, which is that it's also a statement about religions, that there can be good ones and bad ones.
Ah, now I think we are getting somewhere. Wolfe does seem to think there are good religions and bad ones. In intervews he says the pagan gods were real but undeserving of the worship they received.
But he never says why. Nor do I think you could get a straight answer from
Wolfe if you asked him what makes a religion bad or good. I think this is directly rooted in his Christianity. You see it in Tolkein and Lewis also. Probably due to its judaic roots, I think there is an inherent assumption of superiority in Christianity. (in contrast say, to Hindu-Buddhism with acknowledgement of 10,000 names and paths to God)
I started a thread once called "What's So Great About Ushas" and I'm not sure the question ever really was answered. My answer is that Ushas is better than Urth because it is closer to Christianity. Worship of The Outsider is better than worship of Pas and his family because it is closer to Christianity.
I don't think any other firm explanations are offered and, to a Judeo-Christian audience, none are needed.
Ah, now I think we are getting somewhere. Wolfe does seem to think there are good religions and bad ones. In intervews he says the pagan gods were real but undeserving of the worship they received.
But he never says why.
I think that, to a Christian point of view, the answer is clear: because they, like us, are created beings, and therefore not inherenly worth more than we. (Look at the root of "worship:" worth-scipe, worth of renown.)
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?Nor do I think you could get a straight answer from
Wolfe if you asked him what makes a religion bad or good. I think this is directly rooted in his Christianity.
While I agree with the latter statement, I'm not sure about the former. If he refused to give a straight answer, it would be more due to his general canniness than to anything about that particular question.
2 quoted lines
You see it in Tolkein and Lewis also. Probably due to
its judaic roots, I think there is an inherent assumption of superiority in Christianity. (in contrast say, to Hindu-Buddhism with acknowledgement of 10,000 names and paths to God)
Heh. A friend of mine was a missionary (of a church far more evangelical than I'm comfortable with) in India, and said that when you tell an educated Hindu "Jesus is God," they shrug and say, "Yes, and who isn't?"
On 3/20/2012 2:35 PM, Lee Berman wrote:
I started a thread once called "What's So Great About Ushas" and I'm not sure the question ever really was answered. My answer is that Ushas is better than Urth because it is closer to Christianity. Worship of The Outsider is better than worship of Pas and his family because it is closer to Christianity.
I don't want to tread ground that has already been trod, but it seems to
me that this conflates two things that are connected only at different levels. Ushas is better from the position of the Heirogrammates because it sets humanity on the course to producing the Heiros. No Ushas, no Heiros.
Presumaby, it is better from the position of the Pancreator for some larger plan. In either case, one might as well ask the surgeon "What is so great about a man losing his legs?" or ask an architect "What is so great all those trees being mowed down to lay a foundation?"
As for Outsider worship versus Christianity, I think you are confusing (from Wolfe's perspective and that of most Christians) the form of worship rather than it's true object. Outsider worship is better just as Christianity is better because they are both worship of the True God rather than Whorl daemons. The Outsider IS the God of the Bible. This is communicated in the Outsider's direct association with the god of Jesus in the Chrasmological Writings and implied in Quetzal's remark about "A-lah" in his retelling of the Adam & Eve story. "We seem to have lost track of A-lah." Now Marc Aramini and Antony Scriabin suspect that the Outsider Silk communicates with is not the true Outsider of the Writings. That's another issue.
J.
Gerry Quinn: There is no need for me to dwell on the inanity of drawing the above conclusion about my supposed world view from my observation that some people have a better grasp of some things than others do.
Sorry Gerry, I didn't mean to offend you. You have to admit that your choice of listing Knowledge of God, Science, Economics and card playing was an interesting collection of activities in a discussion of ranking people's knowledge against others.
You seem like a very competitive guy in your dialogue here. You once compared yourself to the scorpion who stings the frog giving him a ride across the river. I took this to mean you took pride in your competitive, combative nature. I didn't know mentioning it would offend you. Apologies again. Many times I have praised your contributions to this board and I still do so.
Okay. Let's see what I can add to what Marc posted:
This initial ceremonies were instituted in a house that --as Wolfe remarked-- appeared to be the sort of place that you have to use a password just to enter. The performance hall was built around a giant Wurlitzer that could be automatically sunk entirely into the stage floor. The pipes and brass horns surrounded us on all sides. Also it was filled with amazing giant mechanical player organs for the turn of the century (the last one). There was a player bango I saw there too. The house architecture was of the sort that you would expect someone from each event held there would disappear and forced to eternally serve as staff.
This house was filled with surely every early model of gramophone and other recorded player ever produced prior to 1920. Also lots of art deco furniture, figurines, and stained glass. Also
Gary K. Wolfe gave the first speech. Gene Wolfe later noted that Gary usually points out that he and Gene are not brothers or even related to which Gene always responds "I'm telling Ma!" Michael Swanwick gave a speech. The Gaiman gave the award, offering a speech that drew a lot from him Guardian article from Wolfe's birthday last year.
Marc's summary of Wolfe's speech is accurate but I'll give more detail to something he mentioned. He took questions after his speech. Someone shouted out (humorously) was "Where do you get your ideas!" This led Wolfe to answer another common question he gets" "Why do you write?" The answer to this was "So I don't have to explain why I'm not working." And then he told a story about the sale of "Car Sinister" (collected in "Book of Days"/"Castle of Days"). He would do all his writing in the early morning before the distractions of work and kids. In 1969?, they needed money to buy school clothes for their four children, but they didn't really have it. Then he sold the story for $80 (which went a lot further then than it does now). He cashed the check and gave Rosemary four 20s explaining that it was all the money he got from the sale of the story and she now had $20 for each kid. So not long afterwards he's doing so manual repair work around the house and Rosemary came up to him and said "Shouldn't you be writing?"
Then there was the terrific adaptation of "A Toy Theater" (adapted by /Larry Santoro/). And I think, having seen it, everyone should now agree with me that not only is Stromboli a puppet, but so is the narrator and everyone else. Wolfe is the sole puppeteer. They worked in "Coin Operated Boy" by Amanda Palmer (Neil Gaiman's wife) of "The Dresden Dolls". The actors were tremendous singers as well. The play was accompanied by the Wurlitzer.
After the play, we had the Wurlitzer performance, in which he also did another rendition of "Coin Operated Boy" which leads me to believe that Wolfe has an especial affection for this song right now, since I know that the organist had asked his family for a favorite song of Gene's that he could perform. It was the only song that appeared to be not part of his usual repertoire.
Then we proceeded to the building where we ate. This was essentially a barn containing more giant music players. Also, a huge turn of the century circus carrousel. The walls were festooned with vintage movie posters and side show posters. In another room, they had aisle upon aisle of early steam engines. The whole thing was a steam punk dream.
I sat with Marc and Patrick O'Leary and also Jill Thompson the illustrator. I wish I had googled her at the table because I discovered afterwards that I was a huge fan of hers. I have the entire 80s Elementals series, and the Dead Boy Detective series, and Black Orchid. And of course of have the "Fables and Reflections" Sandman volume (Wolfe wrote the introduction). Instead, of a friendly conversation with her, I could have had an amazing conversation with her.
Peter Sagal of NPR's "Wait Wait Don't Tell Me" was the master of ceremonies. When I heard this was the case, I thought "Eh...big name and local to Chicago but...." However, it turns out he's a huge SF literature fan. He's one of us. It was totally appropriate. He boosted the "John Carter" movie which made Mantis quite happy because he would ask everyone he met if they saw it and what they thought of it. Mantis is huge Burroughs fan and he was not looking forward to this adaption. He was quite happily surprised. However, he had not noted all the Burroughs references in "The Long Sun/Short Sun" so I was glad to be the first to point them out to him.
Incidentally, Mantis is about to release a Lexicon Urthus-style book on "The Long Sun" and "The Short Sun."
David Hartwell gave a speech in which he described why Wolfe is so difficult to edit. He would try to do due diligence as an editor and would say things like "I don't think it's clear why such-and-such." To which Wolfe responds, "Well, you must have only skimmed the book." So Hartwell always reads every manuscript twice before making editing suggestions.
This lead Patrick O'Leary to recount how Hartwell has once noted that Wolfe had used the exact same word to describe the color of separate women's aureolas. Wolfe's initial response was "But they ARE the same color." But he then conceded that it was a mistake. And, of course, if that had got through, I WOULD be convinced that despite all reason, that WAS the same woman or at least the same breast.
By, the way, Hartwell's anthologies are absolutely the best IMO. Not just "The Years Best" series. I mean the ones where he gets to pick from all eras to compile stories based on a them. I strongly recommend the two "Masterpieces" books. But he has others that you can almost fill a shelf with and that's exactly what you should do.
After we ate, we all had to ride the huge vintage carrousel. I was a little worried that I would get off as child or an (even) old(er) man. Aside for horses, it also spinner seats (like the tea cups at Disneyland). And it also had carriages which we assumed was for grandmothers to be able to ride with their kids---until the ride started and we discovered that the carriages teeter wildly left and right through the entire ride. It was probably the most harrowing choice of all.
It was a disappointment that Rosemary couldn't be there this time due to health reasons. I think this is the first event I've been to with Wolfe in which she wasn't there. She is a really sweet person who is obviously crazy about Gene.
It was great to meet Marc face-to-face after all these years. And Nick and Jensen. It was great to see Mantis and Gene's daughter Teri again. I missed all the the people who couldn't make it. By the way, Teri is now working with Cheeky Frawg books (http://www.cheekyfrawg.com/about.html) which seems devoted to bringing under-recognized literature to e-book format. Check it out.
J.
On 3/18/2012 7:13 AM, Marc Aramini wrote:
I am at the hotel in Chicago now getting everything ready for my
flight back to Vegas, and I noticed a little computer in the lobby
(my phone is low tech - for calling) so I figured I would give a
brief summary of events. I will expand more later after I arrive home.
AWESOME event. Valya and the coordinators did a wonderful job getting together a very interesting and entertaining evening. The atmosphere and weather were wonderful, and the estate was amazing, with the highlight (of the facility) being an 8000 pipe organ that was masterfully played by their organist, from coin operated boy to Star Wars. The Toy Theater story adaptation was perfect for the setting, and as James Wynn commented, the estate was a steampunk's dream come true, probably the best way to describe it.
I got to meet James Wynn, Michael Andre-Druissi, Nick Lee and his date, and Jensen and his wife from the list (if they don't all post actively, they have at least frequented it). I have probably mispelled the even names. I have to admit that a priori in my mind I harbored the idea that we must be somewhat nerdy, but we are actually a pretty sharp bunch even when it comes to appearance. I had never gone to a con or anything before, and this was well worth it. It was a much more handsome and dignified group than I expected from the Urth list, both women and men. I enjoyed speaking with all of them.
Craig, I didn't see your email before I drove up to Vegas and have not had access to a computer until now, I apologize. The personal stories related by Neil Gaiman and Lawrence (was it Sarrantonio?) the guy who adapted the Toy Theater were profound and touching. Michael Swanwick had some great things to say as well, as did David Hartwell. Patrick O'Leary and his wife were sitting at my dinner table with James Wynn, and they were also great.
I will try to get some photos online Monday; I still have to fly back.
Gene's acceptance speech was hilarious and touching. It went into the reason for his style (four kids and a wife hollering if he wanted bacon while he was trying to write in a small place), his reasons for writing (easier than repairing stuff around the house), and said he wanted to make sure to personally insult every friend who came. He is a wonderful speaker, and there is a sharpness and energy to him that makes the years fade when he starts to talk.
I will post more later, but it was a truly great evening and one of the highlights of my life. Gene has always been a kind and brilliant man, and he still is. I really enjoyed getting the chance to meet everyone there. I will post more later. Some pics to come!
_______________________________________________
Antonin Scriabin: I might have misunderstood Lee initially, but I think he was saying that they were all equally unable to claim knowledge of absolute truth, not that they were all valid and true.
You got me right, Antonin. I think the misunderstanding came from Gerry, perhaps due to a certain anti-relativist position he may share with many Americans of my acquaintance. Within this ideology, moral relativism is confused with immorality or amorality and denounced.
What I objected to was your assertion that “this means all religions are equally valid and/or equally false.” If you meant something different from what this says, the misunderstanding is not mine.
As for relativism, I spoke of the “silly end” of it, which should suggest that I do not find the concept of relativism silly in its entirety. This applies not only to moral relativism, but to the cultural relativism that is relevant here.
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For Gerry, it might be intellectual relativism which really bothers him.
He may not be a Christian but I think he believes that for every question there is a true and correct answer waiting to be found which does not depend on the point of view of the questioner. Kinda like math. I am interested to know if Gerry agrees.
I don’t think that that applies to all questions. One could invoke paradoxes by asking questions which pertained in part to the point of view of the questioner. One could consider questions about what someone ought to do. And one could point to surprising observations such as the absence of counterfactual definiteness in quantum theory.
But in general, I do think that most well-formed questions have correct answers.
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I started a thread once called "What's So Great About Ushas" and I'm not sure the question ever really was answered. My answer is that Ushas is better than Urth because it is closer to Christianity. Worship of The Outsider is better than worship of Pas and his family because it is closer to Christianity.
Ushas is better than Urth because Urth is a moribund planet that will be dead in a few chiliads.
Worship of the Outsider is better than worship of Pas because it is closer to the truth.
- Gerry Quinn
Gerry Quinn: There is no need for me to dwell on the inanity of drawing the above conclusion about my supposed world view from my observation that some people have a better grasp of some things than others do.
Sorry Gerry, I didn't mean to offend you. You have to admit that your choice of listing Knowledge of God, Science, Economics and card playing was an interesting collection of activities in a discussion of ranking people's knowledge against others.
The examples I picked were merely a more or less random though deliberately disparate group of fields in which it is generally agreed that we have some knowledge, but far from perfect knowledge.
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You seem like a very competitive guy in your dialogue here. You once compared
yourself to the scorpion who stings the frog giving him a ride across the river. I took this to mean you took pride in your competitive, combative nature. I didn't know mentioning it would offend you. Apologies again. Many times I have praised your contributions to this board and I still do so.
As I think you well know, I was not referring to myself when I alluded to the scorpion.
- Gerry Quinn
More stuff as I remember it:
At our table, Patrick O'Leary openly speculated at our table that
perhaps Wolfe was influenced to use the name Palatine Hill in "Long Sun" by the township Palatine nearby to Barrington Hills (Wolfe's town). Settling on the question, he got up from our table to ask. Mantis was at Wolfe's table at the time and reported the exchange. Wolfe responded, "Well, there was also the Roman hill called Palatine where the Roman ruling class lived. I suppose it is likely the town was named after that..."
I only mention this, not to advertise that O'Leary's inquiry was deemed unfounded by Wolfe, but to not that he had the balls to do something I never have. Also, it made it clear that he considered Wolfe's writings and word choices the same way I do. He was one of mine.
O'Leary asserted he had read the full New Sun saga a dozen times. He claimed that the entire story is summarized in the opening pages. That he even got some of the "Short Sun" in there. If I had had a copy of "Shadow" with me, I would have had him break it down.
J.
Okay. Let's see what I can add to what Marc posted:
This initial ceremonies were instituted in a house that --as Wolfe remarked-- appeared to be the sort of place that you have to use a password just to enter. The performance hall was built around a giant Wurlitzer that could be automatically sunk entirely into the stage floor. The pipes and brass horns surrounded us on all sides. Also it was filled with amazing giant mechanical player organs for the turn of the century (the last one). There was a player bango I saw there too. The house architecture was of the sort that you would expect someone from each event held there would disappear and forced to eternally serve as staff.
This house was filled with surely every early model of gramophone and other recorded player ever produced prior to 1920. Also lots of art deco furniture, figurines, and stained glass. Also
Gary K. Wolfe gave the first speech. Gene Wolfe later noted that Gary usually points out that he and Gene are not brothers or even related to which Gene always responds "I'm telling Ma!" Michael Swanwick gave a speech. The Gaiman gave the award, offering a speech that drew a lot from him Guardian article from Wolfe's birthday last year.
Marc's summary of Wolfe's speech is accurate but I'll give more detail to something he mentioned. He took questions after his speech. Someone shouted out (humorously) was "Where do you get your ideas!" This led Wolfe to answer another common question he gets" "Why do you write?" The answer to this was "So I don't have to explain why I'm not working." And then he told a story about the sale of "Car Sinister" (collected in "Book of Days"/"Castle of Days"). He would do all his writing in the early morning before the distractions of work and kids. In 1969?, they needed money to buy school clothes for their four children, but they didn't really have it. Then he sold the story for $80 (which went a lot further then than it does now). He cashed the check and gave Rosemary four 20s explaining that it was all the money he got from the sale of the story and she now had $20 for each kid. So not long afterwards he's doing so manual repair work around the house and Rosemary came up to him and said "Shouldn't you be writing?"
Then there was the terrific adaptation of "A Toy Theater" (adapted by /Larry Santoro/). And I think, having seen it, everyone should now agree with me that not only is Stromboli a puppet, but so is the narrator and everyone else. Wolfe is the sole puppeteer. They worked in "Coin Operated Boy" by Amanda Palmer (Neil Gaiman's wife) of "The Dresden Dolls". The actors were tremendous singers as well. The play was accompanied by the Wurlitzer.
After the play, we had the Wurlitzer performance, in which he also did another rendition of "Coin Operated Boy" which leads me to believe that Wolfe has an especial affection for this song right now, since I know that the organist had asked his family for a favorite song of Gene's that he could perform. It was the only song that appeared to be not part of his usual repertoire.
Then we proceeded to the building where we ate. This was essentially a barn containing more giant music players. Also, a huge turn of the century circus carrousel. The walls were festooned with vintage movie posters and side show posters. In another room, they had aisle upon aisle of early steam engines. The whole thing was a steam punk dream.
I sat with Marc and Patrick O'Leary and also Jill Thompson the illustrator. I wish I had googled her at the table because I discovered afterwards that I was a huge fan of hers. I have the entire 80s Elementals series, and the Dead Boy Detective series, and Black Orchid. And of course of have the "Fables and Reflections" Sandman volume (Wolfe wrote the introduction). Instead, of a friendly conversation with her, I could have had an amazing conversation with her.
Peter Sagal of NPR's "Wait Wait Don't Tell Me" was the master of ceremonies. When I heard this was the case, I thought "Eh...big name and local to Chicago but...." However, it turns out he's a huge SF literature fan. He's one of us. It was totally appropriate. He boosted the "John Carter" movie which made Mantis quite happy because he would ask everyone he met if they saw it and what they thought of it. Mantis is huge Burroughs fan and he was not looking forward to this adaption. He was quite happily surprised. However, he had not noted all the Burroughs references in "The Long Sun/Short Sun" so I was glad to be the first to point them out to him.
Incidentally, Mantis is about to release a Lexicon Urthus-style book on "The Long Sun" and "The Short Sun."
David Hartwell gave a speech in which he described why Wolfe is so difficult to edit. He would try to do due diligence as an editor and would say things like "I don't think it's clear why such-and-such." To which Wolfe responds, "Well, you must have only skimmed the book." So Hartwell always reads every manuscript twice before making editing suggestions.
This lead Patrick O'Leary to recount how Hartwell has once noted that Wolfe had used the exact same word to describe the color of separate women's aureolas. Wolfe's initial response was "But they ARE the same color." But he then conceded that it was a mistake. And, of course, if that had got through, I WOULD be convinced that despite all reason, that WAS the same woman or at least the same breast.
By, the way, Hartwell's anthologies are absolutely the best IMO. Not just "The Years Best" series. I mean the ones where he gets to pick from all eras to compile stories based on a them. I strongly recommend the two "Masterpieces" books. But he has others that you can almost fill a shelf with and that's exactly what you should do.
After we ate, we all had to ride the huge vintage carrousel. I was a little worried that I would get off as child or an (even) old(er) man. Aside for horses, it also spinner seats (like the tea cups at Disneyland). And it also had carriages which we assumed was for grandmothers to be able to ride with their kids---until the ride started and we discovered that the carriages teeter wildly left and right through the entire ride. It was probably the most harrowing choice of all.
It was a disappointment that Rosemary couldn't be there this time due to health reasons. I think this is the first event I've been to with Wolfe in which she wasn't there. She is a really sweet person who is obviously crazy about Gene.
It was great to meet Marc face-to-face after all these years. And Nick and Jensen. It was great to see Mantis and Gene's daughter Teri again. I missed all the the people who couldn't make it. By the way, Teri is now working with Cheeky Frawg books (http://www.cheekyfrawg.com/about.html) which seems devoted to bringing under-recognized literature to e-book format. Check it out.
J.
On 3/18/2012 7:13 AM, Marc Aramini wrote:
I am at the hotel in Chicago now getting everything ready for my flight back to Vegas, and I noticed a little computer in the lobby (my phone is low tech - for calling) so I figured I would give a brief summary of events. I will expand more later after I arrive home.
AWESOME event. Valya and the coordinators did a wonderful job getting together a very interesting and entertaining evening. The atmosphere and weather were wonderful, and the estate was amazing, with the highlight (of the facility) being an 8000 pipe organ that was masterfully played by their organist, from coin operated boy to Star Wars. The Toy Theater story adaptation was perfect for the setting, and as James Wynn commented, the estate was a steampunk's dream come true, probably the best way to describe it.
I got to meet James Wynn, Michael Andre-Druissi, Nick Lee and his date, and Jensen and his wife from the list (if they don't all post actively, they have at least frequented it). I have probably mispelled the even names. I have to admit that a priori in my mind I harbored the idea that we must be somewhat nerdy, but we are actually a pretty sharp bunch even when it comes to appearance. I had never gone to a con or anything before, and this was well worth it. It was a much more handsome and dignified group than I expected from the Urth list, both women and men. I enjoyed speaking with all of them.
Craig, I didn't see your email before I drove up to Vegas and have not had access to a computer until now, I apologize. The personal stories related by Neil Gaiman and Lawrence (was it Sarrantonio?) the guy who adapted the Toy Theater were profound and touching. Michael Swanwick had some great things to say as well, as did David Hartwell. Patrick O'Leary and his wife were sitting at my dinner table with James Wynn, and they were also great.
I will try to get some photos online Monday; I still have to fly back.
Gene's acceptance speech was hilarious and touching. It went into the reason for his style (four kids and a wife hollering if he wanted bacon while he was trying to write in a small place), his reasons for writing (easier than repairing stuff around the house), and said he wanted to make sure to personally insult every friend who came. He is a wonderful speaker, and there is a sharpness and energy to him that makes the years fade when he starts to talk.
I will post more later, but it was a truly great evening and one of the highlights of my life. Gene has always been a kind and brilliant man, and he still is. I really enjoyed getting the chance to meet everyone there. I will post more later. Some pics to come!
_______________________________________________
James Wynn: Ushas is better from the position of the Heirogrammates because it sets humanity on the course to producing the Heiros. No Ushas, no Heiros. Presumaby, it is better from the position of the Pancreator for some larger plan. In either case, one might as well ask the surgeon "What is so great about a man losing his legs?"....
Outsider worship is better just as Christianity is better because they are both worship of the True God rather than Whorl daemons. The Outsider IS the God of the Bible.
Gerry Quinn: Worship of the Outsider is better than worship of Pas because it is closer to the truth.
First of all, nice overall post, James.
My point about Christianity remains implicit in your answer (and Gerry's). We
don't question the surgical removal of legs because of an implicit assumption
that the upper body is more important than the lower; that life is more valuable than death. Such things seem so obvious as to be above discussion perhaps. But your answer suggests that the superiority of Hiero life to human life is equivalent to the superiority of head and heart over legs. Likewise, the way and the truth of Christianity is implicitly favored over other religions without the need for justification.
The assumption of inherent superiority of Christianity is in Wolfe's work
as much as in your answer. We might seem some passing mention of the ickiness and cruelty of other religions but it is unnecessary. In fact, you don't mention it, which is probably good as it might invite the argument over ickiness and cruelty which can be found in Judeo-Christianity. As Gerry says, Christians feel they are superior because they know the truth.
In contrast, as Dan'l's post illustrates, a Hindu might say that Pas worship can
be just as legitimate a path to the Truth as Outsider worship, as Dionysus worship, as Oannes/Abaia worship, as The Mother worship etc. It is a different basic assumption and it gives Asian art forms a different flavor than Western forms, in my experience.
I'm just saying I think it is important to openly acknowledge the Christian belief in One Truth Only, for a full understanding of Wolfe's work, especially if he is considered to be a Christian writer.
Lee Berman wrote:
Likewise, the way and the truth of
Christianity is implicitly favored over other religions without the need for justification.
Correct. Wolfe is not writing apologetics; he is writing fantasy/sf in which the truth is, repeatedly and by different devices, hidden, and its revelation is salvific.
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The assumption of inherent superiority of Christianity is in Wolfe's work as much as in your answer. We might seem some passing mention of the ickiness and cruelty of other religions but it is unnecessary. In fact, you don't mention it, which is probably good as it might invite the argument over ickiness and cruelty which can be found in Judeo-Christianity.
I would go so far as to say that there is less ickiness and cruelty in Christianity than in most other religions (I might except Zen Buddhism)
-- incluiding Marxism, which is a religion screaming that it isn't.
The fact that we in the Western World do not take slavery, the murder
and rape of peasants by nobles, and so on as just "the way things are"
is due to the civilizing influence of Christianity. It may turn out in the end that this influence has made us weak and that certain other religious traditions, which do not have this weakness, may conquer in the end. I don't know. But I like a Christianized world much better than any other.
Wolfe's worlds where the truth is hidden are generally brutal, unpleasant places to live. I certainly wouldn't want to live in the Commonwealth, or on the Whorl, or in Mythgarthr.
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I'm just saying I think it is important to openly acknowledge the Christian belief in One Truth Only, for a full understanding of Wolfe's work, especially if he is considered to be a Christian writer.
As Gerry says, Christians feel they are superior because they know the truth.
I have never said anything of the sort. Please stop putting words in my mouth.
Possibly you would be more comfortable with the following statement (as a Christian I certainly am):
Many Christians feel that their religion is superior because it is [or is closest to] the truth.
On 3/20/2012 5:40 PM, Dan'l Danehy-Oakes wrote:
Gerry Quinn wrote:
From: Lee Berman
As Gerry says, Christians feel they are superior because they know the truth. I have never said anything of the sort. Please stop putting words in my mouth.
Possibly you would be more comfortable with the following statement (as a Christian I certainly am):
Many Christians feel that their religion is superior because it is [or is closest to] the truth.
Or, perhaps,
Many Christians feel that their religion is superior because/they think/ it is [or is closest to] the truth.
Which only makes sense, because the only other reasons to stick to any religion are habit and ignorance, or force.
However, most people can be expected to understand their religion best; therefore, that religion and its heuristics (if any) may in fact the best approach to truth for them, in the same way that a hoplite should probably not take up the longbow. To each workman, his own tools.
On 3/20/2012 4:04 PM, Lee Berman wrote:
My point about Christianity remains implicit in your answer (and Gerry's). We
don't question the surgical removal of legs because of an implicit assumption
that the upper body is more important than the lower; that life is more valuable than death. Such things seem so obvious as to be above discussion perhaps. But your answer suggests that the superiority of Hiero life to human life is equivalent to the superiority of head and heart over legs.
Well, to the Heirogrammates, the existence of the Heiros (not any specific Heiros so far as we know) are more important than the continued lives of the specific Urthlings at the time of deluge and of the existence their descendents. Remember that from the perspective of the Heirogrammates, anything they do or do not do makes them culpable for lives destroyed. They KNOW what might have been.
There is a mostly unstated axiom of Judeo-Christianity that is shared and explicitly stated in Stoicism: "The world as it is, the the best of all possible worlds." Right now you are perhaps suffering. In 1944, injustice was law in Germany. God is omnipotent and could have acted to stop it, just as he stopped the Assyrians from destroying Jerusalem and (by implication) stopped the Persian emperor from wiping out the Jews in the book of Esther. But God is benevolent and sees the whole picture and has chosen the way things are. He doesn't justify himself to humanity. That's the moral of God's speech to Job: "You want an explanation for why, you, an objectively super-moral man, is has been tormented? When you've seen what I've seen, come back and I'll explain my decisions."
2 quoted lines
Likewise, the way and the truth of
Christianity is implicitly favored over other religions without the need for justification.
That's right.
Act 17:29-30 Being God's offspring, then, we shouldn't think that the divine nature is like gold or silver or stone, an image fashioned by human art and imagination. Having overlooked this behavior during the Times of Ignorance, God now commands all people everywhere to repent. ~ Paul preaching in Athens
2 quoted lines
As Gerry says, Christians
feel they are superior because they know the truth.
Christians view the gospel message as the only suitable one because they believe Jesus Christ is God's personal revelation. I can't think of a doctrine of any sect that teaches this makes Christians themselves superior (although Christians have many times acted as though it does). I think it is in Ephesians that Paul says even the will to repent and believe the gospel is a divine act of God.
1 quoted line
I'm just saying I think it is important to openly acknowledge the Christian belief in One Truth Only, for a full understanding of Wolfe's work, especially if he is considered to be a Christian writer.
--- On Mon, 3/19/12, Daniel Petersen <danielottojackpetersen at gmail.com> wrote:
From: Daniel Petersen <danielottojackpetersen at gmail.com>
Subject: Re: (urth) summer project idea
To: "The Urth Mailing List" <urth at lists.urth.net>
Date: Monday, March 19, 2012, 4:22 PM
Are you going to include the three novelettes that make up Fifth Head of Cerberus as instances of short stories, or just leave them to one side as a one unified piece? ?Just curious...
-DOJP
Since Fifth Head has been discussed a lot, I feel I should probably treat it as one piece and perhaps tackle it after the other fiction, if at all. I will let you know ...
Lee:
I mean the God of the OT recognizes the existence of rival gods, Jerry Friedman wrote:
In the early books, but not the later ones.
It never occurred to me that in the early books of Bible God is ever depicted as actually feeling to be in competition with actual rivals (as opposed to /effective/ competition for the affections of his worshipers). While the early books seem to assume that His worshipers DO believe in rival gods, the upshot of the storytelling seems to imply that the true circumstances are otherwise.
I shouldn't have said that in the OT God recognizes the existence of other gods, since I'm not sure he does. As you say, his worshipers do, even Moses (Ex. 15:11: "Who is like you among the gods, Yahweh?"), and God never takes any of the opportunities to correct them.
1 quoted line
In Genesis, he condemns Sodom and Gomorrah even though they do not appear to be his worshipers. In Genesis one never seems to encounter a god he must compete with or overcome. In Exodus, God plagues the Egyptians and their gods are not even addressed. In Numbers, Balaam's prophecy seems to assume one God who blesses and condemns. Also, in 1 Samuel, when the Philistines capture the Ark of the Covenant, they offer it before Dagan. Then the next morning the find the idol fallen forward on its face in front of the Ark.
Possibly suggesting that God beat Dagon.
2 quoted lines
Also in 1 Kings when the Aramites decide that the gods of the Israelites are gods of the hills. So they decide to fight them in the plains where they can be easily defeated. So God thrashes them extra hard to make a point.
And in Job, argued to be the earliest book written,
Really? I thought it was supposed to be post-Exilic. Why couldn't those people put copyright dates on their books?
1 quoted line
there is really no credible alternative to God offered even though Job's worship of God does not protect him from harm.
I agree that there's no clear evidence of God's interactions with other gods. But there's no clear evidence of monotheism till Second Isaiah (Is. 44:6), I'm told, so it seems likely that the authors of the books agreed with the characters that there were other Gods, but the Israelites were supposed to worship just one.
Jerry Friedman
Since it usually takes me more than a month to read a month's worth of tales, I launched my variant on this tonight. I started on The Very Best of GW (the PS Publishing volume) with Kim Stanley Robinson's introduction (I have a feeling that many on this list could give Stan a run for his money when it comes to analysis of GW's works) and then on to "The Island of Doctor Death and Other Stories".
I do not think I have read this story since I first encountered it in Orbit way back when (what an anthology series that was), as I did not remember much of the story other than the title. Edgar Rice Burroughs meets, who...Faulkner? Kerouac? Salinger?
The excerpts from the book are fun, nicely capturing Wells and Burroughs (Edgar Rice). And when the character's appear it is not artificial (if that makes sense).
Resisting urge to skip ahead and read the others in the sequence. Will take the book as it is presented.
Stan mentions candidates for a second volume. Second volume? Has that made any progress?
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On Tue, Mar 20, 2012 at 9:29 PM, Marc Aramini <marcaramini at yahoo.com> wrote:
--- On *Mon, 3/19/12, Daniel Petersen <danielottojackpetersen at gmail.com>*wrote:
From: Daniel Petersen <danielottojackpetersen at gmail.com>
Subject: Re: (urth) summer project idea
I'd love to keep up with this. Marc, would you let us know which ones you plan on reading? I've actually got a lot of the short stories that I haven't even read, to be honest. This would be a great way to finally overcome that.
Since it usually takes me more than a month to read a month's worth of tales, I launched my variant on this tonight. I started on The Very Best of GW (the PS Publishing volume) with Kim Stanley Robinson's introduction (I have a feeling that many on this list could give Stan a run for his money when it comes to analysis of GW's works) and then on to "The Island of Doctor Death and Other Stories".
I do not think I have read this story since I first encountered it in Orbit way back when (what an anthology series that was), as I did not remember much of the story other than the title. Edgar Rice Burroughs meets, who...Faulkner? Kerouac? Salinger?
The excerpts from the book are fun, nicely capturing Wells and Burroughs (Edgar Rice). And when the character's appear it is not artificial (if that makes sense).
Resisting urge to skip ahead and read the others in the sequence. Will take the book as it is presented.
Stan mentions candidates for a second volume. Second volume? Has that made any progress?
17 quoted lines · 1–2 deep
On Tue, Mar 20, 2012 at 9:29 PM, Marc Aramini <marcaramini at yahoo.com> wrote:
--- On Mon, 3/19/12, Daniel Petersen <danielottojackpetersen at gmail.com> wrote:
From: Daniel Petersen <danielottojackpetersen at gmail.com>
Subject: Re: (urth) summer project idea
To: "The Urth Mailing List" <urth at lists.urth.net>
Date: Monday, March 19, 2012, 4:22 PM
Are you going to include the three novelettes that make up Fifth Head of Cerberus as instances of short stories, or just leave them to one side as a one unified piece? ?Just curious...
-DOJP
Since Fifth Head has been discussed a lot, I feel I should probably treat it as one piece and perhaps tackle it after the other fiction, if at all. I will let you know ...
_______________________________________________
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F.P. Kiesche III? "Ah Mr. Gibbon, another damned, fat, square book. Always, scribble, scribble, scribble, eh?" (The Duke of Gloucester, on being presented with Volume 2 of The Decline and Fall of the Roman Empire.) Blogging at The Lensman's Children (http://theeternalgoldenbraid.blogspot.com/).
Gerry Quinn: I have never said anything of the sort. Please stop putting words in my mouth.
Apologies. You did say Christian worship was better, not that Christians were better people. If so, a shame that better worship doesn't lead to becoming a better person.
Which reminds me, I forgot to ask you something:
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As I think you well know, I was not referring to myself when I alluded to the scorpion.
No, actually I truly thought you were referring to yourself. Who were you referring to?
IIRC it came in a discussion after David expressed frustration with your debating tactics. I took it as an admonition to David that when he enters a discussion with you, he should know what to expect, as the frog should have known what to expect from the scorpion riding on his back.
Jerry Friedman: I agree that there's no clear evidence of God's interactions with other gods. But there's no clear evidence of monotheism till Second Isaiah (Is. 44:6), I'm told, so it seems likely that the authors of the books agreed with the characters that there were other Gods, but the Israelites were supposed to worship just one.
Nice summation.
1 quoted line
Dan'l Danehy-Oakes: Correct. Wolfe is not writing apologetics; he is writing fantasy/sf in which the truth is, repeatedly and by different devices, hidden, and its revelation is salvific.
Agreed, though I still think the main device Wolfe uses to reveal the validity of the Truth of Christianity is its absence.
3 quoted lines
I would go so far as to say that there is less ickiness and cruelty in Christianity than in most other religions (I might except Zen Buddhism)
-- incluiding Marxism, which is a religion screaming that it isn't.
The fact that we in the Western World do not take slavery, the murder and rape of peasants by nobles, and so on as just "the way things are" is due to the civilizing influence of Christianity.
I could cautiously agree with a few qualifications. I think you have to specify "modern" Christianity. For most of Western history, slavery and other evils were tolerated within Christian societies,including by the clergy.
Also, there are many religions which can be considered more inherently benign than Christianity; a few Asian faiths, certain native American belief systems, Universal Unitarianism, etc.
But the thing is, most peaceful religions simply don't spread the way
the militant religions out of the Middle East do. So it might not be fair to compare Christianity with Sikhism or Hopi beliefs, etc. I would agree that modern Christianity is more benign than modern Islam or Judaism.
I certainly agree that the real world practice of Marxism has functioned like a religion for its adherents and has an inherent violence within its philosophy. Hard to have class warfare and social upheaval without bloodshed, not to mention the need for draconian enforcement once Marxist principles are established.
On Wed, Mar 21, 2012 at 1:29 AM, Marc Aramini <marcaramini at yahoo.com> wrote:
--- On *Mon, 3/19/12, Daniel Petersen <danielottojackpetersen at gmail.com>*wrote:
From: Daniel Petersen <danielottojackpetersen at gmail.com>
Subject: Re: (urth) summer project idea
To: "The Urth Mailing List" <urth at lists.urth.net>
Date: Monday, March 19, 2012, 4:22 PM
Are you going to include the three novelettes that make up Fifth Head of Cerberus as instances of short stories, or just leave them to one side as a one unified piece? Just curious...
-DOJP
Since Fifth Head has been discussed a lot, I feel I should probably treat it as one piece and perhaps tackle it after the other fiction, if at all. I will let you know ...
_______________________________________________
On 3/21/2012 8:56 AM, Lee Berman wrote:
Jerry Friedman: I agree that there's no clear evidence of God's interactions with other gods. But there's no clear evidence of monotheism till Second Isaiah (Is. 44:6), I'm told, so it seems likely that the authors of the books agreed with the characters that there were other Gods, but the Israelites were supposed to worship just one.
Nice summation.
I've always wondered what was supposed to have happened to those "other gods."
2 quoted lines · 1–2 deep
Dan'l Danehy-Oakes: Correct. Wolfe is not writing apologetics; he is writing fantasy/sf in which the truth is, repeatedly and by different devices, hidden, and its revelation is salvific.
Agreed, though I still think the main device Wolfe uses to reveal the validity of the Truth of Christianity is its absence.
That's a nice observation.
9 quoted lines · 1–2 deep
I would go so far as to say that there is less ickiness and cruelty in Christianity than in most other religions (I might except Zen Buddhism)
-- incluiding Marxism, which is a religion screaming that it isn't.
The fact that we in the Western World do not take slavery, the murder and rape of peasants by nobles, and so on as just "the way things are" is due to the civilizing influence of Christianity.
I could cautiously agree with a few qualifications. I think you have to specify "modern" Christianity. For most of Western history, slavery and other evils were tolerated within Christian societies,including by the clergy.
Also, there are many religions which can be considered more inherently benign than Christianity; a few Asian faiths, certain native American belief systems, Universal Unitarianism, etc.
But the thing is, most peaceful religions simply don't spread the way
the militant religions out of the Middle East do. So it might not be fair to compare Christianity with Sikhism or Hopi beliefs, etc. I would agree that modern Christianity is more benign than modern Islam or Judaism.
I have to wonder what that means. Is the religion separate from the society? What branch does one consider representative? Does theory trump practice?
On Tue, Mar 20, 2012 at 5:17 PM, Dan'l Danehy-Oakes <danldo at gmail.com>wrote:
The fact that we in the Western World do not take slavery, the murder and rape of peasants by nobles, and so on as just "the way things are" is due to the civilizing influence of Christianity.
You typed "Christianity" when you probably meant "the Enlightenment". Catholicism is not anti-slavery, and in some cases can be safely said to be pro-slavery. See, for example, The Catholic Encyclopedia ( http://www.newadvent.org/cathen/14039a.htm):
---
The fact that slavery, tempered with many humane restrictions, was permitted under the Mosaic law would have sufficed to prevent the institution form being condemned by Christian teachers as absolutely immoral. They, following the example of St. Paul, implicitly accept slavery as not in itself incompatible with the Christian Law. The apostle counsels slaves to obey their masters, and to bear with their condition patiently.
---
Judging by his stories, Wolfe knows this teaching and accepts it. There are a fair number of enslaved characters and I cannot recall any of them or any sympathetic character disparaging the institution itself. Particular conditions, sure, but the fact that one person owns another is perfectly fine.
I just wanted all the wars to be over so that we could spend the money on starships and Mars colonies.
- Grant Morrison
Thomas Bitterman wrote:
You typed "Christianity" when you probably meant "the Enlightenment".
Indeed, no. I regard the so-called Enlightenment as a fundamentally Christian phenomenon -- admittedly in part a reaction against problems in the implementation of Christianity, its values were nonetheless fundamentally Christian.
1 quoted line
Catholicism is not anti-slavery, and in some cases can be safely said to be pro-slavery. See, for example, The Catholic Encyclopedia
The slavery to which Catholicism was not opposed was the Roman style of slavery, which was more like a form of indentured servitude. Roman slaves could own property and buy their own freedom, quite different from chattel slavery.
But this is the main reason I responded...
1 quoted line
I just wanted all the wars to be over so that we could spend the money on starships and Mars colonies. ? - Grant Morrison
On 3/21/2012 12:14 PM, Dan'l Danehy-Oakes wrote:
Thomas Bitterman wrote:
Catholicism is not anti-slavery, and in some cases can be safely said to be pro-slavery. See, for example, The Catholic Encyclopedia
The slavery to which Catholicism was not opposed was the Roman style of slavery, which was more like a form of indentured servitude. Roman slaves could own property and buy their own freedom, quite different from chattel slavery.
Weren't they still subject to arbitrary use and abuse, and sale to other owners without consent?
Jeff Wilson - jwilson at clueland.com
Computational Intelligence Laboratory - Texas A&M Texarkana
< http://www.tamut.edu/CIL >
Jeff Wilson wrote:
Weren't they still subject to arbitrary use and abuse, and sale to other owners without consent?
The former, no. Roman slaves had well defined rights.
The latter ... I'm not sure about, I'd have to go back to my old history books. I suspect that the answer is yes, though.
On Tue, Mar 20, 2012 at 5:17 PM, Dan'l Danehy-Oakes <danldo at gmail.com <mailto:danldo at gmail.com>> wrote:
The fact that we in the Western World do not take slavery, the murder
and rape of peasants by nobles, and so on as just "the way things are"
is due to the civilizing influence of Christianity.
Thomas Bitterman wrote:
You typed "Christianity" when you probably meant "the Enlightenment".
On 3/21/2012 12:14 PM, Dan'l Danehy-Oakes wrote:
Indeed, no. I regard the so-called Enlightenment as a fundamentally Christian phenomenon -- admittedly in part a reaction against problems in the implementation of Christianity, its values were nonetheless fundamentally Christian.
Whether or not the Enlightenment was powered by Christian ethics and world-view, I seriously doubt that the Enlightenment movement itself was the primary source behind the abolition of slavery. As de Tocqueville pointed out in "Democracy In America", Christian principles had effectively abolished the unvarnished ownership of other humans for a thousand years until the 1440s when Portuguese traders discovered the slave markets of West Africa and imported them to Europe. African slave trade was like a mutated virus that is reintroduced to a population that had lost the ability to resist it. It was treated as a special case. Even after its introduction, Europeans did not enslave each other during wars. European Christian ethics and world-view had abolished slavery before and it was inevitable that they would do it again unless the institution was permitted to constantly flee to new colonies of European powers.
Additionally, economics (not Enlightenment theory but mundane example) meant this relatively new and unique version of slavery was doomed. The enclosed experiment of the United States was proving that slavery impoverished the states that permitted it (De Toqueville offered the comparison of the affluence of Ohio to the poverty of Kentucky on either side of the Ohio River). Unfortunately, since slavery in Europe had become confabulated with skin color, it marked whole populations as former and potential slaves--as inferior by birth. And since the Southern states no longer had the option of selling their slaves away (as England and the northern states did), ending slavery in the American south would mean the masters would have to live with their former slaves as equals (something that Christian charity could have addressed, but which the Christian canon itself had no specific doctrine to deal with it). And that's why the last bastion of slavery required a very bloody civil war to be eradicated.
"When I see the order of nature overturned and hear mankind cry out and struggle in vain against the law, I confess that my indignation is not directed at my contemporaries, the authors of these outrages; all my hatred is reservered for those who, after more than a thousand years of equality, introduced servitude into the world once more." ~ De Tocqueville
J
Sure Craig. Right now I am fancying something chronological, with Bibliomen as a whole that might be put off until later.
So something like this, with Bibliomen entries and Fifth Head displaced a bit.
http://www.wolfewiki.com/pmwiki/pmwiki.php?n=WolfeWiki.StoriesListByDate
some are uncollected and some are online.
--- On Tue, 3/20/12, Craig Brewer <cnbrewer at yahoo.com> wrote:
From: Craig Brewer <cnbrewer at yahoo.com>
Subject: Re: (urth) summer project idea
Sure thing Mo. From my own perspective, grab whatever you think is useful or post it wholesale if I wrote it. Consider this a blanket permission for anything I wrote, past or future.
43 quoted lines · 1–2 deep
--- On Tue, 3/20/12, Mo Holkar <lists at ukg.co.uk> wrote:
From: Mo Holkar <lists at ukg.co.uk>
Subject: Re: (urth) summer project idea
To: "The Urth Mailing List" <urth at lists.urth.net>
Date: Tuesday, March 20, 2012, 7:16 AM
At 13:03 20/03/2012, Gerry wrote:
From: <mailto:marcaramini at yahoo.com>Marc
Aramini
I will start with the earliest chronological
stories of Gene and proceed with
the most basic of summaries, my impressions if I
have any that I think are
worthwhile, and then perhaps a series of elements
that I found confusing
or would like to re-examine after I have read
through the story twice with
notes. I will be on the look out for
repetitive patterns of occurence or words
that are used with mysterious misplaced
connotation. this would be for the
short stories.
Interesting. the WolfeWiki seems to attempt
something like this, but the notes and questions are rather
sparse for a lot of stories.
- Gerry Quinn
Yes, WolfeWiki contributors have worked enthusiastically
over a selection of stories, but it's very patchy. I'm
hoping that Marc and those who discuss indivdual stories
with him on here will be kind enough to let some of their
forthcoming thoughts be reflected on the wiki (with
appropriate credit of course).
best wishes,
Mo
# ~ # ~ #
WolfeWiki -- a wiki about Gene Wolfe
http://www.wolfewiki.com/pmwiki/
_______________________________________________
On Wed, Mar 21, 2012 at 1:14 PM, Dan'l Danehy-Oakes <danldo at gmail.com>wrote: Thomas Bitterman wrote:
You typed "Christianity" when you probably meant "the Enlightenment".
Indeed, no. I regard the so-called Enlightenment as a fundamentally Christian phenomenon -- admittedly in part a reaction against problems in the implementation of Christianity, its values were nonetheless fundamentally Christian.
I had never heard that idea before. I don't agree, but I see your point.
2 quoted lines · 1–2 deep
Catholicism is not anti-slavery, and in some cases can be safely said to be pro-slavery. See, for example, The Catholic Encyclopedia
The slavery to which Catholicism was not opposed was the Roman style of slavery, which was more like a form of indentured servitude. Roman slaves could own property and buy their own freedom, quite different from chattel slavery.
The Catholic Encyclopedia (I included the URL) actual condemns the Roman practice, while detailing the "superior" Jewish version.
4 quoted lines · 1–2 deep
But this is the main reason I responded...
I just wanted all the wars to be over so that we could spend the money on starships and Mars colonies.
- Grant Morrison
Supergods, right? A fine book...
Yup. Had never read a really good defense of Superman before. Read it along with "Our Gods Wear Spandex". Both good books for anyone interested in how "low" culture handles spiritual issues.
2 quoted lines
--
Dan'l Danehy-Oakes
>
I just wanted all the wars to be over so that we could spend the money on starships and Mars colonies.
- Grant Morrison
Thomas Bitterman wrote:
The slavery to which Catholicism was not opposed was the Roman style of slavery, which was more like a form of indentured servitude. Roman slaves could own property and buy their own freedom, quite different from chattel slavery.
The Catholic Encyclopedia (I included the URL) actual condemns the Roman practice, while detailing the "superior" Jewish version.
Well, at least you know I was writing for myself and not official Catholic agitprop... ;)
2 quoted lines · 1–2 deep
Supergods, right? A fine book...
Yup. Had never read a really good defense of Superman before. Read it along with "Our Gods Wear Spandex". Both good books for anyone interested in how "low" culture handles spiritual issues.
Hadn't heard of the other book. Now I'm going to have to get hold of a copy.
At 19:14 21/03/2012, Marc wrote:
Sure thing Mo. From my own perspective, grab whatever you think is useful or post it wholesale if I wrote it. Consider this a blanket permission for anything I wrote, past or future.
Thank you, Marc, that's very generous!
best wishes,
Mo
43 quoted lines · 1–3 deep
--- On Tue, 3/20/12, Mo Holkar <lists at ukg.co.uk> wrote:
From: Mo Holkar <lists at ukg.co.uk>
Subject: Re: (urth) summer project idea
To: "The Urth Mailing List" <urth at lists.urth.net>
Date: Tuesday, March 20, 2012, 7:16 AM
At 13:03 20/03/2012, Gerry wrote:
From: <mailto:marcaramini at yahoo.com>Marc
Aramini
I will start with the earliest chronological
stories of Gene and proceed with
the most basic of summaries, my impressions if I
have any that I think are
worthwhile, and then perhaps a series of elements
that I found confusing
or would like to re-examine after I have read
through the story twice with
notes. I will be on the look out for
repetitive patterns of occurence or words
that are used with mysterious misplaced
connotation. this would be for the
short stories.
Interesting. the WolfeWiki seems to attempt
something like this, but the notes and questions are rather
sparse for a lot of stories.
- Gerry Quinn
Yes, WolfeWiki contributors have worked enthusiastically
over a selection of stories, but it's very patchy. I'm
hoping that Marc and those who discuss indivdual stories
with him on here will be kind enough to let some of their
forthcoming thoughts be reflected on the wiki (with
appropriate credit of course).
best wishes,
Mo
# ~ # ~ #
WolfeWiki -- a wiki about Gene Wolfe
http://www.wolfewiki.com/pmwiki/
_______________________________________________
Larger views of some of the gorgeous rooms seen over the shoulders of the participants, and detail on the upright organ:
http://www.wurlitzer2003.com/victorian_palace.htm
news story/video tour with lots of musical machiner and a shot of the balcony about 5:45:
http://www.placedelamusique.org/
additional links up the side here.
Jeff Wilson - jwilson at clueland.com
Computational Intelligence Laboratory - Texas A&M Texarkana
< http://www.tamut.edu/CIL >
On 3/21/2012 12:52 PM, Dan'l Danehy-Oakes wrote:
Jeff Wilson wrote:
Weren't they still subject to arbitrary use and abuse, and sale to other owners without consent?
The former, no. Roman slaves had well defined rights.
The rights to keep their religion didn't seem to prevent them from being prostituted or used in blood sports or worked to death in mines, though. Not much of chance to pick up enough tips to buy your freedom in the mines, either.
Jeff Wilson - jwilson at clueland.com
Computational Intelligence Laboratory - Texas A&M Texarkana
< http://www.tamut.edu/CIL >
Thank you Marc, and James, and the others, for your accounts. It surely was memorable! In hindsight I should have asked you to tell Gene he has a number of fans in non-english speaking countries too (it may take a PhD in English Literature and a monstrous knowledge of pulp to more fully understand his work, but us from other cultures can find much richness in it too). Oh well...
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